When people ask me what I’m working on these days, and I tell them “a boxing movie,” most of the time I get an eye roll. Who wants to see another boxing movie? Boxing, a dinosaur of a sport that’s been bludgeoned to death by the movies already. Wasn’t The Fighter enough? Couldn’t you at least make it MMA modern? Does a movie camera need to ever enter the boxing ring again? After Raging Bull and Rocky and Million Dollar Baby and Fat City and Somebody Up There Likes Me? I guess my answer is yes. If there are no […]
Tuesday night Facebook hosted a panel discussion about social issue-oriented transmedia at their office in midtown Manhattan. The event was co-sponsored by the Tides Foundation, a San Francisco nonprofit that funds philanthropic ventures, and featured Beth Janson, executive director of the Tribeca Film Institute and representing its All Access program, Didi Bethurum of the social action campaign 10×10 and the documentary Girl Rising, Michelle Byrd of Games for Change, and Libby Leffler, Facebook’s Strategic Partner Manager who interfaces with nonprofits, charities, and philanthropic causes. A lot of the work discussed by the panel comes in the wake of the Half […]
In the third part of Filmmaker‘s interview project with prominent figures from the world of transmedia, conducted through the MIT Open Documentary Lab, the executive producer of interactive production at the National Film Board of Canada, Hugues Sweeney, answers our questions. For an introduction to this entire series, check out “Should Filmmakers Learn to Code,” by MIT Open Documentary Lab’s Sarah Wolozin. MIT Open Documentary Lab: How do you see people making the transition to digital interactive storytelling? Sweeney: If you look at the music industry at the end of the 90s and the begin of 2000s, the smaller the labels/bands/publishers were, the faster they […]
The San Francisco Film Society does a fine job supporting emerging talent through their Filmmaker360 program, and most notably the Kenneth Rainin Foundation grants. For success stories, you don’t have to look far: Destin Daniel Cretton’s Short Term 12, which was a recent KRF grant winner, just won SXSW, and the Oscar-nominated Beasts of the Southern Wild received multiple grants from Filmmaker360. (Cretton was recently profiled by the SFFS, which you can view here.) The latest group of KRF finalists have now been announced, and it includes Jonas Carpignano for his feature version of A Chjana, the stunning short that last year […]
The web series can take many shapes, from a no-budget serial made in high-school media classes to Joss Whedon’s Dr. Horrible’s Sing-Along Blog to Netflix’s long-format House of Cards. These are just three of probably thousands of web series out there produced, written, and directed specifically for the Internet. But there are other roads to web series. Here are five of them. The Longish Short Film Repurposed into a Web Series Filmmaking partners Jacob Hensberry and Ken Cook had plan for their short film, Planet X, a stylized, modern romantic comedy with sci-fi leanings. “We were going to use the […]
Called “suberb” by The Wall Street Journal and described as a ‘ravishing, stunning epic…a must see,” by Boxoffice Magazine, Nikolaj Arcel’s A Royal Affair stars Mads Mikkelsen (The Hunt, Casino Royale) and Alicia Vikander (Anna Karenina, The Crown Jewels). Here’s a synopsis of the film, courtesy of Magnolia Pictures: A Royal Affair is the true story of an ordinary man who wins the queen’s heart and starts a revolution. Centering on the intriguing love triangle between the ever more insane Danish King Christian VII (Mikkel Boe Følsgaard), the royal physician who is a man of enlightenment and idealism Struensee (Mads […]
We’ve all probably had that feeling: you’re in the middle of a project and its shape has formed in your mind, but it’s still fuzzy around the edges. You think you’re going in the right direction, but you don’t know what the final destination is yet. You need some sort of creative road map of practical steps to get the project back on track, to clarify your ideas and refocus your creative energy. Brian Eno suggests taking a hot shower. But for me, talking with other artists who’ve gotten through these challenges before is the best way to get my own creative gears back in motion. It was […]
I am using Kickstarter to fund my latest feature film, Somewhere in the Middle. The film follows the intersecting lives of three individuals in three overlapping relationships. The way it’s told is unique, not only because we rewind and see different moments from different perspectives, but also because we started without a script. My first feature August the First was made the traditional way. I sat down with my writing partner, wrote a script for two years and afterwards we filmed it. The results were good. The film premiered at the SXSW Film Festival and was well traveled on the […]
On small budget productions, coming up with locations can be a challenge – especially if you need something a bit unusual. An upcoming music video for the band Run 8 Rider required that a single location represent three different time periods to tell its story. Using a borrowed house as the location, director Sean Meehan turned to production designer Riley Fearon to supervise the transformation of the location. In this interview Riley talks about the challenges of working on a small budget, how he approaches production design, and how he came to the field. Filmmaker: For this project what have […]
In numerous online and print articles, including in Filmmaker‘s Winter, 2013 issue and on this website, the story of the dispute between experimental filmmaker Mark Rappaport and critic and Boston University professor has played out, with Rappaport charging that Carney has improperly refused to return film prints and original master materials entrusted to him for safekeeping. The dispute between the two men has traveled to court and then into the larger filmmaking world, as many celebrated directors signed a petition to Boston University urging the school to intervene. One mystifying element of the conflict has been Carney’s refusal to respond […]