In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? One of the secrets I discovered while making The Fits was that it was a lot more […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? During the writing process, I dove deeply into Amazonian myth and narrative, looking for ways to infuse […]
Chad Hartigan’s Morris From America has an unpromising logline, but so did his previous feature, This is Martin Bonner (an unlikely friendship between two men looking for redemption etc. etc.), and that turned out pretty well, so I wasn’t worried. Morris is a coming-of-age crowdpleaser, in the vein of “it’s been 18 years since Rushmore, but this version is different because…” (Son of Rambow, Submarine, et al.). I know a lot of people (I’m one of them, no shade implied) who find a deep satisfaction in action movies novel only in their details and crispness of execution while placing no value upon originality per se. That’s a principle which, of […]
On the first day of the 2016 Sundance Film Festival, before the Opening Night films — a seemingly lukewarm cancer movie and the newest from the ever-prolific Rachel Grady and Heidi Ewing — Robert Redford couldn’t help himself. Although the 79-year-old actor offered boosterism for almost every aspect of the global brand that is Sundance, he was less rosy when discussing the business and culture of independent film itself, which his visionary endeavor has helped popularize for four decades. In 2007, when the specialty divisions of big studios had yet to collapse, or be folded into the larger corporate apparatus […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? I had never heard of X Japan. When I came on board, there was a brief treatment […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? For me Goat is a narrative investigation of masculinity. This isn’t a secret, but it certainly is an […]
After appearing on our 25 New Faces list in 2012, director, writer, producer and actor Jim Cummings has popped into the page of Filmmaker from time to time, offering advise on making and marketing short films and what filmmakers can learn from South Park. Cummings, who is a producer of two of the past year’s best independents (Krisha and The Grief of Others), has an intriguingly hard-to-pin down filmmaking personality. So, when he suggested that Filmmaker partner with him on a series of videos documenting the journey of his new short, Thunder Road, to Sundance, we quickly agreed. Of course, […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? My “hidden” motivation. You could say that I’ve tried to make a political film, hidden within a […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? I don’t think there is a secret story. The main plot, and the subplots and the themes […]
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? Our core concern in making Resilience was to popularize the dangers of chronic stress on the developing child. […]