Filmmaker regularly offers crowdfunding filmmakers on our curated Kickstarter page the opportunity to write a guest essay about their campaign. Here’s Sasha Solodukhina on the struggles of funding a first-time work, How to Disappear Completely. To learn more about her 30-minute film, visit its Kickstarter page, where the campaign is in its final three days. Unlike Spike Lee, or Charlie Kaufman, or The Coolest Cooler, even unlike the potato salad – I am not yet a product. I have no brand to articulate me, or any kind of large body of work to stand behind. At this point, you have […]
Netflix’s ever-shifting catalog is subject to sudden deletions and additions, the latter skewed far more to recent fare than a balanced sampling of all film history. Still, careful mining reveals a decent selection of titles to catch up on if you’re one of the company’s 35 million+ U.S. subscribers, including some relatively slept-on films. I cleared away the underwhelming underbrush to find (in alphabetical order) a semi-idiosyncratic selection of the 20 best non-fiction films available for current streaming on Instant. The Act of Killing (2012) Joshua Oppenheimer’s elegantly disturbing investigation into the determinedly suppressed legacy of Indonesia’s 1965-66 mass killings […]
It’s a widely recognized fact that today’s low-budget independent filmmaker can no longer delight in the luxury of simply getting from development through post. She may be the writer-director, but chances are, she also has a hand in the film’s grassroots publicity efforts and even its release. In the case of documentary film, some are tacking ‘public advocate’ onto their ever-expanding CVs. Aggregate, a Seattle-based policy firm that aims to promote social change, partnered with the True/False Film Festival to survey the 2014 filmmakers on how they saw their films in relation to public policy and advocacy. 56% of participants said they had no plans to conduct […]
IFP, Filmmaker‘s parent organization, announced yesterday that Gordon Ampel, most recently vice president of worldwide operations at Focus Features, has been hired as the Managing Director of the Made in NY Media Center. Ampel’s prior experience includes positions at USA Films and October Films. As the new Managing Director, Ampel will oversee programming, education, marketing, communications, community engagement, creative operations, rentals and hospitality teams at the Center. In its nine months of operation, the Media Center has opened its 20,000 square-foot-space in downtown DUMBO — including co-working spaces, talent incubator, 72-seat screening room, art gallery and café — to more […]
The Strugatsky brothers novel upon which Alexander Sokurov’s 1988 Days of Eclipse is based has the following fairly mind-blowing premise: a group of scientists in Moscow find their research in various fields frustrated by inexplicable events, and conclude that the universe is deliberately sabotaging them in an attempt to preserve its mysteries. Sokurov’s film has plenty of the inexplicable but none of this throughline — it’s parsable only with difficulty and guidance from external sources — and relocates the settting from St. Petersburg to Krasnovodsk, Turkmenistan. Krasnovodsk is now Türkmenbaşy, having reclaimed an indigenous name in the post-Soviet era. This […]
This week’s round-up of suggested reading is all film-related for a change: • The China Digital Times conducts a long, fascinating interview with Paul Pickowicz, an authority on Chinese cinema who talks about studying film in China from 1982-83 as an “unwelcome guest,” shifting trends in national anxieties as expressed on-screen through the decades, how long-dead political affiliations shape the government’s choice of which films from pre-1949 to promote as canonical, and much more. It may be the most interesting film-related thing I’ve read all week. • Kurmanzhan Datka: Queen of the Mountains, a Kyrgyzstani epic about a 19th-century hero, […]
More than any other American director working today, Martin Scorsese retains perhaps the most encyclopedic set of knowledge when it comes to his cinematic forbearers. Two years ago, Fast Company distilled 85 references made throughout the course of a four hour interview on Hugo, and dubbed it “Martin Scorsese’s Film School.” Flavorpill went ahead and paired the majority of those titles with pre-existing commentary from the filmmaker’s documentaries, A Personal Journey Through American Movies and My Voyage to Italy, to create a comprehensive video essay. Watch above for Scorsese’s insight into everything from Two Weeks in Another Town to Faces, Italian Neo-Realism (Rossellini) to pre-noir gangster films (Walsh), and much more.
The New York Film Festival took some haranguing after announcing the inclusion of only one documentary in their Main Slate a week ago. Rectifying matters is their Spotlight on Documentary lineup, which features new works from Albert Maysles, Les Blank, Frederick Wiseman, Martin Scorsese and assorted filmmaking giants. I will, of course, also be looking forward to the New York premiere of Joshua Oppenheimer’s The Act of Killing follow-up, The Look of Silence, which is said to be an exemplary companion piece, and Arthur Jafa’s Dreams Are Colder Than Death, which is perhaps more topical than ever. Check out the full list of films […]
From Cinelicious Pics comes this trailer for Adam Rifkin’s Giuseppe Makes a Movie, a portrait of the Ventura, CA-based no-budget cult filmmaker Guiseppe Andrews. Rifkin has known Andrews for 15 years, back from the days of Detroit Rock City, Said Rifkin to Filmmaker‘s Lauren Wissot, “This shy and respectful kid started cranking out no-budget films one after another, and every one of them was unlike anything I had ever seen before. I’m really hard to shock and these were crazy. Insane. But not a forced, ‘hipster trying to be weird for weird sake,’ kind of insane – these were genuine […]
A few years ago I was doing a 30-minute internet radio show and decided one day to re-purpose it as a podcast. I thought, why not? Public radio shows like This American Life and Radiolab were doing it. I was also realizing that I was wasting my time being on the radio at all. Filmwax Radio was not public radio, and I assumed correctly that only a relatively small number of people were tuning in. I also thought that going podcast-only would be an opportunity to change my show’s format. I’d no longer be constrained by a 30-minute slot, nor […]