Cinematography
Filmmaking - Cinematography
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Digital Motion Picture Cameras in 2015: The Dust Settles
Have you heard? The United Nations designated 2015 the “International Year of Light and Light-based Technologies,” and cinematography made the cut. But is IYL 2015 finally the year in which the dam burst of innovation subsides, and new digital cameras and techniques no longer threaten to drown us? Surveying the latest advances in large-sensor digital cinema cameras for Filmmaker’s fifth annual round-up — written, as always, on the eve of NAB — gives me pause to consider how far we’ve come in the five years since Sony’s F3 and FS100 were cutting-edge… since Panasonic’s AF100 stirred passions, ARRI’s Alexa represented a bold choice, and RED’s hand-assembled Epic-M […]
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PolarPro Has Tons of Clever Rigs for the GoPro Action Shooter
I know, another company with more GoPro accessories. At first I was skeptical that I’d see something new, but as someone who dives and hikes, just about everything I saw from PolarPro solved a lot of mounting and accessibility problems I’ve had in the outdoors, from keeping the camera quickly accessible to adding extra power. It’s not much of a surprise these are well thought out accessories. Company founder Jeff Overall is an action sports enthusiast himself and was looking for a decent polarizing filter for his GoPro for snowboarding. When he couldn’t find one he made it and started PolarPro during his […]
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DIY Previs: Developer Dan Fearing on ShotPro
Just as pencil-and-paper storyboarding has by and large given way to computer-based previsualization software, high-end previs suites are now confronting much more budget-friendly software and apps. The newest of these is ShotPro, an iOS app from WebGames3D.com that premiered on the App Store late last year. Developed by Dan Fearing and a small team of Sacramento-based designers and coders, ShotPro already looks like a game changer in the world of DIY previsualization. It launched loaded with characters, props, settings, lights and even lenses, and two updates have already followed, adding scalability for onscreen items, animatable cameras, new camera models, moveable keyframes and other features. Version 1.5 […]
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Solo Smart Drone Creates Virtual Second Operator
While news of another GoPro drone being released may not seem too exciting, 3D Robotics’ new Solo drone has some incredibly smart features that set it apart from everything currently on the market. Anyone who’s operated or dealt with a drone on a shoot soon realizes that to get very complex camera moves you need two operators — one to pilot the drone and one to control the camera. Solo is able to automate some of the tasks of piloting and camera control so a single shooter can get some incredible shots. Check out the video below for an idea of […]
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Blackmagic Announces New Cameras at NAB
It’s NAB, and Blackmagic have once again announced some exciting new cameras. Blackmagic has developed a bit of a reputation for announcing cameras with amazing specifications at incredibly good prices. They may not be as refined as the cameras from Sony, Canon et al., and they may not always ship on their announced dates, but if you’re a shooter on a budget you have to look at Blackmagic’s camera offerings. Blackmagic’s first camera was the Cinema Camera. Despite its unusual shape and user interface, this camera was a hit because of its high dynamic range, reasonable price, and its support […]
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Aputure DEC Adapter Turns Still Lenses into Smooth Remote Follow Focus System
It’s that time of year again for a slew of new cameras and gear to be revealed at NAB. I’m out at the show for my second year in a row, writing about new gear throughout the week on the site. I’ve got an interest in gear I’d use myself, for single shooter setups and low budget productions. But if there’s something you’d like to see covered, just reach out to me on Twitter or comment here. One new device I saw that really solves a lot of problems for the one-man band shooter is the DEC Adapter from Aputure. […]
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Fotodiox’s GoTough Filters Add More Image Control to Your GoPro
While GoPros shoot great action footage, there’s some effects you may want that can only be achieved through filters. Fotodiox offers a filter set and mount to offer more control over your GoPro image with their GoTough filter adapter and WonderPana filters. I tested out a set with the HERO 3+. The kit really depends on the housing used, so it can work with a HERO3 or HERO4 too and there’s an adapter for older HERO3 housings. The kit comes with a 53mm filter adapter, UV, ND8, and a polarizer filter. Because of GoPro’s auto settings you won’t see much of […]
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Domke Journalist Series Next Gen Camera Bag Review
If there ever was a piece of gear that I’ve experienced a Goldilocks dilemma with, it’s my camera bag. Or bags: different jobs call for different bags and configurations, so I’ve gathered a few over the years. Recently I’ve gotten to put a classic through real world use, the Chronicle from Domke’s updated Next Generation Journalist Series. Domke is an iconic camera bag you usually see slung around the shoulders of journalists out in the field (or movies, like The Bang Bang Club). The Chronicle is a medium sized bag that feels extremely sturdy and well built. It’s got a […]
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Offload Review – Red Giant Securely Transfers Your Media
There’s a lot less to worry about when transferring footage off your camera than during the days of film (light leaks, scratches, unspooling, developing errors). But the copying of 1s and 0s from one form of media to another isn’t always flawless, and with the amount of files generated, organization is key. To help with the process, Red Giant has released Offload – a very basic piece of software that serves one purpose – get the footage off your media cards and onto hard drives quickly and securely. Now, this isn’t the first piece of software to do this. I’ve been […]
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How Stanley Kubrick Shot Barry Lyndon Using Natural Light
Earlier this week we posted this video with Joe Dunton discussing the lenses used by Stanley Kubrick in his films. (Note: unfortunately, that previous video has been removed by the uploader.) Here’s the next in a Kubrick cinematography playlist: various cinematographers on his use of the BNC camera and Zeiss f/0.7 lenses to shoot Barry Lyndon in natural light. (As a reader below notes, this is an excerpt from Stanley Kubrick: A Life in Pictures, which is recommended viewing.) Previously at Filmmaker, Jim Hemphill sat down with three of the film’s actors for a discussion of the making of that […]
