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Corrective Lens
![TLOS_TV | Filmmaker Magazine](https://filmmakermagazine.com/wp-content/uploads/2015/07/TLOS_TV1.jpg)
While promoting The Act Of Killing — his punchy, audacious, madly performative, deeply troubling masterpiece about the legacy of genocide in Indonesia 50 years later — Joshua Oppenheimer didn’t much let on that there was a second, complementary feature in the works. While editing the first film, and before his secondary subjects in the government and paramilitaries knew what a bold, damning document he had fashioned, Oppenheimer shot a round of elegant, formally restrained interviews with his earlier subjects through the offices of his collaborator, Adi Rukun, an optometrist whose older brother had been murdered. Among a range of substantial […]