Features

Come to the Sound of My Voice: Laurie Anderson Talks Heart of a Dog

I remember when you started hearing that voice everywhere. Melodious, precisely phrased yet awkward in its pauses, the electronic approximation of the human voice, whether sampled, altered, or pitch-shifted, and triggered by the pound sign, or, now, simply a “Hey, Siri,” has lured human dialogue into an uncanny valley of meaning since the 1970s. And, after Kraftwerk, certainly, but long before AutoTune, 808s & Heartbreak and the Gregory Brothers there was Laurie Anderson, whose vocoderized voice forced us to try and make sense of it all. Anderson, a performance artist and composer whose early work included a piece where she played […]

By Scott Macaulay

• How to Deliver Your Film to a Festival

  Note (May 2018): the updated version of this article can be found here. Format. Codec. Audio. DCP. You’ve worked on your movie now for some time and have been eagerly waiting for acceptance emails from festivals. One lands in your inbox, and you excitedly read through the letter until, when you get to the festival’s technical requirements, you develop a sense of dread. The tersely worded communication from the technical director (glad we could finally meet) would put you to sleep if it didn’t terrify you. But don’t panic. Instead, phone your editor, and read this guide. Caveat emptor, though: […]

  by Sergio Andrés Lobo-Navia
• Carol Sound Designer Leslie Shatz

  It’s the middle of the week and I’m walking with sound designer Leslie Shatz from 34th Street toward Times Square. Manhattan’s mayhem is a fusion of random crowds and even more random noises. Leslie abruptly asks me to keep quiet for a few moments while he takes out his phone and starts recording the sounds of the street. I realize that he is in search of new ideas. “You can shut your eyes, but you cannot shut your ears,” he says. “Sound is always a tool you can use in interesting and different ways.” Sound designer Leslie Shatz, winner of a rare […]

  by Sasha Korbut
• The Camera and the Pen: Documentary Writer Mark Monroe

  Over the past 15 years, documentary writer Mark Monroe has almost silently built up one of the most prolific and successful careers in nonfiction film. His credits include Louie Psihoyos’s Oscar-Winning film, The Cove (as well as the brand-new Racing Extinction), the award-winning Sundance films Chasing Ice, Who is Dayani Cristal? and The Tillman Story, Foo Fighter Dave Grohl’s  Emmy Award-Winning HBO series Sonic Highways and Ron Howard’s upcoming Beatles documentary. I recently sat in on some of Monroe’s work in New York (which included a feedback screening of Nanfu Wang’s upcoming doc on Chinese activists, The Road from Hainan) […]

  by Braden King