In Canadian writer/director Ruba Nadda’s elegant and oddly topical thriller Inescapable, Adib Abdul-Kareem (Alexander Siddig) is a computer operations manager at a Toronto bank who fled Syria some 30 years ago. Married to a Canadian with whom he’s fathered two pretty teenage girls, he’s kept his checkered past a secret from his family the whole time, but after the disappearance of the older of his two daughters (Jay Anstey) during a clandestine visit to Syria in order to find out where her father is from, Adib heads to Damascus despite the possibility of repercussions for long ago sins. With combative ex-flame […]
Last week, my production partner and I reached our Indiegogo film crowdfunding goal. We worked a ton, both on and offline, spun our wheels a bit, thought we set our goal too high, figured we might be harassing our friends too much, worried we picked the wrong time to fundraise, and grew concerned that our campaign was too long. But, in the end, we were able to course-correct and come out on top, beating the $15,000 goal by some $700, with the last $7,000 coming in the final four days of the campaign. Like anything that really tests your faith […]
In case you are living in a cave and missed it, the big news of last week was that RED is suing Sony. RED claims that Sony’s F65, F55 and F5 infringe on patents RED holds, specifically relating to REDCODE RAW. It appears that the issue may turn on the compression of a RAW video stream in the camera. Jim Jannard posted on the REDuser Forum: We are heavily invested in concepts, inventions, designs, development and manufacturing of RED cameras, REDRAY and the RED Projector. Each is unique and has motivated the industry to get better, for the benefit of […]
Since repetition in the form of rote memorization is a major element of education, I’m not going to apologize for this, one of my periodic rants on the ways in which filmmakers (and, sometimes, their publicists) fail in the promotion of their films online and through social media. I’m sure that over the years I’ve posted every one of these points before, as have other writers on our site, like Jon Reiss. But, based on my encounters with filmmakers, their films, and their websites these past few weeks, these are worth repeating. Want to decrease press interest and the size […]
Receiving its world premiere in the 2013 Rotterdam Film Festival’s Tiger Awards Competition, San Francisco-based Visra Vichit-Vadakan’s Karaoke Girl is an evocative character study of a Bangkok working girl, a singer in a nighttime karaoke bar for whom memories of her rural past and dreams of romantic fulfillment form a pulsing lifeline away from an emotionally depleting world. A hybrid documentary/fiction film, Karaoke Girl stars newcomer Sa Sittijun as a character largely based on herself. The documentary sections of the film follow her back to her real hometown, and feature interviews with her real family, while the “fiction” sequences are […]
The words “interactive film” obviously evoke some kind of audience engagement, but what that actually means can — and does — change with every project. While there have been a lot of innovations with screenings in public venues, interactive films often tend to play best online or on mobile devices where viewers can input information and make narrative decisions. The new short film many worlds seeks to turn this on its head a little bit and redefine interactivity by, first, making it completely unconscious for viewers and, second, allowing it to take place in a traditional theater. Billed as “a […]
Lumière, Cohen, Zucker, Farley, Duplass, and Polish. All siblings in cinema. Are siblings just genetically inclined to be good partners? My sister Eva and myself are not your garden-variety filmmaking partnership. We’re brother and sister, bound by shared nature and nurture. We formally joined professional forces in 2003 and founded Last Ditch Pictures, now a full-service production company spanning the gamut: commercials and industrials and shorts, editing and scoring and visual effects, and — closest to our hearts and common circuitry — features. I sat down with my sister over the weekend, having just completed post production on our fourth […]
Anyone who’s joined the FCPX bandwagon will tell you one of the main draws is speed (or at least I will). FCPX let’s you do things quicker. But how we interact with the system (and computers in general) has its limitations. For years the standard of working with NLEs has been left fingers planted on J, K, L, right hand on mouse. It’s not a terribly bad way to edit. Doing it for years you build up a fast muscle memory, but there are still keyboard tasks that stretch the limit of what you can remember, along with the span […]
John Singleton was raised on silent movies. The 45-year-old director of Boyz in the Hood and the Shaft remake grew up next to the Century Drive-In in Inglewood, California. As a boy, he’d literally peek out his window and watch his heroes Bruce Lee and Billy Jack‘s Tom Laughlin battle on-screen without sound. “The first breast I saw was Pam Grier’s,” Singleton confessed to a rapt audience at Toronto’s TIFF Bell Lightbox Tuesday night, hosted by director Clement Virgo as part of the city’s Black History Month celebrations. “Every time I see Pam Grier I tell her, ‘You made me want […]
At the beginning of the year, Filmmaker’s Scott Macaulay pointed out again — like many others have as well — that features are no longer the default format-of-choice for indie filmmakers. And as forms like the web series mature, we’re seeing more of the kinks getting worked out and more filmmakers and others finding innovative ways to release and promote new work. Take Netflix’s high-profile series House of Cards, which was just released all at once instead of in spaced-out (i.e. weekly) increments; we’ve yet to see the show’s long tail, but its initial viewer data (that is, its engagement […]