Interviews

Performance Driven

Leading up to the Oscars on Feb. 22, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. James Ponsoldt interviewed Rachel Getting Married director Jonathan Demme, as well as other principals from the film, to dissect the creation of the title character for our Fall ’08 issue. Rachel Getting Married is nominated for Best Actress (Anne Hathaway). Jonathan Demme has made a career out of revealing the humanity in oddballs, eccentrics, zealots and rock stars. As a storyteller, Demme doesn’t judge. He trusts that if you listen to […]

By Jason Guerrasio on Jan 19, 2009 Actors
No Vacancy

Leading up to the Oscars on Feb. 22, we will be highlighting the nominated films that have appeared in the magazine or on the Website in the last year. Howard Feinstein interviewed the key principals of The Visitor for our Spring ’08 issue. The Visitor is nominated for Best Actor (Richard Jenkins). In 2005, Tom McCarthy, who has been acting for nearly 20 years, appeared in three films with strong political thrusts: Syriana; Good Night, and Good Luck; and Danny Leiner‘s underappreciated The Great New Wonderful. In The Station Agent (2003), his first feature as a director, however, McCarthy displayed […]

By Jason Guerrasio on Jan 19, 2009 Actors
2008 in Quotes

Last year, I put together a blog post with a taster of some quotes from Director Interviews I did in 2007 and I have now (somewhat belatedly) come up with a compilation of choice soundbites from this past year. Though in my thoughts on 2008 I expressed the opinion that it had been a below average year for cinema (at least in comparison with the high water mark of 2007), it has been a hugely enjoyable 12 months from my perspective as an interviewer. Any year in which you get to sit down with George Romero, Werner Herzog, Catherine Breillat, […]

By Nick Dawson on Jan 11, 2009 Directors
Director Randall Sharp on Henry May Long

The Talented Mr. Ripley by way of Somerset Maugham, Henry May Long is a drama about two men, Henry May and Henry Long, set in the upper crust and under belly of 1887 New York City. Long is obsessed with the golden child May, and via constant surveillance has come to know his secret debt and drug addiction. He convinces May to care for him for three months, as an illness takes his toll, in exchange for money to repay May’s debts. Hiding out, along together, their friendship expands and May begins to find meaning in his own limited life […]

By Jason Guerrasio on Nov 24, 2008 Directing
Director Catherine Hardwicke on Twilight

All of Catherine Hardwicke’s four feature films – Thirteen, The Lords of Dogtown, The Nativity Story and now Twilight – have been about teenagers. They have also all been about real people, and all but Thirteen cover stories and characters already known to the public. Twilight is a teen vampire love story based faithfully on the Stephanie Meyer’s book trilogy, starring Kristen Stewart as the human Bella and Robert Pattison as the “vegetarian” vampire Edward Cullen who loves her too much to bite her. The books are coveted and obsessed over by young girls across this country, who are assembling in […]

By Jason Guerrasio on Nov 21, 2008 Directing
Director Darren Lynn Bousman on Repo! The Genetic Opera

Back in 2004, director Darren Lynn Bousman was taking his violent horror script The Desperate to a number of studios, only to be told it was too grisly for mainstream viewers. Enter Saw creators James Wan and Leigh Whannell, who loved The Desperate and immediately contacted Bousman about reworking the script into a sequel to their Saw franchise. This began a partnership that saw Bousman direct three successful Saw films in a row. Taking a break from the infamous horror series, Bousman returns with a long gestating labor of love: Repo! The Genetic Opera, a futuristic horror musical based on […]

By Jason Guerrasio on Nov 6, 2008 Directing
Ancestral Roots

New York-based film critic Godfrey Cheshire was attending a Christmas gathering with his family in North Carolina when he received some surprising news from his cousin Charlie. Midway Plantation, the ancestral home of their extended family since the 1840s, was to be transplanted to a new location. In the name of progress, the city of Raleigh was expanding a highway and strip malls. If the plantation house and its surrounding buildings were not moved, the deterioration of the surrounding environment would be so drastic, future generations would not want to live there. Charlie’s decision sparked controversy within the family, with […]

By Jason Guerrasio on Sep 10, 2008 Directing
A Step Into the Mainstream

Canada’s Patricia Rozema has had an eclectic career, spanning films as diverse as her 1987 debut Cannes feature, I’ve Heard the Mermaids Singing to her Yo Yo Ma feature, Six Gestures: Suite No. 6 for Unaccompanied Cello to her 1999 Jane Austen adaptation, Mansfield Park. The themes and approaches of these films — Rozema’s concentration on adult eroticism, feminism, religious skepticism, and social revolution — would not seem to be the kind of interests which would speak to the upright members of the American Girl enterprise, protectorate of the indomitable Kit Kittredge and her wholesome doll sisters. Yet, the sweetly […]

By Jason Guerrasio on Jul 7, 2008 Directing
Moral Burdens

Turkish-German filmmaker Fatih Akin’s The Edge of Heaven is a fierce, generous melodrama of boundaries and passions, of blood and yearning, the second of a trilogy about émigré culture patterned after Fassbinder’s “BRD Trilogy” (The Marriage of Maria Braun, Lola, Veronika Voss) of post World War II German history. His fiery prior feature, Head-On, is the “love” component, with Edge comprising “death” (with “evil” on the way). Comparisons can be drawn to other work by the late German director, especially with his inclusion of Fassbinder stalwart Hanna Schygulla in a major, moving role. Akin seems to have found his métier […]

By Jason Guerrasio on May 21, 2008 Directing
Five Questions with Carny Director Alison Murray

Throughout her career, Alison Murray has excelled in the filmic exploration of subculture. Her films, both docs and a narrative feature, burrow deep inside groups situated outside of mainstream culture and capture not only their social dynamics but also the very human stories contained within them. Her first doc, Train on the Brain, looked at the teenage culture of “train jumpers.” Her feature Mouth to Mouth starred Ellen Page in a story of a teenager who runs away and joins a European youth cult. And now her latest, Carny, which premieres this week at Hot Docs, finds Murray on the […]

By Scott Macaulay on Apr 15, 2008 Directors

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