The Southern Documentary Fund has just announced ten projects that will receive $10,000 production grants, unrestricted funds supporting projects in varying stages of productions. Half the grants go with aspiring and emerging makers, while non-first-time filmmakers include Julie Dash, whose highly influential Daughters of the Dust was the first feature directed by an African American woman to receive general theatrical release in the U.S. Says Southern Documentary Fund Executive Director Kristy Garcia Breneman in a press release, “This year’s applicant pool was rich with Southern talent, telling a vast range of powerful stories from across our region – we were […]
We last covered Exquisite Shorts, the shorts film program launched by Canadian filmmaker Sophy Romvari, when the platform announced that submissions were now open. Now Exquisite Shorts has premiered its first short, as curated by filmmaker Isabel Sandoval (Lingua Franca). From the platform: After several months of research and feedback from other filmmakers, a website was built from scratch and submissions opened for just $5 per film on an independent platform (avoiding FilmFreeway). The first film in the program is Pablo Hernando’s Solar Noise. This selection was made by filmmaker Isabel Sandoval, who was asked to make the inaugural pick for the program. You can […]
Maggie Gyllenhaal’s directorial debut, The Lost Daughter, adapted from the Elena Ferrante novel, was the big winner at the 2021 Gotham Awards, presented Monday, November 29 at Cipriani Wall Street. The Netflix production, which stars Olivia Colman, Jessie Buckley, Dakota Johnson, Dagmara Domińczyk and Peter Saarsgard, was awarded Best Feature, and Gyllenhaal won Best Screenplay as well as the Bingham Ray Breakthrough Director award. Colman shared the Outstanding Lead Performance Award with The Killing of Kenneth Chamberlain‘s Frankie Faison. Colman and Faison’s wasn’t the only split decision; the Gotham jury also split the Outstanding Performance in a New Series award, […]
Mads Brügger’s feature directorial debut, The Red Chapel, took a Tom Green-via-Sacha Baron-Cohen approach to infiltrating North Korea, with the director finagling himself and two comics — both adopted from North Korea, one with spastic paralysis — into the country. Given that it’s not hard to make an actual absurd environment appear absurd on screen, he emerged with fairly pointless cringe comedy: plenty of awkwardness all round but no real surprises. So it’s interesting to hear Brügger admit at the start of The Mole (initially a three-part series, shown at DOC NYC in its presumably final two-episode form) that The Red Chapel, while an […]
Taking place on a Thursday morning in late October at the Gutstein Gallery (or online for pass-holders who didn’t care to brave the rain), the Wonder Women: Below the Line panel at this year’s SCAD Savannah Film Festival (October 23-30) felt like a breath of fresh air. Moderated by Variety’s Jazz Tangcay, the participants included talent agent June Dowad, editor Pamela Martin (King Richard, Battle of the Sexes, The Fighter), and production designers Diane Lederman (CODA, The Americans, The Leftovers) and Ina Mayhew (Respect, Queen Sugar, Dolly Parton’s Heartstrings, Second Generation Wayans): All fiercely self-assured, middle-aged women with a wealth […]
A perennial highlight at the SCAD Savannah Film Festival (October 23-30), this year’s back-to-in-person (and virtually for pass-holders) Wonder Women: Producers panel was jam-packed with industry insights from a refreshing range of female perspectives. Engagingly moderated by SAGindie executive director Darrien Gipson, the event took place at the cozy Gutstein Gallery late on a Friday morning. On hand were Alison Owen (Harlots, Ghosts, Elizabeth), Seanne Winslow (The Lego Movie, The Life of Pablo/Yeezy Season 3 and The Falconer, which took Best Narrative Feature at the fest), Kaila York (a producer working mainly with Lifetime, Hallmark and Netflix), Jaclyn Moore (Dear White People, […]
Lines are a bit of a theme at the Jihlava International Documentary Film Festival. There are those you expect, greeting you in front of screening halls, pop-up food stands, restaurants and the wobbly information desks in the cramped festival center—all reminders that this quaint Czech town of 50,000 people was not built to play host to a film festival of international renown. Then there are lines of the less obvious sort, like the swirling white chalk marks on the pavement that connect the various festival locations—an act of “environmental installation,” created annually since 2005 by local artist Vit Kraus using […]
The Gotham Film & Media Institute, Filmmaker’s parent organization, announced today that poet, playwright, writer, filmmaker, director, civil rights activist, and educator Kathleen Collins will receive the inaugural Icon Tribute posthumously during the 2021 Gotham Awards Ceremony. Her daughter, Nina Lorez Collins, will accept the inaugural Gotham Icon Tribute on behalf of her mother. The Gotham Icon Tribute was conceived by the Gotham Awards Advisory Committee this year on its thirty-first anniversary to serve as an elevated moment during the awards ceremony to call attention to the boldness, artistry, and impact of a filmmaker from a marginalized community whose work […]
This year’s DOC NYC is actually two consecutive fests. From November 10-18, vaxxed and masked fans of nonfiction cinema will be able to gather in person for the 200-plus films and events at IFC Center, SVA Theatre and Cinépolis Chelsea. And for those outside NYC (but still in the US) or pandemic hesitant, most of the more than 120 features will be available virtually from November 19-28. In other words, “America’s largest documentary festival” is also now one of its most accessible. And while both US and world premieres abound at this 12th edition (60-plus by my last count), DOC […]
This year’s SCAD Savannah Film Festival – the “largest university-run film festival in the world,” which ran from October 23-30 – was a conveniently hybrid event that also marked my own return to the in-person festival circuit. Admittedly, as someone residing in a blue state with a strict mask mandate in place, traveling to the Deep South was a somewhat disorienting experience. And a stark reminder that the U.S.’s politicization of a global pandemic really is a war within – and specifically within the states themselves. On the one hand, Georgia’s Republican Governor Kemp issued an executive order back in […]