“Looking stupid is more feared than losing money.” That’s one of several truths contained in a blog post by Chris Jones titled, “Who Will Finance Your Film and Why.” When it comes to independent film, where the often lack of upfront distribution makes financial modeling difficult, equity fundraising is more art than science. Many articles that purport to tell you how to raise money ultimately don’t. But Jones’ post is a good one; indeed, I pretty much agree with everything he writes. Like about looking stupid. It sounds crazy but it’s true. Looking stupid is feared more than loosing money. […]
Here’s a list to bookmark: the POV for Filmmakers site has handy, spreadsheet-style lists of funding sources for documentary, new media and web films. From the Alter Cine Foundation to World View, the site offers links and one-paragraph summaries of the organization’s mission and funding range. Additional sections of the site provide links to engagement strategists — individuals and companies who can work on films’ outreach campaigns — as well as film festivals and the various entry points to PBS.
In the Fall of 2011, filmmaker Ryan Koo — featured along with then-partner Zachary Lieberman on our 2008 “25 New Faces” — announced his debut feature, Man-child. Embarking on an ambitious Kickstarter campaign, Koo leveraged not only the community he had been building via his excellent website, No Film School, but also his project’s selection for the IFP and Film Society of Lincoln Center’s Emerging Visions program. The campaign was a success, raising $125,100, and, as he’s moved his story of youth basketball forward, Koo has been, essentially, open-sourcing his progress, giving advice on not only social-media fundraising but screenplay […]
The San Francisco Film Society does a fine job supporting emerging talent through their Filmmaker360 program, and most notably the Kenneth Rainin Foundation grants. For success stories, you don’t have to look far: Destin Daniel Cretton’s Short Term 12, which was a recent KRF grant winner, just won SXSW, and the Oscar-nominated Beasts of the Southern Wild received multiple grants from Filmmaker360. (Cretton was recently profiled by the SFFS, which you can view here.) The latest group of KRF finalists have now been announced, and it includes Jonas Carpignano for his feature version of A Chjana, the stunning short that last year […]
I am using Kickstarter to fund my latest feature film, Somewhere in the Middle. The film follows the intersecting lives of three individuals in three overlapping relationships. The way it’s told is unique, not only because we rewind and see different moments from different perspectives, but also because we started without a script. My first feature August the First was made the traditional way. I sat down with my writing partner, wrote a script for two years and afterwards we filmed it. The results were good. The film premiered at the SXSW Film Festival and was well traveled on the […]
Louise Rosen is a media executive with more than a quarter-century of experience. She formed Louise Rosen Ltd. in 1996 “to specialize in setting up international television pre-sales and co-productions on behalf of independent documentary and non-fiction producers.” She has done everything from research and budgeting to distribution and management. Among her credits are Oscar, Emmy, Sundance, Prix Italia, and International Emmy award-winning projects. Suffice to say, she knows a thing or two about documentaries and getting your film made. Luckily for filmmakers without Rosen’s breadth of experience (or those who do, but can still learn a thing or two), […]
The Tribeca Institute’s artist program Tribeca All Access, now 10 years old, today announced 11 new projects that it is supporting. Two of these are by 2012 “25 New Faces” alums: Long Year Begin, a doc project co-helmed by Malika Zouhali-Worrall (Call Me Kuchu), and Terence Nance’s political thriller The Lobbyists, a very intriguing follow-up to An Oversimplification of Her Beauty. Other promising projects already on my radar that TAA is funding include Roots & Webs, a mushroom-themed doc produced by Beasts of the Southern Wild‘s Josh Penn; Obvious Child, Gillian Robespierre’s edgy rom com; and Pilgrim Song director Martha Stevens’ third feature, Papaw Easy. Commenting on Tribeca All Access’ […]
“There are no limits. There are only plateaus, and you must not stay there, you must go beyond them.” -Bruce Lee If you are pursuing something as ambitious as acting or filmmaking, you know that one of the most valuable assets you have is your time. I work full-time as a doctor, and if you work full-time like I do and you want to make it big in the film industry, you’ve got to learn how to make sacrifices and budget your time. For instance, I performed surgery this morning, did an interview at noon, and edited some scenes of […]
My film partner and I reached our crowdfunding goal for our documentary film project, The Keepers, last month. I previously wrote about some of the issues and questions about crowdfunding and documentary ethics that came up during our long campaign. This piece is a useful follow-up that explains how we were actually able to beat the odds and raise half of our goal in the final week. This was written with the hopes that other indie filmmakers can apply what we have learned to reach their own fundraising goals. What they say is true By now it’s common crowdfunding lore […]
Hacks, four-hour workweek condensations, and digital outsourcing — I’m often dubious about the efficacy of many strategies promising “the answer” when it comes to both creative and business endeavors. That said, “Hacking Kickstarter: How to Raise $100,000 in 10 Days (Includes Successful Templates, E-mails, etc.),” found on the blog of Four-Hour Work Week guru Tim Ferris, is an excellent walk-through of one very successful Kickstarter campaign, and it’s full of practical advice. The Kickstarter was for Soma, a designer water filter, but much of author Mike Del Ponte’s advice can be applied to filmmakers too. I don’t agree with 100% […]