Cinematography
Filmmaking - Cinematography
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DIY Previs: Developer Dan Fearing on ShotPro
Just as pencil-and-paper storyboarding has by and large given way to computer-based previsualization software, high-end previs suites are now confronting much more budget-friendly software and apps. The newest of these is ShotPro, an iOS app from WebGames3D.com that premiered on the App Store late last year. Developed by Dan Fearing and a small team of Sacramento-based designers and coders, ShotPro already looks like a game changer in the world of DIY previsualization. It launched loaded with characters, props, settings, lights and even lenses, and two updates have already followed, adding scalability for onscreen items, animatable cameras, new camera models, moveable keyframes and other features. Version 1.5 […]
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Solo Smart Drone Creates Virtual Second Operator
While news of another GoPro drone being released may not seem too exciting, 3D Robotics’ new Solo drone has some incredibly smart features that set it apart from everything currently on the market. Anyone who’s operated or dealt with a drone on a shoot soon realizes that to get very complex camera moves you need two operators — one to pilot the drone and one to control the camera. Solo is able to automate some of the tasks of piloting and camera control so a single shooter can get some incredible shots. Check out the video below for an idea of […]
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Blackmagic Announces New Cameras at NAB
It’s NAB, and Blackmagic have once again announced some exciting new cameras. Blackmagic has developed a bit of a reputation for announcing cameras with amazing specifications at incredibly good prices. They may not be as refined as the cameras from Sony, Canon et al., and they may not always ship on their announced dates, but if you’re a shooter on a budget you have to look at Blackmagic’s camera offerings. Blackmagic’s first camera was the Cinema Camera. Despite its unusual shape and user interface, this camera was a hit because of its high dynamic range, reasonable price, and its support […]
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Aputure DEC Adapter Turns Still Lenses into Smooth Remote Follow Focus System
It’s that time of year again for a slew of new cameras and gear to be revealed at NAB. I’m out at the show for my second year in a row, writing about new gear throughout the week on the site. I’ve got an interest in gear I’d use myself, for single shooter setups and low budget productions. But if there’s something you’d like to see covered, just reach out to me on Twitter or comment here. One new device I saw that really solves a lot of problems for the one-man band shooter is the DEC Adapter from Aputure. […]
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Fotodiox’s GoTough Filters Add More Image Control to Your GoPro
While GoPros shoot great action footage, there’s some effects you may want that can only be achieved through filters. Fotodiox offers a filter set and mount to offer more control over your GoPro image with their GoTough filter adapter and WonderPana filters. I tested out a set with the HERO 3+. The kit really depends on the housing used, so it can work with a HERO3 or HERO4 too and there’s an adapter for older HERO3 housings. The kit comes with a 53mm filter adapter, UV, ND8, and a polarizer filter. Because of GoPro’s auto settings you won’t see much of […]
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Domke Journalist Series Next Gen Camera Bag Review
If there ever was a piece of gear that I’ve experienced a Goldilocks dilemma with, it’s my camera bag. Or bags: different jobs call for different bags and configurations, so I’ve gathered a few over the years. Recently I’ve gotten to put a classic through real world use, the Chronicle from Domke’s updated Next Generation Journalist Series. Domke is an iconic camera bag you usually see slung around the shoulders of journalists out in the field (or movies, like The Bang Bang Club). The Chronicle is a medium sized bag that feels extremely sturdy and well built. It’s got a […]
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Offload Review – Red Giant Securely Transfers Your Media
There’s a lot less to worry about when transferring footage off your camera than during the days of film (light leaks, scratches, unspooling, developing errors). But the copying of 1s and 0s from one form of media to another isn’t always flawless, and with the amount of files generated, organization is key. To help with the process, Red Giant has released Offload – a very basic piece of software that serves one purpose – get the footage off your media cards and onto hard drives quickly and securely. Now, this isn’t the first piece of software to do this. I’ve been […]
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How Stanley Kubrick Shot Barry Lyndon Using Natural Light
Earlier this week we posted this video with Joe Dunton discussing the lenses used by Stanley Kubrick in his films. (Note: unfortunately, that previous video has been removed by the uploader.) Here’s the next in a Kubrick cinematography playlist: various cinematographers on his use of the BNC camera and Zeiss f/0.7 lenses to shoot Barry Lyndon in natural light. (As a reader below notes, this is an excerpt from Stanley Kubrick: A Life in Pictures, which is recommended viewing.) Previously at Filmmaker, Jim Hemphill sat down with three of the film’s actors for a discussion of the making of that […]
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Panavision’s Dan Sasaki on their Large Format Digital Lenses, the Primo 70
Late last year Panavision introduced a new lens line, the Primo 70. These lenses are specifically designed for use on larger sensor digital cameras and, according to Panavision, cannot be used on film cameras. We spoke with Dan Sasaki, VP of Optical Engineering at Panavision, about the development of these lenses, and how they differ from film lenses. Filmmaker: What was the impetus for developing digital lenses? Sasaki: Our Primo 35 lenses have been around since the late ’80s, early ’90s, and they are designed to work with film cameras. The Primo lenses have what’s called the blue line shift on […]
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Shooting Romance in NYC with the iPhone 6
Here’s a nifty behind-the-scenes featurette on the iPhone 6 shooting of Tristan Pope‘s short film, Romance in NYC. The film is shot entirely from the first-person perspective, like Lady in the Lake and Enter the Void, and the mobility of the iPhone enabled the director/camera operator to play the role of the first-person protagonist. As you’ll see in the video, Pope lets his own hands and arms enter and exit frame, aided by variety of gear — including a Gorillapod — as well as well-choreographed production assistants.
