US in Progress is a biannual event held in June during the Champs-Elysées Film Festival in Paris and in October during the American Film Festival in Wroclaw. It’s a five-year-old industry event that aims to strengthen transatlantic film collaborations and partnerships between European industry and emerging American filmmakers. The fifth US in Progress recently held in Wroclaw featured six films in various editing and post-production stages. The participants included: Mike Ott and Nathan Silver, Actor Martinez Shaz Bennett and Melanie Miller, Alaska is a Drag Zachary Shedd and Daniel Patrick Carbone, Americana Benjamin Kruger, It Had to Be You Joel […]
IFP, Filmmaker‘s parent organization, announced today ten projects for its inaugural Screen Forward Labs, which are dedicated to serialized, story-driven web content. Encompassing a series of intensive workshops modeled after the organization’s Narrative and Documentary Labs, the Screen Forward Labs provide mentorship and year-round support for those looking to develop, market and finance their original online work. The Screen Forward Labs are led by Amy Dotson, IFP Head of Programming, and Holly Kang, IFP Screen Forward Labs Producer. Commented Joana Vicente, Executive Director of IFP and the Made in New York Media Center, “We are excited to introduce the first […]
Besides providing much-needed visibility and prestige, film festivals are also marketplaces and training venues, in which first- or second-time filmmakers can gain valuable entrepreneurial guidance. This is of particular importance considering that a film’s heaviest production costs are incurred after it has been shot. Indeed, while shooting a film has arguably never been cheaper or easier, filmmakers still face numerous obstacles when it comes to actually getting their work viewed. Editing, color-correction, subtitling, grading and mixing — but also pitching, marketing, selling: these form the practical difference between a film acquiring some kind of shelf life and disappearing before it has […]
“I can’t keep beating around the bush because I’ll eventually run out of bushes to beat around,” sighs Mya Taylor. We’ve just spent 90 minutes together in her hotel room at the 59th London Film Festival. In that time, I don’t speak much, but when I do, I’m drawing parallels between Taylor and Marlon Brando. To be fair, I’d just seen Stevan Riley’s Listen to Me Marlon, so referencing some uncovered Brando philosophy from the documentary during my conversation with Taylor felt pertinent at the time. Mya Taylor is a black trans-woman born in 1991, so in retrospect, the comparison is pretty ridiculous. […]
Here’s the final piece of the Gothams nominations. The previous nominations can be found here, but this time around we have the nominations for two new categories honoring long- and short-form breakthrough series. For the full press release, click here. Breakthrough Series – Long Form* A continuing or limited series with episodes running 30 minutes or longer. Jane the Virgin, Jennie Snyder Urman, Creator (The CW) Mr. Robot, Sam Esmail, Creator (USA Network) Transparent, Jill Soloway, Creator (Amazon) Unbreakable Kimmy Schmidt, Tina Fey, Robert Carlock, Creators (Netflix) UnREAL, Marti Noxon, Sarah Gertrude Shapiro, Creators (Lifetime) *Additional nominee credits to be […]
As part of the “Gothams Classics” event series celebrating the Gotham Independent Film Awards awarded annually by IFP (Filmmaker‘s parent organization), directors Mira Nair and Debra Granik will be in conversation at the Made in NY Media Center following screenings of two of their films. Tonight, Mira Nair will be speaking in between screenings of two of her best known films, Monsoon Wedding and The Namesake; more information on that event can be found here. Tomorrow night, acclaimed narrative and documentary filmmaker Debra Granik will speak after screenings of Down to the Bone and Winter’s Bone; more information on that event can be found here. […]
Margaret Mead’s achievements during her 52 years as a curator at New York’s Museum of Natural History have been more seminal than my personal favorite, one that for some unknown reason is close to my heart: persuading the American Jewish Committee to publish a book, driven by interviews with immigrants from Eastern European shtetls, which purportedly created the stereotype of the loving, smothering, guilt-inducing (all that suffering!) yiddishe mama. More to the point of this article, I also admire her willingness in 1976, on the occasion of her 75th birthday, to lend her name to an annual ethnographic film festival […]
I’ll be moderating a Q&A tomorrow night, Thursday, October 22, in Miami with three of the city’s most compelling and original filmmakers: Jillian Mayer, Monica Pena and Carla Forte. It’s the closing night of this edition of the Miami Beach Cinematheque’s “Speaking in Cinema” series, and we’ll be discussing the individual works by these directors that have played at this series as well as the filmmakers’ general practice and thoughts on the Miami scene. Filmmaker readers will be familiar with Jillian Mayer’s work as she, along with partner Lucas Leyva, were selected for our 25 New Faces list in 2012. […]
On Wednesday, October 28, Filmmaker Magazine will be presenting at the IFP’s Made in New York Media Center a Master Class on filmmaking with the provocative Paris-based, Argentinian auteur Gaspar Noé. As his latest film, Love, a romantic melodrama with hardcore sex and shot in 3D, prepares to hit American screens, we’ll be screening Noé‘s first, rarely-screened picture, Carne, and then discussing his subsequent work. With its widescreen cinematography, William Castle-ish flourishes and spasms of ultra-violence, Carne, a tale of a racist horse-meat butcher in the South of France bent on avenging what he believes to be the rape of […]
From its opening frames, Isiah Medina’s first feature 88:88 announces itself as a torrential carousel of images and sounds, with one seemingly independent from the next even as they teeter along the same line of questioning. Loosely described as a personal meditation on poverty, friends and family in his hometown of Winnipeg (with scant commonalities to Guy Maddin’s characterization), Medina uses a variety of camera technologies to interrogate a specific situation of young adulthood that nonetheless consumes the viewer in its visceral flashes of intimacy. Filmmaker spoke to Medina about democracy in filmmaking, his concept of the cut, and whether or not he considers his work documentary. 88:88 […]