Directors
Interviews - Directors
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Bobbito Garcia on Doin’ It in the Park: Pick-Up Basketball
By some estimates, over half a million people play pick-up basketball in the playgrounds of New York each year. In Doin’ It in the Park: Pick-Up Basketball, filmmakers and pick-up basketball enthusiasts Bobbito Garcia and Kevin Couliau set out to create the most comprehensive document of New York City’s summer, outdoor pick-up basketball scene by visiting 180 courts throughout all five of the city’s boroughs. Shot in a breakneck 75 summer days during 2011, their debut documentary has an immediacy and intimacy that speaks to its homemade vibe, even amongst former and current NBA players like Kenny Anderson and Brandon Jennings, […]
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“Lack of Access Made Us More Artful:” Alex Gibney on We Steal Secrets: The Story of WikiLeaks
As a documentary subject, WikiLeaks couldn’t be in better hands than those of Alex Gibney. The Oscar-winning director of Taxi to the Dark Side, whose other films include Enron: The Smartest Guys in the Room and Mea Maxima Culpa, has displayed an ongoing interest in exposing corruptions of power. WikiLeaks, the whistleblower website responsible for the largest leaks of classified documents in history, was founded on the same principle. Yet it is surprising that We Steal Secrets: The Story of WikiLeaks explores the decline of the organization as it became a victim of its own beliefs. The documentary explores the […]
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Ten Lessons on Filmmaking from James Franco
There’s a trend in actor-turned-director helmed films at Cannes this year, an impeccable direction of the people on screen. You can tell there’s a sense of trust and cohesive goal to create something great. One of the clearest examples of this is James Franco’s new feature film, As I Lay Dying, based on the great American classic by William Faulkner, the story of the death of Addie Bundren and her family’s quest to honor her wish to be buried in the town of Jefferson. The vivid characters have come to life on the big screen through Franco’s split-screen filmmaking, led by […]
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Street Views: a Conversation with James Nares and His Cinematic Ode to New York
In James Nares’s 1976 film Pendulum, a large metal sphere swings ominously from a bridge in a desolate TriBeCa street. We watch with unease as the ball, viewed from multiple positions, traces a giant arc, pulling on the cable, which emits a low rhythmic groan on the soundtrack. This tense, hypnotic Super-8 film, which transforms a forlorn streetscape into existential theater, offers a strange love-letter to a city (at that moment) riddled with danger and alive with artistic possibility. Pendulum was made several years after Nares’s arrival in New York at age 21 from his native England. The city’s been […]
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Kim Ki-Duk on Pieta
Made quickly and on the cheap, prolific South Korean director Kim Ki-duk’s 18th film, Pieta, is an often disturbing revenge tale, moody and morally challenging, where redemption for one of recent cinema’s most dark-hearted anti-heroes seems just out of grasp. Kang-do (Lee Jung-jin) is a pitiless and anger-fueled debt collector for a equally brutal moneylender who specializes in forcing his often destitute debtors to commit insurance fraud in order to pay back what they owe him. Living a comfortless and filthy existence in the same slum as many of his victim, Kang-do has not a friend or a care in the […]
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Crowdfunding a Transmedia Phenomenon: Director Nicolás Alcalá on The Cosmonaut
With all the discussion about the future of Kickstarter in recent weeks, it may be appropriate that a film that began its campaign at the beginning of the crowdfunding movement is finally coming out this Saturday. The Cosmonaut — a Spanish-made English-language film directed by Nicolás Alcalá and produced by Carola Rodriguez and Bruno Teixidor — raised over €300,000 from 5,000 contributors. It was the first crowdfunded film in Spain and helped pave the way for the foundation of Lánzanos, Spain’s Kickstarter equivalent. The Cosmonaut will be available to watch for free on Saturday on the film’s website; the DVD, theatrical […]
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Bryce Dallas Howard on Project Imaginat10n
Back in 2011, Canon approached director Ron Howard about creating a short film inspired by a framework of eight photographs, which were culled from over 100,000 submissions through an online contest. Howard declined on account of his busy schedule, but offered to mentor a filmmaker through the process. His pupil in Project Imagin8ion was none other than his daughter, actress Bryce Dallas Howard. Through the exercise, Bryce crafted the 29-minute when you find me, a short film written by Dane Carbeneau about two sisters grappling with the death of their mother through space and time. A photograph of a dilapidated […]
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Martha Stephens on Pilgrim Song
In Martha Stephens’ lovely, evocative and deceptively simple Pilgrim Song, Timothy Morton (Team Picture) plays James, a newly unemployed elementary school music teacher from Louisville, Kentucky. A gangly fellow with a large red beard, some mean fiddle skills and an unreliable sense of direction, James finds his future hanging in the balance in more ways than one after he’s laid off from his teaching gig. Seeking some sort solace following his dismissal and an unspoken trauma that has pushed him apart from his girlfriend Joan (Karrie Crouse, also the film’s co-writer), he sets out on a trek across Kentucky’s Sheltowee Trace […]
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“Someone Who’s Arrogant Who’s Being Killed:” Ben Wheatley on Sightseers
Ben Wheatley first gained attention with a nine-second video clip that went viral in the pre-YouTube era. In “Cunning Stunt,” a man successfully jumps over a moving car, celebrates, and is instantly wiped out by an unseen oncoming vehicle. It’s a funny, jolting gag restaged in Wheatley’s 2009 feature debut Down Terrace (a sick-funny look at a homicidal low-tier-criminal family bumping off everyone in their immediate circle). Death by vehicular homicide again makes for the first death in his latest film Sightseers. Chris (Steve Oram) just wants to take his girlfriend Tina (Alice Lowe) on a relaxing rural trip through […]
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Jared Moshe on Dead Man’s Burden
Sumptuous and evocative, Jared Moshe’s Dead Man’s Burden is the rarest of species in specialty film, a Western. More importantly, it is a fine addition to the genre, a complex meditation on the wages of sin and the burdens of family, a chamber drama with more than a hint of noir. Set during the years after the Civil War in and around a rural New Mexican ranch, the film initially focuses on a young couple, Martha (Clare Bowen) and Heck (David Call). They plan to sell the ranch after the death of her father, a struggling farmer, and use the money […]
