Based on a true story, 892 depicts a veteran who struggles to reintegrate into civilian life and, after having his dignity whittled down by financial precarity and a society unreceptive to his needs, he decides to hold up a bank. Below, editor Chris Witt discusses how he subtly adjusted the movie’s pace, drew on Greek tragedy to make the final act as moving as possible, and shaping Michael Kenneth Williams’ final performance. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? […]
“Making the shift to an online-only experience was a difficult decision, but it was the right one for the full community,” said new Sundance Executive Director Joana Vicente at the top of today’s opening press conference of the 2022 Sundance Film Festival. While the contours of last year’s largely-virtual (excepting the Satellite Screen events around the country) event were visible last June and then explicitly stated in early December, 2020, this year’s necessary hard-pivot to a largely virtual edition (again, with the Satellite Screens) happened late, in early January, 2022. So, when, as the various programmers all announced themselves by […]
Alon Schwarz’s Tantura takes its title from a particular Palestinian village that was depopulated – by any means necessary, including through a still-contested massacre of civilians – during Israel’s 1948 War of Independence (aka “Al Nakba,” the Catastrophe, if you hail from the occupied side). Yet the doc is less a history lesson than a deep-dive investigation into the stories a nation chooses to tell about itself. Schwarz’s (Aida’s Secrets) own story began when he got access to over 100 hours of shockingly candid audiotaped interviews that the (government and academia-silenced) researcher Teddy Katz conducted decades ago with former soldiers […]
Each year Filmmaker asks all the incoming feature directors at Sundance one question. (To see past years’ questions and responses, click here.) This year’s question: The last two years have prompted much contemplation and reconsideration of the reasons why we make our films as well as the ways in which we make them. What aspect of your filmmaking—whether in your creative process, the way you finance your films, your production methodology or the way you relate to your audience—did you have to reinvent in order to make and complete the film you are bringing to the festival this year? “Jumping […]
Following its premiere at last year’s Venice Film Festival, The Cathedral, the sophomore feature by Ricky D’Ambrose (a 25 New Face of Film in 2017), makes its US premiere at this year’s Sundance. We’re pleased to share the first trailer for the film, an assured, highly compressed yet emotionally impactful portrait of a young man’s upbringing from early ‘80s childhood to late ‘10s college. D’Ambrose’s coming-of-age story boasts David Lowery as an executive producer. The film’s Sundance page is here, and D’Ambrose’s essay about acting as his own graphic designer is here.
The Sundance Institute announced today two new premiere films that have been added to the 2022 Sundance Film Festival lineup. Selected for the Special Screenings section are The American Dream and Other Fairy Tales, directed by Abigail E. Disney and Kathleen Hughes, and Phoenix Rising, directed by Amy Berg. “We’re so pleased to welcome these two dynamic films into our program,” said Kim Yutani, the Festival’s Director of Programming. “These bold, compelling, provocative documentaries tell indelible stories each from a searing first person perspective that we know will spark critical dialogue.” About the two newly announced titles, from the press release: SPECIAL […]
“Heartbreaking,” “disappointed,” “crushing”—those are just some of the ways that filmmakers described the news that the 2022 Sundance Film Festival was going entirely virtual for a second year in a row. While lots of producers, directors, and sales agents were counting on in-person presentations to elevate their premieres in the buzzy environment of Park City, the shift to online-only was particularly stinging for filmmakers and sellers with artier, cinematic, or more challenging films that may get lost amid the Netflixification of the festival. “It’s a bummer,” admits Sam Green, director of opening night film 32 Sounds, which is described as […]
Color Congress, a national collective of majority people of color (POC) and POC-led organizations aimed at centering and strengthening nonfiction storytelling by, for and about people of color in the US, has launched in advance of the 2022 Sundance Film Festival. Founded by documentary impact and field-building strategists Sahar Driver and Sonya Childress, the collective will invite POC-led doc-serving organizations to apply for unrestricted two-year funding from a $1.35 million fund, and later in the year, they’ll be invited to join the Congress and direct over $1 million in grants aimed at addressing field challenges. Of the selection criteria for the […]
Sundance announced today that the in-person portion of the 2022 Sundance Film Festival has been cancelled. As in 2021, the festival will occur this year online, in a virtual edition on Sundance’s bespoke platform. When Sundance announced the return of its live edition back in August, 2021, Festival Director Tabitha Jackson announced a vaccination requirement, and, in recent days, Sundance reupped its protocols, requiring boosters for some attendees as well as offering on-site boosters in addition to the testing already planned. But Jackson also wrote, “Health and safety is paramount… We will continue to assess other elements of health and […]
An indigenous filmmaking focus and the ever-blossoming local film scene helped the 41st edition of the Hawai’i International Film Festival Presented by Halekulani return to an almost-normal state of in-person bliss this November. After a year and more of pandemic uncertainties and isolation, attendees shook off the social rust with varying degrees of success, while fears about being amidst crowds were somewhat abated by Honolulu’s vigorous vaccine requirements and HIFF’s strict 50%-capacity limits. The festival fittingly opened with the world premiere of Isaac Halasima’s documentary Waterman, on the astounding life of Native Hawaiian surfer/Olympian/celebrity Duke Kahanamoku; hit its stride with […]