Director Interviews
-
“You Can’t Make This Stuff Up”: Alison Bagnall on Funny Bunny
Funny Bunny, Alison Bagnall’s third feature, opens with a man shuffling door to door in suburban, middle-class Philadelphia. He’s not pitching bibles, but rather, a means to an end of the childhood obesity epidemic. Gene (Kentucker Audley) is just one player in the off-kilter, quasi-love triangle that takes center stage in Bagnall’s idiosyncratic film, as he’s soon joined by a well-off man-child — the aptly named Titty (Olly Alexander) — and a reclusive, emotionally tenuous young woman named Ginger (Joslyn Jensen), who makes a living peddling her bunny’s ailments on the web. Much like her 2011 two-hander The Dish & The Spoon, Bagnall displays a deft touch for […]
-
Online Hoax: Sophie Deraspe Discusses Her Sundance Doc The Amina Profile
Girl meets girl online. They fall in love from afar — Sandra in Montreal, Amina in Syria. The Arab uprising occurs and soon Amina, star blogger and creator of “A Gay Girl in Damascus” gets swept up in the chaos, then kidnapped, and then disappears. Her frantic paramour goes on a global quest to find her — only to discover that the game-changing World Wide Web is also a web of intrigue and deceit. Fortunately, Sophie Deraspe’s doc The Amina Profile is more than the sum of this now infamous hoax. By smartly training her lens on the unwitting victim […]
-
“Reality is Not, I Believe, a Fixed Entity…”: Michael Madsen on Alien Encounter Doc, The Visit
As a conceptual artist Michael Madsen doesn’t so much create nonfiction films as craft mind-blowing experiences, introducing even the most jaded of us docu-philes to people and places we’d no idea even existed. (Prior to IDFA 2010 I, for one, never knew about Finland’s nuclear waste storage facility Onkalo, the subject of Madsen’s Into Eternity and an underground cavern the size of a large city set for completion in the 22nd century.) In his latest The Visit the Danish director turns his attention and limitless imagination towards mankind’s first encounter with alien intelligent life. With the help of expert guides […]
-
“There are No Restrictions, Except For Pornographic Material:” Ben Sinclair and Katja Blichfeld on High Maintenance
High Maintenance, the widely reputed, gold standard of web series, began as an experiment of sorts between Ben Sinclair and Katja Blichfeld. When interviewed for our 2013 25 New Faces issue, the pair expressed the foremost need to “get out all these weird stories that have happened over the years.” Now Vimeo’s first venture into original programming, the husband and wife team are pushing the envelope in a whole new way. With episodes nearing a 20-minute runtime and tonal highs and lows as accomplished as any feature film, High Maintenance challenges the very serial format it calls home. As of today, all three episodes from […]
-
“This is The Kind of Thing I Want in a Restaurant:” Vanessa McDonnell on John’s of 12th Street
If you’ve ever worked in a restaurant, you may have a sense of the sort of family dynamics the harried environment can rapidly inspire. John’s of 12th Street, a dyed-in-the-wool Italian establishment in the East Village, takes this close-knit enclave to its apotheosis. As rendered in Vanessa McDonnell’s observational documentary of the same name, the restaurant is purely populated by the sort of old school New York characters that can only be regarded as a dying breed. From opening till close, McDonnell captures as many yarns spun over the tables as chicken parms are laid into the oven. In advance of John’s of 12th Street‘s world […]
-
Five Questions for Shelter Writer/Director Paul Bettany
Actor Paul Bettany makes his directorial debut with Shelter, a drama about homeless junkies on the streets of New York starring his wife, Jennifer Connelly, and Anthony Mackie. Although Bettany references below Jerry Schatzberg’s classic Panic in Needle Park, he also emphasizes that his film moves far from those gritty New York streets of yore, finding an unexpectedly beautiful visual style to capture the life of a new generation of Gotham addicts. Shelter screens at the Toronto International Film Festival on Friday, September 12. Below, I talk with Bettany about cinematic inspirations, city moments and directing his wife. Filmmaker: There’s […]
-
Checkmate Director Timothy Woodward Jr. on Shooting Action and the Futility of Fixing it in Post
We recently spoke to director Timothy Woodward Jr. about the production of the movie Checkmate. Much of the discussion centered on the Blackmagic Production 4K camera, because this was one of the first feature movies shot with that camera. But in the course of the discussion, Woodward made a couple of observations about shooting that seemed worth highlighting separately. The first covered the continued importance of practical effects, and the second was about organizing your shooting schedule and why it’s worth getting it right on the day. Filmmaker: You did a lot of practical effects in the movie? Woodward: We […]
-
Five Questions for 99 Homes Writer/Director Ramin Bahrani
Based on its stellar reviews out of Venice and Telluride, Ramin Bahrani’s “eviction stunner” 99 Homes infuses the sad and infuriating tale of America’s real estate bust with visceral, gut-punching drama. Andrew Garfield and Michael Shannon star as the down-and-out construction worker and shady realtor who come up with a get-rich scheme involving, of course, the exploitation of those even less fortunate. Screening Monday, September 8 at the Toronto International Film Festival, 99 Homes is already picking up Oscar buzz. Below, we ask Bahrani about researching real estate, name actors and the decline of Western civilization. Filmmaker: What attracted you […]
-
Five Questions for The Yes Men Are Revolting Director Laura Nix
Five years after political superheroes the Yes Men (Andy Bichlbaum and Mike Bonnano) made everything all right in The Yes Men Fix the World, our planet seems pretty screwed up again. So, once more the two hit the airwaves, corporate board rooms and tabloid front pages in The Yes Men Are Revolting, directing their activist wit towards the issue of climate change. Along the way, they are joined by Laura Nix, who produced the previous film and this time directs alongside them both. Nix’s directing credits include The Politics of Fur and The Light in Her Eyes, and below she […]
-
Sympathy, Said the Shark: Shooting in POV
Writer, director and editor Devin Lawrence says that when he set out to make Sympathy, Said the Shark he’d already gone through two projects which had stalled out due to lack of financing, so he decided he had to come up with something where “money can no longer be the ultimate road block.” The resulting project was shot in 14 days and primarily in one location, but it was by no means a simple project to make as much of it was shot using a POV rig built around the Blackmagic Pocket Camera. Lawrence, who works in LA primarily as […]
