The Toronto International Film Festival is overwhelming. Following the more rarefied Telluride and Venice Film Festivals, it’s a large, populist event that mixes red-carpet premieres with new filmmaker discovery and highlights from Cannes and other earlier events. As I usually do, I’ve concentrated on premieres and American independents for this preview, largely omitting films you’ve heard about because they’ve already been praised at other festivals (like, for example, Telluride hits 12 Years a Slave and Prisoners). Here, selected from the feature films, is what I’m hoping to catch at the festival this year. Beneath the Harvest Sky. The documentary team […]
Hi, my name is Ian Harnarine and I’m one of Filmmaker magazine’s “25 New Faces of Independent Film” for 2012. My short film Doubles With Slight Pepper won the award for Best Canadian Short Film at the 2011 Toronto International Film Festival (TIFF) and also won the Genie Award (Canada’s Oscar). I am adapting the short film into a feature and was invited back by the festival to compete in their PITCH THIS! competition. I will compete with five other filmmakers that each have six minutes to pitch their feature film idea to a live audience of over 200 industry […]
Rock “documentaries” are self-serving films that fawn over their subjects so their record companies can move more product. The typical rock doc strings together concert highlights with studio clips and innocuous musician quotes that add up to a fun, but facile movie. The L.A. band 30 Seconds To Mars turns this formula upside-down in Artifact, which enjoyed its world premiere at TIFF on Friday. Actor/musician Jared Leto’s band wants to leave their record label, EMI, when multimillionaire British tycoon Guy Hands devours the ailing company and sues 30 Seconds To Mars for $30 million. Artifact tells their battle as they struggle to […]
“When the doors slid open, furious flashes of light jolted me out of my reflections. That’s why they had cuffed by hands in front. As far as I could see, reporters and photographers were crowded into the lobby. Trying hard not to look surprised, I lifted my head, straightened my back and between the two agents, made the long walk through the light flashes and staccato questions toward the caravan waiting outside.” These lines from Angela Davis’s 1974 autobiography, written at the age of 28 and edited by Toni Morrison, describe the way she remembers a humiliating perp walk four […]
Ruba Nadda, whose Cairo Time captured Best Canadian Feature in 2009, returns to TIFF with Inescapable. Both star leading man Alexander Siddig and are set in the Middle East. However, Inescapable is anything but a charming romance, but rather a fast-paced political thriller set in the most dangerous country in the world, Syria. When he learns that his daughter has gone missing in Syria, Adib (Siddig) leaves his comfy business in Toronto to track her down in Syria. Turns out that the Syrian government has abducted Adib’s journalist daughter and that a shady Canadian diplomat (Joshua Jackson) knows more about it […]
As excited as I am about coming to New York for IFP’s Independent Film Week, this story starts somewhere else…. For the last eight days, I have been fortunate enough to be in Toronto, attending TIFF as a 2012 Talent Lab Fellow alongside 24 very talented filmmakers from around the world. Produced this year by the indomitable Helen DuToit (who also serves as the Artistic Director of the Palm Springs International Film Festival), the Talent Lab was led by a core group of fantastic filmmakers – documentarian Jennifer Baichwal (Manufactured Landscapes), producer Stephen Woolley (presenting both Byzantium and Great Expectations), […]
It was horrific. One April night in 1989, a woman was jogging through New York’s Central Park when she was beaten and savagely raped. She lost 75% of her bodily fluids, lay in a coma for days and her face was pulverized so badly that friends identified her by a ring on her finger. Police picked up five black and Latino teenagers, secured confessions and launched one of the ugliest trials in New York’s history. Newspaper pundits and Donald Trump called for the death penalty. Even the African-American community turned their backs on the teens. After all, they were savages. […]
The optimist and the contrarian may find common ground in anticipation; to be a festivalgoer at the Toronto Film Festival is to be a bit of both. Particularly when preceded by negative reviews trickling out of earlier festivals in Cannes, Locarno, Venice and Berlin or less-than-enticing trailers, the debut of new work from filmmakers who have proven themselves capable of greatness can have cinephiles’ hearts in their throats. What if the hype is true, and your favorite living director is no longer creating essential work? Yet with reports of boos just might come a sneaking desire to go to that movie anyway. See […]
As 2011 comes to a close, here, based on Google Analytics, are this site’s top ten posts of the year. 1. 25 New Faces of 2011. I mean, of course — what else would have been our top traffic-getter of the year? As it does every year, the unveiling of our 25 New Faces list outpaced everything else on the site by almost three to one. And one thing I’m especially proud of — at the time we pick them, the people on this list are real discoveries. As I look at lists with similar ambitions on other sites, I’m […]
For several people I talked to, my favorite film at Cannes became their favorite film at Toronto. Oslo, August 31 is Joachim Trier’s follow-up to his inspiring hit film, Reprise. That movie, a tale of youth and best friends and literature and longing and rock and roll, was smart, sophisticated and with an emotional arc like a great mix tape. It was also somewhat dazzling in its montage, using split-screen, freeze frames and a European post-punk soundtrack to make its story of young Norwegian literati one that felt like young adulthood everywhere. After several years working on a larger-scale American […]