Filmmaking
Filmmaking
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Five Breakout Performances at TIFF 2014
In roles large and small, performers stood out at the 2014 edition of the Toronto Film Festival. Here are five who captivated us; Filmmaker Magazine looks forward to meeting whomever they become next. The Nigerian-German singer Ayọ (née Joy Olasunmibo Ogunmakin) makes her acting debut in a biting new chamber piece by Haitian filmmaker Raoul Peck, Murder in Pacot (2014). Peck documented the aftermath of the earthquake in his powerful and damning 2012 documentary Fatal Assistance. His narrative take on the 2010 quake that killed roughly a quarter of a million people and left a million more without homes is similarly laced with despair and contempt at the […]
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Gone Girl, Mon Oncle d’Amerique and Mutually Negotiated Self-Destruction
[Massive spoilers from the first sentence onwards.] Gone Girl‘s plot in one sentence: dunce-ish Nick Dunne (Ben Affleck) is the prime suspect when wife Amy (Rosamund Pike) disappears; halfway through it’s revealed he’s been set up for her murder in a fiendishly well-plotted revenge for his infidelity. The pivot point for Gone Girl arguments is whether “Amazing Amy” is merely an anomalous sociopath in a self-contained story or whether she stands for All Women and heavy-drinking adulterous dullard Nick is All Men. If that’s the case, it doesn’t matter that an innocent man is set up for capital punishment by […]
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Five Things Tinder Guys Don’t Know about Being an Independent Filmmaker
In addition to being adorable, overachieving independent filmmakers, we (Caitlin and Penny) are both single gals in various deserts of actual human interaction (Brooklyn and Central NY, respectively.) Thus, we rely on our phones and thumbs, through a mostly-unknown dating application called Tinder, to find “love” (or whatever). Here’s a first-date conversation we both get to have all the time: Tinder Guy: “You’re an INDEPENDENT FILMMAKER??! That is so cool! Is that just like, a nonstop adventure of inspiration and creativity?” Uh, yeah; that’s exactly what it’s like. This post is dedicated to you, Tinder Guy. 1) Most of the […]
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Mike Leigh’s Five-Minute Films and Finding the Rhythm of Whiffed Out
Celebrating its Online Premiere over at No Budge, Jay Giampietro’s Whiffed Out is a throwback rendition of a neurotic New Yorker’s summer of suck. The short film, an official selection of Maryland Film Festival and BAMcinemaFest, derives its humor from situational minutiae, and in the below guest post, Giampietro discusses his source of inspiration in the five-minute film series of Mike Leigh. — Sarah Salovaara I was turned onto the Mike Leigh five-minute films by Ronnie Bronstein about a year and a half ago, and even though I am obsessed with Leigh and had seen every one of his features (I used to […]
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Sundance Institute Announces 2014 New Frontier Story Lab Participants
The Sundance Institute has announced the six projects set for this year’s New Frontier Story Lab, a hands-on initiative for developing content that converges at the intersection of “film, visual art, media, live performance, music and technology.” The 2014 creative teams and projects are Karim Ben Khelifa and Chloé Jarry (The Enemy), Dandypunk and Darin Basile (Heart Corps), Tracy Fullerton and Lucas Peterson (Walden, A Game), Braden King and Matthew Moore (Weather), Hasan Minhaj and Greg Walloch (Sakoon/Paint The Town) and Navid and Vassiliki Khonsari (1979 Revolution). Previously supported projects include #PostModem (from 25 New Faces Jillian Mayer and Lucas Leyva), Kill […]
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Gotham Awards to Celebrate Tilda Swinton and Bennett Miller
The Independent Filmmaker Project (IFP), Filmmaker‘s parent organization, announced yesterday that Tilda Swinton will be presented with the Actor Tribute at the 24th Independent Film Awards set for Monday, December 1st at Cipriani Wall Street in New York City. Bennett Miller will be awarded the Director Tribute. They will join Netflix’s Ted Sarandos, the previously announced Industry Tribute recipient. This year’s Actor Tribute recipient is known for her powerful and iconoclastic performances that have spanned the independent film scene for the past 30 years. Swinton has starred in critically acclaimed work by top independent directors, and is known for multi-film […]
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Transmedia is Still So Young: Femke Wolting and Tommy Pallotta on Last Hijack Interactive
Access is always an issue with documentary, creating unique challenges in war zones or similar areas where filmmakers would be in physical danger or simply cannot go. The documentary Last Hijack, produced by Submarine Channel and directed by Femke Wolting and Tommy Pallotta, doesn’t just deal with these issues but makes them one of the film’s greatest strengths. In documenting piracy in Somalia, the filmmakers turned to techniques like animation — Pallotta produced both Waking Life and A Scanner Darkly — to show what could not be filmed, and then went one step further by creating an interactive documentary to accompany the traditional linear film. […]
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Watch: Breaking Down David Fincher’s Directorial Techniques
While the gender politics behind David Fincher’s much-anticipated Gone Girl adaptation may be muddled, the “dark lord of cinema”‘s direction is as crystalline and precise as ever. Tony Zhou, in his latest Every Frame A Painting, examines how Fincher manages to make even the most expository exchanges cinematic by using framing to relate character dynamics. He also takes a close look at Fincher’s faithfulness to the tripod, sparing use of close-ups, and almost inhuman camera movements. It’s a must watch for anyone who values the abilities of visual language.
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6 Lessons on Filmmaking From Darren Aronofsky
Last evening, The New Museum held a conversation between Lynne Tillman and Darren Aronofsky as part of their annual Stuart Regen Visionaries Series. Tillman began with an excerpt from Genesis, a winking reference to Aronofsky’s Noah as well as the frequent depiction of beginnings — of identities and obsession — in his work. Over the next hour and a half, the two parsed through his filmography in chronological order, weighing in on themes and construction. Below are a few major takeaways from the discussion, and if time is not of the essence, the full version can be viewed above. Using Format to Create Cohesion Per […]
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NYFF ’14: Heaven Knows What, Eden, The Look of Silence
Josh and Benny Safdie’s filmmaking sensibilities are perhaps best summed up by the finale of 2009’s Daddy Longlegs. Unable to hire movers for their spur of the moment decamp to Roosevelt Island, Lenny (Ronald Bronstein) tasks his sons with hoisting their refrigerator onto his back, bootleg straps in hand. Atop Lenny’s spine, the near industrial-sized fridge is then caught between the closing doors of the tram, culminating in a moment that is hilarious, pitiful, and unexpectedly affecting. For years, the Safdies had been perfecting this brand of physical comedy, verisimilitude, cheeky humor and creeping sadness, all rendered on film with a handheld long lens, until 2012’s Lenny Cooke coaxed them outside their comfort […]
