Issues
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Blackmagic Announces New Cameras at NAB
It’s NAB, and Blackmagic have once again announced some exciting new cameras. Blackmagic has developed a bit of a reputation for announcing cameras with amazing specifications at incredibly good prices. They may not be as refined as the cameras from Sony, Canon et al., and they may not always ship on their announced dates, but if you’re a shooter on a budget you have to look at Blackmagic’s camera offerings. Blackmagic’s first camera was the Cinema Camera. Despite its unusual shape and user interface, this camera was a hit because of its high dynamic range, reasonable price, and its support […]
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Crowdsourcing Erotica: Erika Lust’s XConfessions
A Swede living in Spain with a background in political science, Erika Lust is not your average feminist pornographer. The award-winning writer-director of over half a dozen erotic films, Lust is now embarking on what she considers her most important project yet. XConfessions is 100 percent crowdsourced, fan-generated erotica. Each month, Lust chooses two sex confessions from among the wide-ranging slew of fantasies posted to her site. (The submission process itself is free of charge. Just create an anonymous profile and you can read or write confessions as well as watch free videos.) Those favorites will then become short films […]
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Destination: Fargo
“Talking about dreams is like talking about movies, since the cinema uses the language of dreams,” Federico Fellini once said. “Years can pass in a second, and you can hop from one place to another. It’s a language made of image. And in the real cinema, every object and every light means something, as in a dream.” Cinema’s oneiric qualities have long been discussed by filmmakers and film theorists alike. Hollywood is even referred to as “the Dream Factory,” but that sobriquet refers as much to the industrial production and export model of the motion picture business as it does […]
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Dispatches from CPH:DOX and Borscht 9
International Copenhagen Documentary Film Festival – CPH:DOX 2014 by Pamela Cohn There is no way by which the events of the world can be directly transmitted or recorded in our brains. They are experienced and constructed in a highly subjective way. Our only truth is narrative truth, the stories we tell each other, and ourselves, the stories we continually re-categorize and refine. This sort of sharing — this communion — would not be possible if all our knowledge, our memories, were tagged and identified and seen as private, exclusively ours. —from Martin Scorsese and David Tedeschi’s film The 50 Year […]
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Somebody Wake Me Up Please
My phone is ringing. The sound pulls me from a deep sleep. It’s 5:30 a.m., the room is dark, and for a moment I’m confused. As I push the phone into my ear I hear a female voice singing. Slowly it registers; this is the wakeup call that I requested. But I’m not staying in a hotel, and the woman calling me is a complete stranger. The singing stops and the voice on the other end of the line tells me to have a wonderful day. I express my gratitude and ask her name. “Sarah from Dublin,” she replies, and […]
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Parting Shot: Maika Monroe
Filmmaker David Robert Mitchell developed rich, resonant teenage characters in his independent sleeper, The Myth of the American Sleepover. With his sophomore feature, It Follows, he again essays the emotional lives of attractive, sexually adventurous suburban youth, this time within a high-concept genre framework. It Follows is eerie, Carpenter-esque horror, the tale of a slow-moving demon who shuffles steadily, invisibly and scarily toward a single victim. Here that’s mostly Jay, played with real “Final Girl” charisma by Maika Monroe, who has quickly emerged as a strong lead and supporting player in several notable films. She co-starred opposite Zac Efron in […]
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Editor’s Letter
As I noted online in my blog entry listing our top Web posts of the year, Filmmaker ended 2014 with an audience of 190,000 on our Facebook page — over 12 months, an increase of nearly 500%. That gain is reflected in our Web stats. Our overall traffic has doubled, and some days as much as 50% of our readers discover our content from Zuckerberg’s blue wall. (If you want to know how we did it, I have nothing for you — we did little more than post our articles, write original descriptions of them and answer people in the […]
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On Both Sides of the Lens
Is there another contemporary documentary director who has so lovingly — and yet so quizzically — explored the work of his own artistic inspirations as Wim Wenders? With his patient, probing camera eye and, often, ruminative German-accented voiceover, Wenders has captured the work of filmmakers (Nicholas Ray, Yasujirō Ozu), choreographers (Pina Bausch), fashion designers (Yohji Yamamoto) and many, many musicians (Blind Willie Johnson, U2 and the players featured in Buena Vista Social Club, among others). Wenders approaches these talents humbly — in some cases as a colleague, but most often as a fan and admirer. And as much as Wenders’ […]
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Without Words
Although it’s too early to designate this a golden age of film editing, examples of unexpected, creative and sometimes flat-out radical cutting continue to suggest that the digital turn in cinema has always been, at its fundamental and structural level, about new possibilities for joining together images and sound. This column will explore the rhythms of editing in films that are exemplary — each in their own way — in the manipulation of time and space that is the foundation of editing. First up is the remarkable, wordless 13-minute-plus opening of Jonathan Glazer’s Under the Skin, which recalls René Clair’s […]
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Any Color You Like: Writer/Director Jill Soloway on her Golden Globe-Winning Transparent
Speaking about the transgender movement and his leading role on the new Amazon Original series Transparent, actor Jeffrey Tambor exuberantly told Entertainment Weekly, “This is a brave new world.” From Emmy-nominated Laverne Cox’s Time Magazine cover to landmark federal policy laws, 2014 was an explosive year for transgender visibility and politics. Alongside these milestones, Jill Soloway’s groundbreaking new show mines the emotional landscape of trans-ness with a feeling-driven, multi-dimensional story of a family’s reckoning with a retired professor (Tambor, in a brilliantly nuanced performance) coming out as transgender. Funny, poignant and provocative, it’s been hailed as one of the best […]
