Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? Making a movie […]
Filmmaker: Why this movie? Why did you decide to do it? Hyde: Many reasons. We had the opportunity to make something that was a genuine investigation of narrative – how it was made (shooting one day a week every week for one year and scripting as we went) as well as how it is viewed (every Tuesday is seen in the film). These rules or parameters helped us explore how we make films and how we construct our lives, so we were always working toward the finished film but we were also deep inside an experience ourselves. I wanted to […]
Filmmaker: Why this movie? Why did you decide to do it? Chevigny: My co-director, Ross Kauffman, and I were intrigued by the fact that no one had ever been granted access to make an independent film about Human Rights Watch researchers in the field. We knew their work was fascinating and thought it was an interesting opportunity. And once we actually met the member of the E-Team in person, we knew there were some great characters there. Filmmaker: How much of your crew was female? Was hiring women a consideration for you? Chevigny: My co-director, Ross Kauffman, is a man. Our […]
Fans of Desiree Akhavan and Ingrid Jungermann’s comedic web series The Slope could not have guessed at the impressive range that Akhavan displays in her debut feature, Appropriate Behavior. As emotionally devastating as it is uproarious, Behavior stars Akhavan as Shirin, a woman dealing the aftermath of a breakup with a serious girlfriend (Rebecca Henderson), as well as her prolonged struggles to come out as bisexual to her Persian-American family. The film rings deeply personal and true, and Akhavan manages to establish herself as a real star-to-watch and the rare triple threat – a witty writer, a nimble director, and […]
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? As a filmmaker, […]
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? Is Internet addiction […]
“I couldn’t figure out if I was acting or telling the truth,” said singer Willis Earl Beal, making his film debut in Tim Sutton’s Memphis, at the movie’s U.S. Sundance Film Festival premiere yesterday. “That’s the way it is with my life. I’m trying to be real but I can’t. Or, if I am being real people don’t recognize it as that.” Beal — not from the film’s eponymous city, but like his character, a mysterious figure whose obliquely impassioned DIY soul soars over crackly, homemade backdrops — inflects Sutton’s film with his own very artful dodgery. Indeed, the spirit […]
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? While working on […]
In every young filmmaking scene, there are always one or two up-and-coming DPs you want to shoot your movie. These are the guys, or women, who have shot award-winning student films, who have loyal crews, and who know how to bring extra style, assurance and compositional smarts to first-time features. In the New York independent film community, Chris Teague has been one of those folks, and this year his talents are receiving greater recognition at Sundance, where two of his narrative feature films are debuting. In the Premiere section is the debut of Gillian Robespierre’s Obvious Child, a sly comedy […]
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? Please feel free […]