GRACE IS GONE. This article is part of Filmmaker’s Sundance 2007 Special Coverage. Certain films arrive at Sundance with a special type of anticipation, whether it’s due to star presence, subject matter, timeliness, or some ineffable quality that is the stuff of buzz. At Sundance 2007, Grace is Gone is one of those films. The directorial debut of James C. Strouse, who wrote Lonesome Jim (the Steve Buscemi-directed film screened at Sundance in 2005), the film tells the heart-wrenching story of a father, played by John Cusack, who must find a way to tell his children that their mother has […]
MAKE A WISH. This article is part of Filmmaker’s Sundance 2007 Special Coverage. Supported by numerous prestigious grants — including the Jerome Foundation’s New York City Media Arts Grant, the New York State Council on the Art’s Electronic Media and Film Distribution Grant, and National Geographic’s All Roads Film Project Seed Grant — Itmanna (Make a Wish), the most recent short film by writer/director, Cherien Dabis, will quickly follow its Sundance bow with screenings at Berlin and the Clermont-Ferrand Short Film Festival. A former media activist and public relations specialist in Washington D.C., Dabis is the daughter of Palestinian/Jordanian immigrants, […]
SALT KISS. This article is part of Filmmaker’s Sundance 2007 Special Coverage. Salt Kiss, the second short film by writer/director Fellipe Barbosa to screen at Sundance (following last year’s La Muerte Es Pequena), has none of the tropes commonly associated—by Americans—with “Latin American” cinema. That means no knife-fights, gambling, gang violence, or overt poverty. Yet Salt Kiss is absolutely a Latin American film—Brazilian, to be exact—because its creator told a film straight from his heart, and yes, he happens to be from Brazil. In truth, Salt Kiss shares much more with two fine American independent films released in recent years—Sideways […]
THE DAWN CHORUS. This article is part of Filmmaker‘s Sundance 2007 Special Coverage. Hope Dickson Leach’s short film, The Dawn Chorus, tells the story of two siblings who annually reenact—with other survivors—the plane crash that killed their parents. An MFA thesis film for Columbia University’s Film program (where Hope graduated with honors), The Dawn Chorus explores the process of grieving and, hopefully healing. A former assistant to Todd Solondz, Hope’s short films have played at festivals around the world, from London and Edinburgh to Boston and Austin. The Dawn Chorus screens in Shorts Program 1, and the film’s path to […]
CONVERSION. This article is part of Filmmaker‘s Sundance 2007 Special Coverage. Conversion, the ambitious second short film by Nanobah Becker, clocks in at only nine minutes, and is described simply tantalizingly as: “Christian missionaries make a catastrophic visit to a Navajo family.” Becker’s first short, Flat, has screened in festivals internationally, and she is a recipient of a 2005 Sundance Institute Ford Fellowship and a 2006 Media Arts Fellowship for her feature screenplay, Full. Conversion will play in Shorts Program V at Sundance. Can you say a little bit about your background? Where you’re from? Age? Education? Film experience prior […]
BOMB. This article is part of Filmmaker’s Sundance 2007 Special Coverage. It isn’t easy to glean a sense of Ian Olds’ identity from his films — they’re too diverse, too global. From Occupation: Dreamland (short-listed for an Academy Award), a breathtaking documentary that avoids simple political interpretation by opting to tell the story of the Iraq War from the perspective of the entire city of Fallujah — including both native Iraqis and U.S. troops — to Bomb, his most recent film, which explores teenage heartache against the backdrop of a decrepit bombing range and junkie malaise, Olds seems to be […]
BITCH. This article is part of Filmmaker’s Sundance 2007 Special Coverage. Bitch, the kinetic, black-and-white, Harold Lloyd-meets-Jello Biafra love story, is one of the most visually sophisticated and stylized films to emerge from that Sundance short film-factory, Columbia University’s MFA Film Program (eight shorts screening at the festival this year!). The film’s director, Lilah Vanderburgh, is obsessed with skater culture, punk-rock, underground comics, and displays the hip film literacy of another director with an encyclopedic knowledge of pop culture. (Is it taboo to compare a young director to Tarantino? Who cares — in this case, it’s deserved). This film will […]
CLIVE OWEN AND JULIANNE MOORE IN CHILDREN OF MEN. Set in 2027, Alfonso Cuarón’s latest picture, Children of Men, takes place in a bleak England where it’s been 19 years since the last baby was born. Mankind’s future seems grim, and most of the world has devolved into anarchy. Random security checks and bombings have become an everyday occurrence as Great Britain franticly tries to protect its island from illegal immigrants. Theo, played by Clive Owen, spends his days in a drunken haze, often escaping the city to smoke pot with his old hippie-friend Jasper (Michael Caine) in the country. […]
The team behind the award-winning documentary Boys of Baraka are back with a new film that focuses on Evangelical children training to be “soldiers in God’s Army.” Early on in Jesus Camp, Pentecostal minister Becky Fischer asks an auditorium full of children and parents: “Do you believe God can do anything?” A young mother grabs her child’s arm and raises it. LEVI IN HEIDI EWING AND RACHEL GRADY’S JESUS CAMP. This is just one of many provocative moments that give Rachel Grady and Heidi Ewing’s latest documentary its haunting power. As enthralling as the religious rallies it reveals, Jesus Camp […]
With The Outsider, cinematic badboy James Toback gets in front of the camera for first-time filmmaker Nicholas Jarecki. “Who is James Toback?” That’s the question documentary filmmaker Nicholas Jarecki poses in The Outsider, a freewheeling and highly watchable portrait of the director of idiosyncratic films like Fingers and Black and White. Jarecki introduces his subject, the Oscar-nominated screenwriter of Bugsy, on the set of a 2004 film for which Toback had high hopes. When Will I Be Loved, which starred Neve Campbell as a young woman on the make, would, like many of Toback’s films, be a minor presence […]