Gillian Robespierre, Elisabeth Holm and Jenny Slate are highly skilled comedians who are prone to self-deprecation and the bawdiest of humor that will make even the most sexually liberated feel prude. When I went to Robespierre’s apartment to take their photo, however, it was not a time for gag humor with kitschy props (condoms were, for example, off limits). Their film, Obvious Child, written and directed by Robespierre, produced by Holm and starring Slate, is both bold in its humor and also its intent: to make a comedy that talks about real issues that women face – something usually saved for […]
Filmmaker: Why this movie? Why did you decide to do it? Amirpour: Because I’m lonely, romantic, and love to dance. Filmmaker: How much of your crew was female? Was hiring women a consideration for you? Amirpour: Just our costume and makeup departments. The rest were a glorious and talented group of boys. Filmmaker: How did you go about raising funding for it? (I ask this because most female filmmakers says that being female makes it harder to raise funds, so thought your story could be inspiring — I know this topic can be touchy feely, so answer it in the way that […]
Filmmaker: Why this movie? Why did you decide to do it? McMullan: Rae Spoon and I have been friends and collaborators for some time. The more they (Spoon prefers the use of the gender-neutral, third-person pronoun) told me about their life and their story, the more interested I was. I just found it fascinating, and I wanted to know more. That started triggering all these questions of my own, about Rae’s specific experience but also broader questions about the context of the world we’re all living in. It was becoming this big knotted ball of curiosity, and I think another […]
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? Attention very much […]
Co-directed features aren’t too common in the independent film world, and even less so from already established auteurs. But Land Ho! finds two of the American independent scene’s most promising young directors – Aaron Katz (Cold Weather) and Martha Stephens (Pilgrim Song) – joining forces. A buddy, road trip comedy about a pair of aging ex-brother-in-laws (Paul Eenhoorn of This is Martin Bonner, and Earl Lynn Nelson) on holiday in Iceland, the film is already being hyped as one of the most promising discoveries of this year’s festival. Land Ho! premieres today in Sundance’s NEXT section. Filmmaker: A full-on directorial […]
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? While it is […]
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? The idea of […]
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? Since I was […]
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? Dock Ellis was […]
Everybody has dreams at Sundance. Some dream of distribution deals, others of the respect and recognition that may come with them. The most exuberant dreamers conjure the high seven-figure sales of yesteryear, but the ranks of such folks are dying away, the reality of the new normal having long set in. Some just want to get laid or go skiing and dream accordingly. Lucky them. Still others can’t navigate Sundance without complaining about this or that. A lot of folks are upset by the shuttles this year, claiming they aren’t as efficient as years past. More pressing, some observers have […]