Financing
Filmmaking - Financing
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Making the Movie Was Easy, Crowdfunding Is Hard
Making the movie was easy, crowdfunding is hard. Ok, that’s a ridiculous oversimplification, but not completely untrue. I’m currently in the midst of a crowdfunding campaign to raise post-production funds for my first feature film, Sidewalk Traffic (a comedy/drama about a struggling filmmaker and new father in post-Great Recession NYC), which I wrote, co-produced and directed this past winter. Realizing the lifelong ambition of directing my first feature film meant making a substantial financial investment (though well short of what an MFA at an elite film school costs), informing my wife and two young daughters that I would be for all […]
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On Indiegogo: Mitch McCabe’s Make Me Normal
The body and mind — filmmaker Mitch McCabe tackled the former in her excellent HBO documentary, Youth Knows No Pain, which looked at the plastic surgery industry and America’s fixation on staying young. Now, she says, she’s “pointing the camera in the opposite direction, at our internal selves.” Make Me Normal is her film about the mental health industry. From her website: MAKE ME NORMAL is a feature-length documentary film exploring recent controversies in the psychiatry field, the rise of diagnosed mental illness, psychopharmacology and our new definition of “normal”— all set against the backdrop of the filmmaker’s own roll-coaster […]
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13 Ways to Cast A-List Actors in Microbudget Films
My film Between Us is about to come out in theaters and one of the questions I’ve been asked at some of the 22 festivals in seven countries I’ve been to (and yes, that sound you hear is my feet splashing on the beach when I won the Grand Jury Prize in the Bahamas) is how the hell I got a cast like Julia Stiles, Taye Diggs, Melissa George and David Harbour in a movie that according to Kickstarter only cost $10,000? So let me explain… 1. Choose Castable Material. One reason I chose to adapt an Off-Broadway play in […]
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How to Create Work Non-Stop Despite the Odds
If you are an independent filmmaker who’s not a trust fund kid, most likely you are on that constant search for financing for your next project. As two filmmakers living in New York, attending indie film parties and groups, we are constantly hearing stories about the film that’s been five years in the making and counting… and to be honest, it’s a little depressing. We need more stories about “the little film that could!” to inspire optimism among indie filmmakers instead of the tired “Who’s financing your film?” conversations. We are no experts, but over the past year of collaborating […]
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Letters from Blocked Filmmakers: Gregory Austin McConnell
In the debut piece in this column, Letters from Blocked Filmmakers, Drew Whitmire described a relentless perfectionism that led to him continually begin and begin again what was meant to be his debut feature — a 14-year process that resulted in only 15 minutes of footage. In today’s installment, Gregory Austin McConnell describes a related behavior: a continual re-envisioning of his feature as he ages and his own life circumstances change. Characters, storylines and tone all mutate as McConnell’s teenage dreams give way to adult realities — realities that bring not only creative change but also family responsibilities that make […]
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13 Takeaways from the 2013 Cannes Film Market
Earlier this week I posted “15 Lessons for Producers from the Cannes Film Festival and Market.” With the festival and market now firmly in the rear-view mirror, the consensus is that it was a solid one for the international sales community, without, perhaps that one giant locomotive title but with an appropriately modest number of films hitting their ask prices. Tastes were noted to have shifted, with buyers wanting “more Jennifer Lawrence and less Sylvester Stallone.” And on the pure indie level, I noticed, as I wrote in my piece on producers, a new crop of American independents have figured […]
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15 Tips for Producers from the Cannes Film Festival
Learning from your producer colleagues — that’s one of the benefits of attending the Cannes Film Festival and Market. Whether you are premiering a film, hustling a film, or just watching movies, the experience of encountering at multiple parties fellow filmmakers makes Cannes a great place to glean tips on your practice by observing how others are getting it done. In addition to watching movies, this year at Cannes I moderated morning meetings at the Producers Network, of which IFP is a sponsoring partner. I also moderated the “American Producers in Cannes” panel at the American Pavilion and spoke with […]
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Crowdfunding a Transmedia Phenomenon: Director Nicolás Alcalá on The Cosmonaut
With all the discussion about the future of Kickstarter in recent weeks, it may be appropriate that a film that began its campaign at the beginning of the crowdfunding movement is finally coming out this Saturday. The Cosmonaut — a Spanish-made English-language film directed by Nicolás Alcalá and produced by Carola Rodriguez and Bruno Teixidor — raised over €300,000 from 5,000 contributors. It was the first crowdfunded film in Spain and helped pave the way for the foundation of Lánzanos, Spain’s Kickstarter equivalent. The Cosmonaut will be available to watch for free on Saturday on the film’s website; the DVD, theatrical […]
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When Life Gives You Lemons: An Unexpected Crowdfunding Success
Call me crazy, but I have a feeling that I am sitting on a niche documentary goldmine. It’s titled Nuts: The Best Damn Fans In The Land. It will be about Buckeye Nation, which is the cultish fandom of The Ohio State University. I’ve never been more certain of a project’s potential success than this one. However, my past attempts at trying to get it funded tell a much different story. For almost a decade I failed to obtain funding for this golden project. Then a miracle happened, which I will get to in a moment. Buckeye Nation is the […]
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Jared Moshe on Dead Man’s Burden
Sumptuous and evocative, Jared Moshe’s Dead Man’s Burden is the rarest of species in specialty film, a Western. More importantly, it is a fine addition to the genre, a complex meditation on the wages of sin and the burdens of family, a chamber drama with more than a hint of noir. Set during the years after the Civil War in and around a rural New Mexican ranch, the film initially focuses on a young couple, Martha (Clare Bowen) and Heck (David Call). They plan to sell the ranch after the death of her father, a struggling farmer, and use the money […]
