The nominations are out for the annual Film Independent Spirit Awards bestowed by Film Independent. As the logo above suggests, the Film Independent Spirit Awards will be celebrating their 30th anniversary with this edition. Leading the nominations count is Birdman with six nominations, followed by five apiece for Selma, Boyhood and Nightcrawler. Note the special awards for Inherent Vice and Foxcatcher, both of whose budgets exceed the $20 million cap for regular award eligibility. The awards are announced February 21, and their official site can be found here. BEST FEATURE (Award given to the producer. Executive producers are not awarded.) […]
The biggest, the smallest, the most, the more-times-than-anyone-else — filmmaker Sam Green has revisited a common childhood fascination, The Guiness Book of World Records, for his latest “live documentary,” The Measure of All Things, receiving its New York premiere at The Kitchen this week. It’s Green’s third work combining film, music and his own on-stage narration — a hybrid film/theater form that’s proved surprisingly popular in performing arts venues around the world. Indeed, when so many filmmakers are trying to figure out a “new model” for their work, Green has turned himself into a touring artist, finding new, less jaded […]
In a small Vermont town on the edge of the Green Mountain National Forest, an hour and a half from Albany NY, the Independent Television and Film Festival (ITVFest) holds its annual get together. Taking place in the fall, ITVFest is very similar to a film festival, with screenings, panels and talks given by content producers. But rather than films, it focuses on TV and web entertainment. ITVFest started in L.A. in 2006, then moved to Vermont in 2013. I attended some of the screenings of web productions in a large tent set up for the event, as well as […]
The local, national and continental share a happy space at Seville European Film Festival (SEFF). Now 11 editions strong, the Andalusian capital’s chief annual film event boasts a range of movies as healthily varied as southern Spain’s autumnal weather: here a morning shower, there a midday sun, here an established auteur, there an unknown debutant. While diversity is the aspiration of many a film festival, the cost is often quality. Now under artistic director José Luis Cienfuegos for three years, though, SEFF has done well to carve out its current position as the festival calendar’s prime place to discover quality […]
“We have to make artful films,” declared Tabitha Jackson at this morning’s DOC NYC keynote. Her thoughtful and engaging address — accompanied, half-jokingly, by what she dubbed her first attempt at Powerpoint — was filled not with statistics about audience reach or NGO partnerships but instead illustrations drawn from documentaries as well as poetry, visual art and experimental films. Indeed, this Director of the Sundance Documentary Film Program — one of the field’s most important funders — could not have been clearer about the direction she intends to bring to the program when she said, to applause, “The lingua franca […]
“So many fantasies are fear based, so I can understand why you’d want Ronald Reagan shoving cake in your mouth,” said Amy Seimetz. She was responding to a particular fantasy from an anonymous audience member after a screening of Josephine Decker’s Thou Wast Mild and Lovely, nearing the midway point in its one week run at the IFP Media Center. Seimetz and Decker, along with Mild and Lovely d.p. Ashley Connor, Ry Russo-Young, Emily Carmichael, and Celia Rowlson-Hall were all in attendance for an interactive panel on Female Sexual Fantasies in Film. The filmmakers began with a discussion that centered on the […]
Within an overly crowded film festival landscape, it takes something special for a new event to stand out. Such is the case with New York’s newest festival, scheduled for February, 2015: the New York City Drone Film Festival. While the FAA’s drone filming rules are still being developed, festival founder and cinematographer Randy Scott Slavin intends to use the event to celebrate robotic aerial filmmaking and to change the public’s perception of drones. He told the New York Post’s Chris Perez, ““These flying robots are amazing and exciting technologies, but because the word drone is so controversial, its constantly being […]
The nominees have been announced for the eighth annual Cinema Eye Honors (of which Filmmaker is an industry sponsor), which recognize outstanding achievements in documentary filmmaking. A quick breakdown: CITIZENFOUR (the cover story subject of our latest issue) leads the pack with six nominations, closely followed by Life Itself and 20,000 Days on Earth with five apiece. Below, find the bulk of the nominations. For more information, visit the Cinema Eye Honors website, which also contains more trivia and facts about the nominees in each category. The Cinema Eye Honors winners will be announced on Wednesday, January 7 at New York’s Museum of the Moving Image. […]
DOC NYC, “America’s largest documentary festival,” certainly lives up to its billing. With a whopping 153 films and events, there’s quite a bit to navigate, from critically acclaimed historic revivals to Toronto darlings to fresh premieres. For this fifth edition several sections have been broadened, and a few themes even added. There’s now “Centerstage” (performance focused films), “Jock Docs” (sports-centric flicks), “Fight the Power” (activist docs) and, perhaps most stimulating for nonfiction geeks, “Docs Redux.” That would be a sidebar of seven oldies but goodies, most with their legendary directors – Chris Hegedus, D.A. Pennebaker and Albert Maysles, all three receiving […]
There was an inauspicious start to the New York Film Festival’s inaugural Projections sidebar, a weekend showcase of experimental film and video, which, for 17 years prior as “Views from the Avant-Garde,” had been curated by Mark McElhatten and Gavin Smith. Nearly an hour before the first screening, a long line extended along the exterior glass wall of the Eleanor Bunin Film Center. Having successfully secured my tickets, I scuttled around looking for familiar faces in the crowd. As I began chatting with a friend, an elderly gentleman with a confused expression approached us. “Excuse me. Is this line to […]