For many, the release of the Canon C100 has prompted one question: Which one do I get? Or, in other words, is the C300 really worth $9,500 more than the C100? These cameras have the same sensor and very similar bodies, and Canon even includes C-Log on both, but there are a lot of differences. Perhaps the most notable: C300 records internally 4:2:2 MPEG-2, while the C100 records 4:2:0 AVCHD 60p recording (at 720p) is available on the C300 but not the C100 C300 has HD-SDI & Genlock, C100 just has HDMI C100 is smaller There are other differences: The […]
In the quickly gentrifying Brooklyn neighborhood of Greenpoint during the mid-aughts, Walter Baker — a collector of sound, a street musician, a man of many talents and eccentricities — lives with his wife Andrea, a poet, and their adolescent son Sidney. Baker spends his days rummaging through barren lots and decaying Greenpoint docks recording sound, or lurking in the subway, using an extra large rubber band to make unearthly yet remarkably compelling quasi-music. Baker’s skills on the rubber band improve throughout Matt Boyd’s singularly self-possessed, unforgettable doc-narrative hybrid A Rubberband is an Unlikely Instrument, while his home life becomes more […]
The day Sundance began, Daily Variety’s lead article kicked off with: “In this brave new indie world of VOD, shifting release windows, RED cameras [italics mine] and social media marketing…” I was struck by how little any of this has to do with indie filmmaking alone. As a token of digital revolution, RED cameras are so five years ago. It’s hard to storm the ramparts when last year’s #5 and #7 box office hits were shot with RED Epics (The Hobbit: An Unexpected Journey, The Amazing Spider-Man). In fact, not only were last year’s #1 and #4 hits filmed with […]
In telling the story of Lore (Saskia Rosendahl), a 14-year-old daughter of Nazi parents who travels across a devastated Germany in 1945, Cate Shortland’s Lore, adapted from Rachel Seiffert’s novel The Dark Room, plays with fire. As the director acknowledges, it could easily be misread as a statement that (Gentile) Germans were also victims of World War II. Instead, the film suggests what it’s like to fall from great privilege. Without fully understanding what it means to be a Nazi and what responsibility for evil her parents hold, Lore goes from being rich and well cared for to being treated […]
Rear projection, a technique that involves projecting a background image onto a screen behind your actors, is a technique that was popular in the 40s and 50s, particularly for shooting vehicle interiors. It wasn’t perfect; the image can seem washed out compared to the foreground actors making it easy to spot the technique, and rear projection requires a fairly large studio space. Rear projection has been mostly replaced, first by front projection, and by blue- and green-screen techniques. Even low-budget NLEs now include very good green-screen filters that produce excellent results; though it’s your technique when shooting the footage that […]
Net neutrality may end this year. Verizon, AT&T and the American Legislative Exchange Council (ALEC) are spearheading a three-pronged attack against the open Internet and other open forms of digital communications. If they succeed, telecommunications will be further “deregulated” and, thus, further privatized and monopolized. As a consequence, telecom services will get more expensive, local requirements subordinated to the whims of huge corporate monopolies, competition and innovation will suffer and U.S. world ranking in terms of broadband speed – 15th today! – will further erode. One attack involves Verizon’s court challenge to the FCC’s very authority to regulate digital communications. […]
It turned out to be incredibly prophetic that my first day in Venice, Italy, as one of the leaders for the Biennale College-Cinema was spent at collector François Pinault‘s incredible Punta della Dogana. This beautiful museum opened in 2009, with its closest neighbor — the Santa Maria della Salute Church — constructed almost four hundred years prior. It was but the first example of old masters sitting side-by-side in conversation with the new I experienced during this magical and inspiring week. Filmmaker and fellow IFP Lab leader Jon Reiss and I entered the exhibition. In Praise of Doubt was based […]
You’re most likely to know Rashida Jones as part of the great cast of the award-winning TV series Parks and Recreation (though she says she’s often recognized for her small role in Freaks & Geeks), but Jones is more than just a talented performer. She’s a dynamic and versatile artist alternating between acting and writing (not just for the screen either!), and in the case of last year’s Celeste & Jesse Forever, both. Her first screenwriting credit has acquired a lot of notice, and we were able to pick her brain a little in the midst of her success, which […]
At 20 years of age, Charlie Collier of Zapamation may be a young filmmaker, but he’s already got almost eight years of stop-motion experience behind him. A self-taught animator, he says he was able to get into this partly because of the flexibility he gained from being homeschooled; he was able to incorporate animation into the curriculum. When he finished high school he decided to try his luck as a full-time freelancer. He hopes to attend film school some time in the future when he has built up “a little bit of a portfolio.” Collier has already created animations for clients […]
They say that creative works are never really finished, we just let them go at some point. I guess that’s what deadlines are for. The new versions of step outline, budget and schedule for A Case of the Dismals were due a week after we arrived at San Servolo, at 2:00PM. So of course I finished at 1:55. I had also “finished” a couple of hours earlier when I thought the deadline was noon. With a sigh of relief, Mai and I clicked send and off our little package went to the Biennale. We then had about 15 minutes to […]