Shane Carruth’s score for Upstream Color is one of the film’s standout elements, working hypnotically with the equally strong sound design to anchor the picture’s tumbling cascade of images. In advance of the film’s early April release, Carruth has released the entire score on Soundcloud and made it available for purchase on iTunes. Check it out below, and read my cover story interview with Carruth in the new Filmmaker, which you can subscribe to digitally here on the site or get for the iPad on the App Store.
“Complexity” is a word that Jane Weinstock likes to use when describing her ideal movie, and it’s certainly an attribute that could be applied to her own work. “I crave it as an audience member. I think people are contradictory, and I like that kind of psychological realism,” she says. The same word is an apt description for her own pathway into the director’s chair, especially for her most recent film, The Moment. It was a fulfilling journey for the filmmaker, but one she also calls “a really long struggle.” Weinstock has had a varied career, having gotten her start […]
A little over three years ago, I decided I wanted to make a sci-fi short film about a robot trying to become human. My idea was to combine live action with miniatures and rod-puppetry – despite having no previous experience with special effects. Initial reactions from family, friends, and collaborators were of the “Are you insane?” variety – perhaps rightfully so. It was at that point I knew I had to make the film. What followed was an odd combination of luck, coincidence, and disaster – three ingredients that are rarely talked about, yet I’m convinced are completely inseparable from […]
The problem with the Oscars is that you spend three hours watching the show and at the end you haven’t learned anything from the winners about how they did what they did. In celebration of the event, and with congratulations to the winners, here’s some interviews with the nominees for Best Cinematography. One of the interesting themes you’ll note in these articles is that the switch from film to digital remains a hot topic: Anna Karenina | Seamus McGarvey “Anna Karenina was filmed with anamorphic lenses, which require slightly more light, and some of the lighting used is older in style, […]
Despite legions of advice to the contrary, there is no quick-fix scheme toward making a feature film. What it really comes down to is creating a universal story and surrounding yourself with people who believe in your vision enough to see it come to life. Benh Zeitlin proves that to make a powerful film today, you don’t need gimmicks, a convoluted strategy, or even connections in the business. All you really need is a story so strong that it’s impossible not to make. The 30-year-old Zeitlin’s journey from short to feature is a true fairytale in the landscape of American indie […]
There is no one set way to progress to the role of writer/director, but now — when all it takes to make your own movie is having a DSLR and a Kickstarter account — the story of Ric Roman Waugh’s rise stands out. The son of an old school Hollywood stuntman, Waugh took a path similar to those directors who emerged in Tinseltown’s golden age: learn a craft (writer, editor, production designer, etc.), and then move up through the ranks until you’ve earned the right to have your name on the back of that canvas chair. Waugh followed in his father’s […]
This Sunday is the Oscars, and as is tradition, the really interesting awards – for scientific and technical achievements – were made at an event on February 9. This year Imagineer Systems was presented with an award for their product Mocha, and its underlying Planar Tracking technology. The company was recognized for their “proven record of contributing significant value to the post-production process of making motion pictures.” As a planar tracker – rather than a point tracker – Mocha is able to motion track problematic things such as out of focus footage. Motion blur breaks point trackers, but in Mocha you […]
Traditional broadcast and cable television is in free fall. More and more viewers are turning to alternative viewing options offered through “broadband” services facilitated by the Internet. Traditional TV programming, like editorial content in newspapers and magazines, is really an eyeball hook for the show’s advertising. And traditional TV viewing is suffering its biggest loses among its most coveted demographic groups – Generation Y (ages 13 to 32) and Gen X (ages 33 to 46). A recent report by GfK, a German research firm, paints a dismal picture of TV audience erosion. It found that among Gen Y folks, only […]
Is it possible to produce a cinematic narrative based on the collective wisdom of a tribe with no real actors? Can a film be made where true stories are brought to life by the people who have actually lived them? Joey L. not only believes it is possible, he has every intention of making it happen. By the age of 18, he was commissioned to photograph the movie poster for Twilight. Currently his work, on National Geographic’s Killing Lincoln promos, can be seen on billboards from Times Square to Sunset Boulevard. So how does someone who makes a living routinely […]
Jenny Deller’s Future Weather takes an unusual look at Middle America, forgoing the clichés of its demography for ecology. Introverted Laudurée (Perla Haney-Jardine) is abandoned by her mother (Marin Ireland), who flees their trailer for Hollywood, with gelatinous aspirations for a career as a make-up artist. Fiercely independent, Laudurée carries out her daily life as though nothing happened, her days consumed by experiments and the threat of global warming. Yearning to be taken under the wing of her science teacher (Lili Taylor), Laudurée is nevertheless snatched up by her alcoholic grandmother (Amy Madigan), who plans to move to Florida to […]