Sundance
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Hits | Director David Cross
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? I’m sorry but […]
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Interview with Imperial Dreams Producer Katherine Fairfax Wright
Filmmaker: Why this movie? Why did you decide to do it? Fairfax Wright: I guess the most apparent reason behind me producing Imperial Dreams was that the director Malik Vitthal is one of my closest friends and I was eager to help bring his vision through to fruition. When we first met a few years back at LAFF, he mentioned that he was working on a script set in the Imperial Courts housing project in Watts. It piqued my interest because it’s the same housing project that I had spent quite a bit of time at during elementary school. My […]
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Interview with E-TEAM D.P. Rachel Beth Anderson
Filmmaker: Why this movie? Why did you decide to do it? Anderson: For me shooting for this film was a fast YES after learning about the E-Team concept, and knowing I would be working in Syria with Human Rights Watch. I had recently witnessed HRW in action while filming during the Egyptian and Libyan uprisings and respected the quality of their work. It had been difficult to watch the devastating situation in Syria unfold from affair, but with this film I knew I would be in safest hands possible smuggling across the border with an HRW team. Filmmaker: How much of your […]
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Difret | Director Zeresenay Berhane Mehari
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? Bringing attention to […]
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Creating Memphis and Ping Pong Summer: An Interview with Production Designer Bart Mangrum
This is not production designer Bart Mangrum’s first movie at the Sundance Film Festival. He designed Septien (2011, directed by Michael Tully) and I Used To Be Darker (2013, directed by Matt Porterfield), and was both an on-set dresser and extra in Stoker (2012, directed by Chan-wook Park). But this is the first time Mangrum has been at Sundance as the production designer of two feature films screening in the same category. Mangrum was born and raised in Nashville, Tennessee, and still lives there. His father ignited his enthusiasm for art by teaching him how to draw during church around […]
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Lock Charmer (El cerrajero) | Director Natalia Smirnoff
Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? I believe the […]
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Interview with Fed Up Director Stephanie Soechtig
Filmmaker: Why this movie? Why did you decide to do it? Soechtig: The original idea for the film was actually Katie’s (Couric). She liked the way my last film (Tapped) took the issue of bottled water and tied it to so many bigger issues (chemicals in plastic, plastic pollution, the global water crisis) and she thought the childhood obesity epidemic could use the same approach. I was a bit apprehensive at first — haven’t we heard all there is to know about childhood obesity? But as I dug in to the story I discovered we have really only scratched the surface. […]
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Five Questions with Kumiko, The Treasure Hunter Directors David & Nathan Zellner
David and Nathan Zellner are longtime stalwarts of the Sundance Film Festival, and the American microbudget film scene in general, carving out a niche for themselves over the last decade-plus as purveyors of a uniquely strange brand of Americana. Their feature work (including 2012’s haunting Kid-Thing) and their idiosyncratic and unforgettable shorts (Sasquatch Birth Journal 2, don’t worry, lives up to its title) have long found the Zellners fascinated with contemporary American folklore and fairy tales, and their newest film, Kumiko, The Treasure Hunter, is no exception. Based on the true story of a Japanese woman who traveled from Tokyo […]
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Park City Critic’s Notes #3: On Happiness, Web Junkie, Love Child and the Peril of Electronic Screens
A couple nights before the Sundance Film Festival commenced this year, I came home one evening hoping to squeeze in at least a couple of pre-fest screeners before I went to bed, knowing I had a full day of hack journalist duties awaiting me the next morning. While taking the train back from the Filmmaker offices and walking through a dreary Bedford-Stuyvesant evening, I dreaded what I thought I would discover upon returning home: a subletter — a young aspirant sportswriter whose presence in our home had only been announced by one of my more regular roommates the day before […]
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Interview with Hellion Director Kat Candler
Filmmaker: Why this movie? Why did you decide to do it? Candler: Hellion started as a short film that played Sundance in 2012. The original story for the short came from a story my Uncle Frank would tell at family gatherings. When Frank was little, he and my two other Uncles set fire to my grandfather’s jeep. What happened when my grandfather came home to discover the destruction was the nugget of a story I fictionalized into Hellion. When we wrapped the short over the summer of 2011, I wanted to continue to live with these characters … a single blue-collar […]
