It’s not enough to use the hashtag #OscarsSoWhite in order to draw attention to the historic underrepresenation of African-American directors in Hollywood. Pushing Hollywood to open the gates for women and people of color to tell stories is crucial, but so is looking back and appreciating the films that deserve recognition. Over at Slate, Aisha Harris and Dan Kois created a list of “The 50 Greatest Movies By Black Directors” in order to draw attention to films which warrant inclusion in the canon of great films. As the two point out, when Sight & Sound delivers its once-a-decade critics’ poll or the American Film Institute shares its 100 Years… lists, […]
Filmmaker and Filmmaker contributor Alix Lambert is a guest producer on this week’s Theory of Everything, where she learns that it’s not just hipsters causing a revival in the audio cassette format but prisoners. Indeed, for most prisoners, cassettes are the only music delivery device they’re allowed. Listen to her episode, “Analog Time,” embedded here, as Lambert talks to some incarcerated men for whom cassette tapes are an escape, a salve, and even a medium of exchange. Meanwhile, Zach Taylor and Georg Petzold are finishing Cassette, “a feature-length documentary that celebrates the past, present, and future of an endearing musical […]
A new partnership between Alamo Drafthouse, the independent theater chain and distribution company, and Legion M, the world’s first fan-owned entertainment company, could help pave a new way for independent films to get financed and developed. The two companies announced yesterday that they had formed a strategic partnership to develop and distribute genre content, including feature films, shorts and virtual reality. On May 16th, Legion M launched a public equity crowdfunding campaign under new rules adopted by the Securities and Exchange Commission under the the 2012 JOBS Act. Since it launched the campaign last week, the company has raised $400,000 from accredited investors and […]
To paraphrase E. L Doctorow: Making a film is like driving a car at night. You can only see as far as your headlights, but you can make the whole trip that way. Two weeks ago, I was lucky enough to drive with more than headlights. My film 306 Hollywood was one of ten films chosen for the IFP Documentary Lab, and participating is like driving on a well-lit highway. With five days of presentations and workshops with industry insiders and peers you get a blast of clarity on how to finish your film and get it out into the […]
For many directors, the thought of “directing actors” can instill panic. Directors who were once cinematographers, say, or who have worked on film sets, might be at ease working with crews or blocking shots but will freeze up when challenged to give notes to actors. Such performance anxiety is not surprising. Unlike the crew, with whom directors have the whole shoot to develop working relationships, many actors are only on set for a few days. So it’s understandable that directors may worry about “getting it right” when it comes to guiding them in their performance. But the thing is: there […]
I came out of hiding on May 9th, literally and figuratively. After starting production on 93QUEEN three years ago — and giving birth to my third child three months ago — I walked into the IFP Documentary Lab armed with my breast pump and a 10-minute trailer, ready to present both of my “babies.” While Libbie, my actual baby, did stay home, I was finally able to share my project with the film world; my acceptance into the Lab marked a seminal turning point in the life of 93QUEEN and my career. 93QUEEN follows a group of Hasidic women […]
My name is Nijla Mu’min and I’m an award-winning writer/filmmaker from the East Bay Area. In March, I launched a Kickstarter campaign to raise $25,000 for my first feature film, Jinn. Jinn is a coming-of-age drama about a teenage black girl named Summer whose life is turned upside down when her mother abruptly converts to Islam and becomes a different person, prompting Summer to reevaluate her life and identity. It’s a fun, fresh exploration of millennial culture, Islam, and first love. Since the campaign ended, fellow independent filmmakers and colleagues have reached out to me for insight on how to […]
Jan Švankmajer, the 81-year-old surrealist Czech animator, along with his longtime producer Jaromír Kallista, has launched an Indiegogo campaign to fund the filmmaker’s final project, Insects. Švankmajer, known for his dark but playful satirical works, has directed over 30 short and feature-length films throughout his career including Alice, Little Otik, and Dimensions of Dialogue. As a pioneer of stop-motion animation, he has had a direct influence on the works of Terry Gilliam, Tim Burton, David Lynch, and the Brothers Quay, among many others. Švankmajer wrote the screenplay for Insects, which is loosely based on “The Insect Play” by the Čapek brothers, an allegorical comedy from 1922 […]
First-time narrative filmmaker Roxy Toporowych, who previously directed the documentary Folk! and who has worked in the art department of films ranging from Safe Men to Captain America, is one of the ten filmmakers taking part this week in the IFP Narrative Lab. Here, the NYU Tisch graduate describes the genesis of her film, which sprung from a Fulbright Award she received to visit Ukraine as the Maidan protests were occurring and just before the revolution of 2014. Return later in the week for parts two and three of her story. A BADASS TAKE-OVER The statue of Lenin that stood […]
Gone are the days when if you were lucky enough to sell your documentary to a single distributor, they would take care of the rest. Though a select group of established documentary filmmakers still operate along those traditional lines, the majority of independent filmmakers working in documentaries today rely on a hybrid distribution plan in which theatrical, festivals, broadcast, educational, non-theatrical, and VOD rights are split. The upsides of a hybrid plan are that it potentially enables filmmakers to earn more revenue and also to develop a long-term audience. The downside? It means more work for filmmakers. A workshop at the recent Oregon […]