Our current crop of “25 New Faces” are a busy bunch (I recently wrote an update on their exploits), and the latest alum to make headlines is Hannah Fidell, whose debut feature A Teacher has just been picked up by Oscilloscope. The film — produced by another of 2012’s 25, Kim Sherman — tells the story of a 20-something teacher (the excellent Lindsay Burdge) who has an affair with one of her students. It premiered at Sundance last month, and will play at SXSW in March. In a press release announcing the acquisition, Oscilloscope’s David Laub and Dan Berger said, […]
Picking up from where we left off in our last article, we’re happy to announce that Days of Gray is in the can! So much has happened in the last six months, and here’s how we got there. We concluded an incredibly successful Kickstarter campaign in early June with a blow-out party at the Wooly (many thanks to all our backers who came out in droves and danced till the wee hours to the beats of Icelandic DJs!) We also held a very well-attended screening at the Scandinavia House showcasing previous works from Bicephaly Pictures as well as some of Hjaltalín’s music videos to give […]
Director Sam Neave and his producer/star Marjan Neshat are both Iranian-born, but the films they tend to make together — including 2003’s Sundance entry Cry Funny Happy and their terrific new two shot high-wire act Almost in Love — focus on the romantic travails of upper-middle-class Westerners in ways that are as funny as they are earnest. Their newest film, despite its intentionally schematic, downright arty structural contrivance, is a surprisingly rich meditation on friendship, the difficulty of settling down and the importance of being earnest. Performed in humorous and melancholy shades by an odd assortment of performers, most notably Ms. Neshat, Gary Wilmes, Alan Cumming and Alex Karpovsky — who […]
Independent films get made, and we cover them here at Filmmaker. But what about all the films that don’t get made? They have their own stories, and their stories can be as useful to other filmmakers as those of films that do actually hit the screen. After a brief Twitter poll, I’ve decided to invite several filmmakers who have been struggling, so far unsuccessfully, to make their films to discuss those projects here on the site. I’ll be interested in the films, the length of the development process, the avenues tried, and the possible reasons for the projects’ failure to […]
Your film didn’t get into the A-level fests so far? With Sundance, Berlin and SXSW having already been announced — or come and gone — for 2013, there are some disappointed filmmakers grappling with an official rejection and its impact on the life of their films. Not getting into a major festival is certainly not the end of the world, but being unprepared for anything except acceptance really can be the end if filmmakers haven’t planned and budgeted for the lack of a conventional distribution deal. Because it isn’t smart just to play the festival circuit and hope for a […]
Far more insidious than strep or the flu, Lee Hirsch’s Bully investigates a different sort of contagion infiltrating classrooms across the country. Centering on the South and Midwest — Georgia, Iowa, Texas, Mississippi, and Oklahoma — Hirsch and his crew peer into the lives of families and children that are dismantled and uprooted by relentless acts of bullying. While most surrender to the cyclical ostracizing, downplaying the shame before their parents and superiors, others seek solace in suicidal measures. Following its premiere at the 2011 Tribeca Film Festival, Bully shocked and educated audiences with its frank portrayal of the ramifications […]
The debut film from husband and wife team Peter Ohs and Andrea Sisson (also known collectively as Lauren Edward, a composite of their middle names), I Send You This Place is a very unconventional documentary which tackles themes of mental health, creativity and the natural world through the prism of the couple’s trip to Iceland. Gorgeously shot and made with genuine invention by Ohs and Sisson — whose backgrounds in science and design bring a fresh approach to their interpretation of the non-fiction form — I Send You This Place establishes the pair as directors with a bright future. Filmmaker spoke to the […]
Wanna give the finger to Big Pharma and maybe meet the Dalai Lama? Danish director Phie Ambo’s Free the Mind was one of my big discoveries at IDFA 2012. The film’s a truly revelatory exploration of the mindfulness movement, led here in the States by the University of Wisconsin’s Richard Davidson (who made Time magazine’s list of the 100 most influential people in the world back in 2006), an expert in “contemplative neuroscience” who moved into the field after being asked by none other than the Dalai Lama why modern neuroscience didn’t study kindness and compassion. Ambo’s doc is a […]
Rambling On, an independent film interview show, is landing at Filmmaker. Produced by filmmakers Russell Costanzo and Melissa B. Miller (The Tested), the show gathers, roundtable style, producers, directors and actors to discuss their working practices. Here’s an excerpt from the duo’s previous episode, a roundtable with producers Sophia Lin (Compliance), Josh Mond (Simon Killer), Riva Marker (What Maisie Knew), Jared Goldman (The Magic of Belle Isle), and Michelle Ann Small (Gun Hill Road). The moderator here is Matt Patches from Hollywood.com, and this clip addresses a skill every producer needs to learn how to master: How — and when […]
In yesterday’s article “Canon C100 or C300: Which One to Get?” I wrote about the ability to attach an external recorder to the C100 and record 4:2:2 video, but added: Is 4:2:2 out of the C100 exactly the same as 4:2:2 from the C300? That’s a question I haven’t yet seen a definitive answer to, though a lot of people are assuming it is, or it’s very close. Today, I’m at least a step closer to answering that question. Paul Antico of Anticipate Media, and host of the NeedCreative Podcast, sent me some sample frames taken from Atomos Ninja 2 […]