In theaters now from Cohen Media, Les Cowboys is the directorial debut of acclaimed French screenwriter Thomas Bidegain, best known in recent years for his collaborations with French director Jacques Audiard. (He has co-scripted all of Audiard’s films following The Beat My Heart Skipped.) In an age when the value of the cinematic medium is being challenged, Bidegain has made a haunting and bold first feature that is both intimate as well as epic in scope. It’s a film steeped in the history of cinema, drawing both visual and narrative inspiration from classic American westerns. At the same time, Les […]
One of cinema’s great masters, Abbas Kiarostami, whose pictures could be intimate and human-scaled while also self-reflexive and bracingly political, died today in Paris. The Palme D’Or winner — for Taste of Cherry in 1997 — passed away following treatment for gasto-intestinal cancer. Speaking to The Guardian, director Asghar Farhadi said, “He wasn’t just a film-maker, he was a modern mystic, both in his cinema and his private life. He definitely paved ways for others and influenced a great deal of people. It’s not just the world of cinema that has lost a great man; the whole world has lost […]
Polaroid sent over their handheld 3-axis stabilizer for GoPro for a hands on review. In the video below I do a run through of the device along with taking it out for a spin with some test footage. At $180 it’s one of the least expensive gimbals for GoPro, and the shots are impressively smooth. Controlling the camera takes a little getting used to. It works with the HERO 3/3+/4. You can use it with or without an LCD BacPac (it includes a spacer when using it without). I caved and bought the screen because it was getting hard to operate holding a phone […]
Led by IFP founder Sandra Schulberg, who serves as its president, the nonprofit IndieCollect is working to conserve independent cinema. In just two years, the company has rescued and archived more than 3,500 film negatives, according to Schulberg, the president of IndieCollect. IndieCollect recently located the master picture and sound elements for eight of the shorts Vachon and Haynes produced in the ’80s and ’90s with Barry Ellsworth under their non-profit Apparatus banner. Apparatus backed a number of other directors, including Suzan-Lori Parks, Mary Hestand, Susan Delson, Brooke Dammkoehler, Larry Carty, and Evan Dunsky. Now the company has launched a Kickstarter campaign with hopes of raising […]
The Horatio Alger myth for the Golden Age of Hollywood’s studio system involved a bright, ambitious lad working his way up from the mailroom or his post as a clapper boy. By the time Bryan McMahan entered the movie business in the late ’70s, that studio system had long crumbled, but his beginnings were every bit as humble. McMahan’s first gig was as a film lab janitor. Thirty-odd years later he’s Terrence Malick’s colorist of choice, having worked as either the digital intermediate colorist or the mastering colorist on The Thin Red Line, The New World, The Tree of Life, […]
There has been no shortage of studies about the gender imbalance of women in the film industry, particularly behind the camera. Now a new study suggests that women are outnumbered when it comes to writing and broadcasting about films as well. “Thumbs Down 2016: Top Film Critics and Gender,” a new study from the San Diego-based Center for the Study of Women in Television and Film (CSWTF) examined 5,776 reviews by 247 “top critics” appearing on the Rotten Tomatoes website during spring 2016. The most comprehensive study of women’s representation as film writers, “Thumbs Down” concluded that men outnumber women by 73% to […]
Contemporary Color follows ten color guard troupes from across the country as they perform in multiple concerts put on by David Byrne in Toronto and Brooklyn. Crafted to appear to take place over one night at the Barclays Center in New York, the Ross brothers’ documentary places as much emphasis on the process of the show as it does the concert itself. Swiftly moving through the interior of the arena, into the stands, onto the stage, and even away from the arena entirely, Contemporary Color creates a visual landscape that sometimes moves into the abstract to recreate the environment of the performance. […]
In recent decades, some of the best documentary films — including Oscar-winners such as Bowling for Columbine and Searching for Sugar Man, and, more recently, festival favorites Point and Shoot and Meet the Patels — have have relied on animation to tell compelling nonfiction stories in nontraditional ways. It’s a technique audiences have grown accustomed to and nonfiction filmmakers have learned to adopt with varying degrees of success. While in the past, documentary purists might have posited that animation had no place in non-fiction storytelling, it’s now largely accepted that even observational documentaries involve some degree of manipulation. If anything, by using animation in a documentary, the manipulation is more […]
BitTorrent Bundle will re-launch as BitTorrent Now, extending the platform with new streaming apps for Apple TV, iOS, and Android, as well as introducing advertising as a new revenue stream for creators, BitTorrent announced today. Straith Schreder, BitTorrent’s VP of Creative Initiatives, who has been the principal driver of this initiative, told Filmmaker, “we wanted to build a platform with the ability for creators to connect with their audience no matter where they are in the world. So being able to bring their project to what’s now an audience of 200 million passionate fans of indie film and indie music and to be able […]
Editor’s note: the following is a guest post from Jesse Klein, director of the drama We’re Still Together, which will be having its world premiere at Karlovy Vary. A Kickstarter to raise funds for deliverables, travel, accommodations and other necessary expenses can be found here. In thinking about my film We’re Still Together and what could be said that the film itself does not say, I thought of my older brother Joey. The movie starts with him in every way. In the fall of 2012, I was back in Montreal after finishing an MFA in filmmaking at UT-Austin without an idea of […]