Directors
Interviews - Directors
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Steve Collins, You Hurt My Feelings
Steve Collins’ You Hurt My Feelings is the story of emotionally remote and unavailable people, a trio of wounded individuals who fail to connect with one another. Though Collins’ film deals with familiar subject matter, its tale is told with such clever minimalism and discernible sweetness that it goes down rather smoothly. While the characters may not be able to express themselves emotionally, Collins and his director of photography, Jeremy Saulnier (Septien, Putty Hill), find real poetry in the changing of the New England seasons, the passage of time providing an even greater window in the the failed lives on display. John […]
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Damon Russell, Snow on tha Bluff
The line separating documentary and narrative film aesthetics has never been more porous than it is now, but Damon Russell’s revelatory Snow on tha Bluff lives comfortably on that line. An incredible combination of found footage, no-budget narrative ingenuity and pulled-from-the-streets doc immediacy, it discovers in its incredibly charismatic and troubled protagonist, Curtis Snow, an American life many of us would probably rather forget about. Easy to dismiss as “Cops from the perp’s perspective,” perhaps, this startlingly authentic document of the life of a young, black, crack-dealing single parent — and of the dangers that lurk in poor and working-class black […]
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Five Questions with Nancy, Please Director Andrew Semans
Sometimes the simplest premises can be the most devastating. Andrew Semans’ debut feature Nancy, Please follows Paul (Will Rogers), a Yale PhD student as he tries (or, kind of tries) and utterly fails to complete his dissertation. His excuse for this lack of productivity? He’s accidentally left an essential annotated copy of Dickens’ Little Dorrit at his old apartment. Worse still, the book is now in the care of his ex-roommate Nancy (Eléonore Hendricks), a woman who he views as something of a sociopath. As Paul’s attempts to get the book back grow more and more desperate, Semans plumbs the […]
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Five Questions with Rubberneck Director Alex Karpovsky
Over the last few years, actor Alex Karpovsky has slowly grown into one of the most recognizable faces in American indies. And with a recurring role on Girls, Lena Dunham’s upcoming HBO series, he stands poised to break through to a wider audience. As if he wasn’t busy enough, Karpovsky has found time to migrate behind the lens for Rubberneck, his directorial followup to 2009’s Second City improv documentary Trust Us, This is All Made Up. A psychological thriller about an unhinged scientist (Karpovsky, directing himself) who grows increasingly obsessed with a co-worker he’s recently had a one-night stand with, […]
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A Conversation with Cabin in the Woods Director Drew Goddard
They say you have to know the rules to break them. And Drew Goddard is a man very familiar with how to write for genre, collaborating over the last decade with some of the biggest names in American horror and sci-fi. In 2008 Goddard penned the screenplay to J.J. Abram’s found-footage monster movie Cloverfield, and before that he served as a series writer on television shows such as Buffy the Vampire Slayer, Lost, and Alias. So it should come as no surprise that his directorial debut, Cabin in the Woods, not only pays homage to the genre tropes implied in […]
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Nanni Moretti, We Have a Pope
Deeply shrouded in mystery, the election of the Pope is a strange amalgam of modern democracy and ancient ritual. It is also a circumstance that seems ripe for farce. At least Nanni Moretti, perhaps Italy’s most revered contemporary filmmaker, seems to think so. His newest film, We Have a Pope, which premiered last year in Cannes as Habemus Papam, is an often funny, sneakily moving investigation of the Vatican’s less-than-infallible process of choosing the divine, and one man’s rejection of his supposedly divine calling. Starring Michel Piccoli as a would-be Pope who disappears after his election and Moretti himself as […]
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Jon Shenk and Mohamed Nasheed on The Island President
Originally posted during the Toronto Film Festival, here is a short video with the now former Maldives President Mohamed Nasheed and filmmaker Jon Shenk on their collaboration making the climate change doc, The Island President. The film opened today at Film Forum in New York. Over at Hammer to Nail, Daniel James Scott interviews Shenk. An excerpt: H2N: So for you, filmmaking starts with story. Yet all of your films coincide with social or political issues that can be affected by the emotional power you described. I’m sure that few filmmakers know more than you the delicate relationship between entertainment […]
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Grover Babcock and Blue Hadaegh, Scenes of a Crime
The 2011 winner of the Filmmaker-sponsored Best Film Not Playing at a Theater Near You IFP Gotham Award, Grover Babcock and Blue Hadaegh’s Scenes of a Crime is a powerful social justice documentary that uses its feature-length format as its most powerful argument for the innocence of Adrian Thomas, a New York man currently inprisoned for the shaking death of his infant son. Over the course of the film’s 88 minutes, we go beyond the soundbite, watching long stretches of Thomas’s interview by two detectives — a grilling that resulted in a confession that specialists in police interrogation believe was […]
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Terence Davies, The Deep Blue Sea
One of the United Kingdom’s most lauded stylists, Terence Davies has carefully crafted a body of work that fits squarely into the class-conscious, post-neorealist tradition of British cinema, working without much fanfare or regard for the exigencies of commercial filmmaking that the age and his stature would seem to demand. Now in his mid-sixties, Davies has in the last 30 years quietly established himself as one of the finest British filmmakers of his generation. He is not a cinephile and his lugubrious, sublimely photographed and insidiously hard-hearted narratives — such as 1988’s Distant Voices, Still Lives, which will screen as […]
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Director Nelson George on The Announcement
I sat down today with my old friend Nelson George to ask about his recent and past projects. We discussed his newly finished film The Announcement, about Magic Johnson 20 years after he made the announcement that he has the HIV virus. And then we worked backwards and discussed Good Hair, Life Support, and George’s path from journalist to filmmaker. The Announcement premiered on ESPN this month and continues to air; for upcoming screenings, including one this afternoon, visit the website. George’s documentary Brooklyn Boheme is now available on iTunes. Filmmaker: Tell me about The Announcement and how you came […]
