Filmmaking
Filmmaking
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Birdman, Citizenfour Top the Gotham Independent Film Awards
One of the more enjoyable aspects of the Gotham Independent Film Awards is that there aren’t really any politics involved. The nominees are selected by critics, and the juries are comprised of filmmakers and actors, resulting in your fair share of wild cards, while the rest of awards season continually awards the pre-ordained “frontrunner.” Last year, it was great to see Inside Llewyn Davis take home the top prize, even if it was scarcely nominated elsewhere. Last evening, at Cipriani Wall Street, there were a few surprises, but I’d wager that Julianne Moore and Michael Keaton are going to continue apace all the way […]
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Top 10 Round-Up: John Waters, Cahiers du Cinéma, Sight and Sound
Year end top 10 lists are, for some reason, an inflammatory exercise. There are those who balk at the notion of reducing 365-ish days of output to tiers, others who seem to pride themselves on plucking unreleased titles from obscurity, along with the underlying question of authority — as though a given arrangement must be the chosen one. In any event, I just think they’re fun, and few, year after year, are as pithy as John Waters’ list for Artforum. Unsurprisingly, Maps to the Stars and Nymphomaniac make the cut, but he also gives a shout-out to the more middle of the road charmer Gloria, […]
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Damon Locks on New Projects Involving Animation, Prison Art and the Music of Sun Ra
Damon Locks is a visual artist and musician based out of Chicago. Throughout his career he has consistently found exciting and original ways in which to incorporate both visual and audio elements into his work, to collaborate, and to find a range of communities and venues within which to work. In two recent projects, New Moons for the Experimental Sound Studio and Freedom/Time, Locks uses animation to address unheard music from the Sun Ra archive and to work with inmates at Stateville Correctional Center, respectively. I sat down with Locks to talk about both projects. Filmmaker: I want to talk […]
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The Sound of Helicopters in Apocalypse Now
A film’s first shot, its first image, is one that’s obsessed over by many directors. But how many put as much care into its first sound? Francis Ford Coppola did, along with sound designer Walter Murch, when constructing the opening of Apocalypse Now. The famous helicopter sounds actually enter over black — they are the first input of any kind an audience member receives. And, of course, those weren’t just any helicopter sounds. In the video above — a section of a documentary commissioned for the Paramount 2006 home video release and made by Zoetrope’s former head of post, Kim […]
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Five Questions for Writer/Director Scott Blake about his Kickstarter Project, Victory
25 New Face filmmaker Scott Blake is currently raising funds on Kickstarter for an ambitious “urban insurgency” short film, Victory. Below, he discusses inspiration ranging from Michael Mann to Joseph Conrad, why he cast Kentucker Audley and why he’s making another short. Please visit his Kickstarter page to learn more. Filmmaker: First, let’s start with Surveyor and the 25 New Faces. You were one of our real discoveries, as your film hadn’t played many festivals and you hadn’t received much notice for it. What has happened after being selected for the 25, and how did that path lead to this […]
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TFI Sandbox Relaunches
A year and a half ago the Tribeca Film Institute launched the TFI Sandbox, an online resource for documentary transmedia projects with connections to the New Media Fund and other real-world resources. Since then the Sandbox has helped produce some amazing work, such as Elaine McMillion Sheldon’s Hollow, and last week the site received an upgrade, which you can check out here. The new Sandbox, essentially a more robust version of the previous iteration, features everything from introductory information for those just testing the waters of interactive nonfiction to specific funding, technology, and festival/distribution resources for those at work on […]
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Björk’s Biophilia Available to Download
Björk has been releasing Biophilia, in one way or another, for over three years now, transforming what could have simply been yet another album into a master class on multi-platform releases and extended community-building endeavors. In October 2011 the album came out–though she had begun working on it as early as 2008 and had released its first single that June–and broke ground for the artist as a multilayered concept album dealing with the environment, ecology, and economics, all presented in a highly textured sonic envelope of electronica. Tight on the album’s heels came some remixes, released together in the 2012 album […]
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Francesca Coppola on Her Kickstarter Project, Jonny Come Lately
Writer/director Francesca Coppola has just launched a Kickstarter campaign for her second short film, Jonny Come Lately. Below, she writes about the short’s themes and issues, her decision to shoot on film and the power of community. Please visit her Kickstarter page and, if you are able to, consider donating. I’m only a few hours away from hitting the launch button on my first Kickstarter campaign to complete the funding for my second film, Jonny Come Lately. There is a whirlwind of feelings at play here and a maelstrom going through my head right now; I’m nervous, exhausted, confused, but […]
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Watch: Behind Interstellar’s Sound Design
Deborah Stratman’s bewitching short film Hacked Circuit, which premiered at Sundance earlier this year, presents a roving, unbroken look inside the foley post-production process at an LA studio. Along those lines, this featurette with Interstellar‘s Supervising Sound Editor and Sound Designer, Richard King, provides perspective into the blockbuster’s unusually naturalistic and practical sound effects. To capture the essence of a dust storm, King and his team built a sand gun and fired it against a rusty car; to convey a car ripping through a cornfield, they built a rig and did it for themselves. Just as Nolan eschews green screens, he refrains from the use […]
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Birdman: Five Points of Contention
Having barely survived Alejandro González Iñárritu’s 21 Grams when it came out, I was inclined to stay away from his filmography for the rest of my life. But people I respect and trust — Iñárritu haters no less — kept saying that Birdman was actually quite good, so I popped in; two hours later, I felt as if my initial disinterest had been validated the hard way. Praise first for Edward Norton’s note-perfect rendition of the actor as a toxically always-“on,” reflexively self-dramatizing narcissist. Swaggering into conversations and pushing them into weird rhythms he can play with without regard for the […]
