Interviews
Interviews
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“I Actually Feel Like the Firefly Was Caught in the Jar”: Tyler Taormina on His Cannes-Premiering Christmas Eve in Miller’s Point
The below interview was originally published May 20, 2024, during the Cannes Film Festival, where Tyler Taormina’s Christmas Eve in Miller’s Point premiered in the Directors Fortnight section. It is being republished today, as the film is released nationally by IFC Films, including at New York’s IFC Center. — Editor Whether the sprawling fantasia that is Tyler Taormina’s Christmas Eve in Miller’s Point proves heartwarmingly reflective or personally destabilizing in its near-ethnographic study of American holiday ritual will depend, largely, on the composition and size of your own Xmas memories. It’s a strength of the film, however, that Taormina’s expansive […]
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Tokyo International Film Festival 2024: Tsuta Tetsuichiro on Black Ox
Telling the story of a small, subsistence farming mountain community whose few remaining members keep drifting away to nearby cities, Tsuta Tetsuichiro’s second feature, 2013’s The Tale of Iya, drew upon his background growing up in rural Japan. “I was actually born near there,” he explained. “As I observed the lifestyle of the people of Iya, the idea came to me naturally to make a film set there.” After shooting his first feature on 16mm film in black-and-white, Tetsuichiro upgraded to 35m color for Iya, whose physicality throughout the seasons overwhelms with brutally immersive snowstorms and epic mountain panoramas. For his […]
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“This is Going to Be the Most Circuitous Interview”: Alan Rudolph on Breakfast of Champions
25 years ago, Alan Rudolph’s Breakfast of Champions left theaters as quickly as it arrived, barely making a blip during a landmark year in American cinema save for a litany of negative reviews that all but celebrated its failure. (Luc Moullet might have been its sole admirer upon release.) Adapted from the Kurt Vonnegut novel of the same name, Breakfast captures a cross-section of American archetypes on the brink of a collective nervous breakdown; correspondingly, the film also feels like it’s also losing its mind. Rudolph, cinematographer Elliot Davis and editor Suzy Elmiger imbue Breakfast with a manic, comically grotesque […]
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“There is No Nice Way to Bulldoze a School”: Basel Adra and Yuval Abraham on No Other Land
Originally published February 27, 2024, just following the Berlin International Film Festival, this interview with No Other Land‘s directors Basel Adra and Yuval Abraham is being republished today, as the documentary opens at Film at Lincoln Center for a one-week run. — Editor Co-directed by an Israeli-Palestinian collective of four, No Other Land was filmed in the West Bank, in Masafer Yatta, where Israeli military and increasingly civilians have forced Palestinians out from their villages. Premiered at the 74th Berlinale, the debut feature won both the juried documentary award and the Audience Award in its section, Panorama—amply deserved honors for […]
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“There’s an Inherent Absurdity to the Lengths She Goes”: Josh Margolin on Thelma
When Josh Margolin first heard that his grandmother had nearly become the victim of a phone scam — in which someone pretending to be Margolin attempted to score thousands of dollars from the elder — he immediately felt ill at ease and violated on her behalf. But it didn’t take long for the writer-director to recognize a great story: What if his grandmother had given away her money and, upon realizing the scam, set out to get revenge? The result is Margolin’s feature debut Thelma, starring June Squibb in the eponymous role as a 93-year-old Los Angeles resident who doesn’t […]
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“A Nihilist Western”: Athina Rachel Tsangari on Harvest
It’s been nearly a decade since Athina Rachel Tsangari, the idiosyncratic Greek filmmaker who’s never one to repeat herself, has graced us with a new film. Tsangari is always looking for a new challenge: from the improvisational, genre-bending desolateness of The Slow Business of Going (2000), to her Greek Weird-Wave breakout Attenberg (2010) and game of hypermasculinity, Chevalier (2015), each new project takes on a whole different formal imagination. What links them together? Beyond their ostensible differences is Tsangari’s affinity for betweenness—that feeling of not belonging. This feeling is reflected in the films as much as in Tsangari’s life, bouncing […]
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“This Film is Done by YouTubers”: Benjamin Ree on The Remarkable Life of Ibelin
In 2020’s The Painter and the Thief, Norwegian director Benjamin Ree told the story of the unlikely friendship between artist Barbora Kysilkova and heroin addict Karl-Bertil Nordland through overlapping, sometimes contradictory points of view. He has used this approach again for The Remarkable Life of Ibelin, a telling—and repeated retelling—of the short life of Mats Steen, a young, disabled Norwegian gamer who died in 2014 from the rare degenerative disease Duchenne muscular dystrophy. While his loving family was devoted to giving Steen the best life he could have, in the immediate aftermath of his death they grieved the fact that […]
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“A Deep Dive Into My Trauma”: Shiori Ito on Black Box Diaries
Shiori Ito’s Black Box Diaries is a film the Japanese journalist should never have had to make. Based on her international bestseller, the Sundance-premiering doc is a dogged investigation into a rape perpetrated by another Japanese journalist, Noriyuki Yamaguchi, a longtime friend of the late former Prime Minister Shinzo Abe, whose biography the offender penned as well. It’s also a somewhat surreal journey, given that the brave survivor in the purposely stalled case is Ito herself. Through an engaging mix of secret recordings, vérité shooting and confessional video, we’re invited along on an increasingly maddening odyssey through the shockingly antiquated Japanese […]
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“When I’m a Director, I’m a Painter”: Titus Kaphar on Exhibiting Forgiveness
Titus Kaphar’s artwork can be found across the nation at the Museum of Modern Art, the Brooklyn Museum, Yale University and the Mississippi Museum of Art; his painting Yet Another Fight for Remembrance might be his most recognizable, as it was commissioned by TIME Magazine as a response to the Ferguson unrest following the fatal shooting of Michael Brown by a police officer. The MacArthur Fellowship recipient continues to examine contemporary Black life in his feature film debut, Exhibiting Forgiveness. Actor André Holland stars as Terrell, an acclaimed painter living with his singer-songwriter wife Aisha (Andra Day) and young son […]
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“Nostalgia for When Things were Terrible”: Conner O’Malley, Danny Scharar and Jack Bensinger on Rap World
There’s an honesty to Rap World, the feature debut of co-directors Conner O’Malley and Danny Scharar, beyond its vérité stylings. With Scharar playing the director, Ben, Rap World is a mockumentary following three friends—Matt (O’Malley), Casey (Jack Bensinger) and Jason (Eric Rahill)—from Tobyhanna, Pennsylvania, as they trudge through one long night in a quixotic attempt to make a rap album. It is January 11th, 2009: a month earlier The Dark Knight was released on home video, in nine days George W. Bush will leave office, the Great Recession looms and America feels like it is on the cusp of some […]
