Sundance
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“AI WEIWEI: NEVER SORRY” | director, Alison Klayman
[PREMIERE SCREENING: Sunday, January 22, 11:30 am –Library Center Theatre, Park City] Working in radio journalism in college and then as a reporter in China, I fell in love with the power of aural storytelling. I always hoped to make a documentary film because I thought it would add even more layers to an audience’s experience. As a director I know my choices and authorship necessarily shape the film, but my hope is that good documentary filmmaking can come as close as possible to letting viewers encounter a story directly and decide things for themselves. Ai Weiwei is a master […]
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“TEDDY BEAR” | co-writer-director, Mads Matthiesen
[PREMIERE SCREENING: Sunday, January 22, 2:30 pm –Prospect Square Theatre, Park City] For me filmmaking is the ultimate form for dealing with character. Dealing with people creating character and express human issues. Telling a story. I have a feeling that I in filmmaking can move very close to a sense of real. Of getting close to how life really is. As I see it. When I watch a good film no other art form will capture me like film does and it’s probably that love that’s the main reason to why I make film. In film you have the possibility […]
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How To Survive A Plague | Director, David France
[PREMIERE SCREENING: Sunday, January 22, 3:00 pm –Temple Theatre, Park City] It’s a quirky, but not inconsequential, fact about HIV that the virus made its hideous debut in medical journals just a few months before the first camcorders hit the stores. In the long years before the Internet, before cell-phone cameras or social networks, these low-cost marvels democratized the power of moving images and built the first bridge between mass media and previously hidden worlds. Thus was born the Sex Tape, of course. But the world where AIDS first struck was also a hidden world. It’s hard to fathom now, […]
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“MY BROTHER THE DEVIL” | director, Sally El Hosaini
[PREMIERE SCREENING: Sunday, January 22 8:30 pm –Prospector Square Theatre, Park City] I believe that going to the cinema and watching a film, on the big screen, will always hold a special place in peoples hearts. Despite technological advances in terms of how films are consumed, the physical experience of the lights dimming as you are transported into another world will always be magical. This is why it will never die. My first memory of going to the cinema was when I was six years old. I grew up in Cairo, Egypt and every summer our local sports club would […]
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“SAVE THE DATE” | co-writer-director, Michael Mohan
[PREMIERE SCREENING: Sunday, January 22, 2:30 pm –Library Center Theatre, Park City] When I was a kid I wanted to be a magician. I watched a VHS copy of David Copperfield walking through the Great Wall of China over and over and over again. I still don’t know how he did it. Filmmaking isn’t that much different. I mean – think of it this way: movies start out as ideas. In your brain. These get spilled onto paper. People then pretend to be the characters on that paper. Which is filmed through the lens of a camera. The contents of […]
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“ABOUT FACE” | director, Timothy Greenfield-Sanders
[PREMIERE SCREENING: Sunday, January 22 2:30 pm –The MARC, Park City] Over thirty years ago, I graduated from AFI with a degree in film and shortly thereafter, became a photographer. I wanted the work I created to be mine and found filmmaking too collaborative. Two decades later, I returned to filmmaking with my doc, “Lou Reed: Rock and Roll Heart”, managing, somehow, to make the film with a tiny crew. It mostly felt like my work.. and I got used to relying on others to make it sing. About Face is my seventh film and counting, since the Lou doc. […]
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Five Questions with Excision Director Richard Bates Jr.
Sundance’s Midnight section always includes a fair share of genre-heavy selections, but Richard Bates Jr.’s Excision sounds like it will pack a level of blood and guts rarely seen at the festival. A twisted coming of age tale, Excision follows young Pauline (AnnaLynne McCord), a high school girl with an unabated interest in picking scabs, dissecting road kill, and fantasizing about performing surgery on strangers. Bates’ debut seems to be the sort of grotesque horror comedy sure to play well to splatter-enthusiasts in Park City and beyond. Filmmaker: You’re premiering at a festival not traditionally known for its horror selections. […]
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SUNDANCE CLIP ROUND-UP: “INDIE GAME: THE MOVIE,” “ARBITRAGE,” “THE COMEDY”
Those of us not in Park City this weeked will have to make due with the slow-trickle of “Exclusive Clips” that have begun floating around the internet. First up, Wired shares a sequence from Lisanne Pajot and James Swirsky’s Indie Game: The Movie, a documentary about video-game programmers. In the above clip, Tommy Refenes, one of the film’s main subjects, nervously shares an unfinished version of his new game at a convention in Boston. Next, Deadline.com shares this tense clip from writer-director Nicholas Jarecki’s hedge-fund psychological thriller, Arbitrage. Featuring Richard Gere and Nate Parker, the clip hints at the film’s […]
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THE CALM BEFORE THE STORM
Today is the day. I’ve been working to finish this movie since 2006. There were moments in the six years since putting pen to page during which I couldn’t make this day out in my future. Not that I considered quitting, that isn’t my style, but I did at times feel like the journey of making this film would stretch into eternity. This is not unprecedented, check out Ellison’s second book or Wendell B. Harris’ second movie. To avoid that fate I had to take an extreme measure and commit myself to working 12 hours a day 7 days a week until the movie was finished. This […]
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SUNDANCE: THE “FUTURE NORMAL” OF NEW FRONTIER
Now in its sixth year, the New Frontiers section at Sundance premiered yesterday at its new home at The Yard, in an unassuming building across from a snow-cloaked cemetery. Presenting the year’s crop of new media, transmedia and experiential video art to a room of press, Sundance programmer Shari Frilot explained her curatorial criteria, though not before a number of the pieces had to turn off their sound (a booming heart beat coming through the wall of Ho Tzu Nyen’s The Cloud of Unknowing on her left, the Wagnerian glory coming from Marco Brambilla’s Evolution (Megaplex) to her right.) “What […]
