Interviews
Interviews
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Kate Lyn Sheil Discusses Acting at SXSW
With a focused, intense, and somewhat mysterious screen persona, actress Kate Lyn Sheil has stood out in a number of recent independent films, including Silver Bullets by Joe Swanberg and Sophia Takal’s Green. At SXSW this year she arrives with four titles, including Amy Seimetz’s Sun Don’t Shine and Bob Byington’s Somebody Up There Likes Me. Here I talk with Sheil about how she got into acting, being a movie fan, her influences and the particular pleasures of independent film.
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Five Questions with Frankie Go Boomi> Director Jordan Roberts
On paper, Jordan Roberts’ frankie go boom certainly stands out as one of SXSW’s boldest offerings. From the film’s profanity-laden ‘official’ premise (quoted below) to its star-studded cast and strange teasers disseminated across the internet, Roberts is building quite a mythology for the project. Starring Sons of Anarchy’s Charlie Hunnam and Bridesmaid’s Chris O’Dowd as warring brothers, and Lizzy Caplan as the girl caught in the middle, the film premieres tonight as part of SXSW’s Narrative Spotlight section. Filmmaker: Let’s start with the film’s official description – “a flik by bruce about his little brother frank who’s a crybaby fuck […]
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Five Questions with In Our Nature Director Brian Savelson
Brian Savelson’s feature debut In Our Nature focuses on a young couple whose weekend getaway takes a u-turn when the young man’s father and his girlfriend show up to their vacation home un-expectedly. Coming off the success of his animated short Counting Water, Savelson’s drama not only boasts an intriguing premise but also an impressive cast including Zach Gilford (Friday Night Lights), Jena Malone (Donnie Darko), Gabrielle Union (Bring It On) and John Slattery (Mad Men). Filmmaker: What inspired the story for this film? Savelson: Everyone on set was constantly making fun of me, calling me by the character’s name and teasing that […]
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5 Questions for Gimme the Loot Director Adam Leon
Writer-Director Adam Leon’s feature debut Gimme the Loot is an urban drama about two teenage graffiti artists from the Bronx who hatch an elaborate plan to get back at a rival gang for defacing one of their latest creations. Gimme the Loot was part of IFP’s/Lincoln Center’s Emerging Visions program and follows the director’s hugely successful short film Killer which premiered at the New Directors/New Films festival. Filmmaker: What inspired you to make a film about teen graffiti artists from the Bronx? Leon: I grew up in the city surrounded by graffiti and have close friends who wrote while we […]
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Five Questions with Waiting for Lightning Director Jacob Rosenberg
Former skateboarder Jacob Rosenberg’s first feature documentary Waiting for Lightning focuses on the evolution of Danny Way from his rough childhood to his emergence as a world famous skater whose daredevil antics would lead him to jump over the Great Wall of China. The film explores how Danny’s experience coming from a broken home led to his passion for skateboarding and his desire to constantly test his own limits. Judging from the film’s trailer, Waiting for Lightning promises to be an equal parts thrilling and deeply inspirational sports doc. Filmmaker: What sparked your interest in doing a documentary on Danny […]
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5 Questions with Fat Kid Rules the World Director Matthew Lillard
For many of us children of the 90s, Matthew Lillard occupies a special place in our pop-culture hearts. He’s the emblem of a particular film movement, woven nostalgically into us like Molly Ringwald and Judd Nelson were for those who came of age a decade earlier. He’s the star of Hackers, She’s All That, SLC Punk – the killer in Scream! And his reasoned, career-rejuvenating turn last year in Alexander Payne’s The Descendents reestablished him as a unique on-screen presence. So it’s interesting to find Lillard moving behind the camera at this juncture in his career. But somehow, Lillard’s first […]
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Scott Glosserman Discusses Gathr and Theatrical On Demand
“Tipping.” “Pulling.” “Gathring.” Yes, a new tech start-up has entered the independent film space, and with it a nomenclature that speaks to its ambition to “democratize” the business of theatrical distribution. Launched by a filmmaker, Scott Glosserman (Behind the Mask), Gathr offers “TOD,” or theatrical-on-demand, an audience-driven process by which fans request (or “pull”) films to local venues by aggregating their interest and pledging their funds in advance via credit card. When enough fans support a screening on a particular day, the film “tips,” and credit cards are charged. Fans get to see films that might never come to their […]
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Director Dominic Allan on Calvet
The titular tattooed protagonist of Dominic Allan’s Calvet is Jean Marc Calvet (pictured), who went from being a hustling, drug-addicted street kid in the south of France to an NYC art world darling. But the path he took to get there is equal parts winding, fascinating and downright insane. After being discovered in a shooting competition by a guy who ran a security firm, Calvet joined the “world of bodyguards,” taking care of the likes of Mel Gibson, Forest Whitaker and Tim Robbins at Cannes. But he was soon enticed to leave his young family and “disappear” to America with […]
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An Interview with Nick Flynn About Being Flynn
As a child growing up in Scituate, Massachusetts, Nick Flynn (pictured here at left and below with director Paul Weitz) was often left to explore on his own, and he got into varying degrees of trouble. Flynn’s parents were divorced and he had no contact with his father, living instead with his mother, who worked in a bakery. She remarried to a 21-year-old Viet Nam vet, and, after their divorce, Flynn wound up living with her and a new boyfriend — a member of one of the largest drug smuggling rings in New England. Around the age of 18 Flynn […]
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Director Marshall Curry on Racing Dreams
Ask a filmmaker how to go about making your first film, and 99% of them will impart the easier-said-than-done advice, “Just go and make it.” The technology is there, filming and editing equipment have never been more affordable, and the internet has broken down the barriers between filmmakers and distributors. Few of those filmmakers, however, can give that advice as genuinely as Marshall Curry, who did just that with remarkable results. While working at a New York multimedia design firm, Curry decided to pursue a latent desire to make documentary films. With no prior experience in filmmaking, he bought a […]
