Filmmaking
Filmmaking
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“The Strange Beauty of our World, the Strange Disaster of Our World”: Chris Peters on His Slamdance AI Short, 24,483 Dreams of Death
A spectral and hypnotic entry in this year’s Slamdance Film Festival is Chris Peters’s “film experiment,” 24,483 Dreams of Death, which uses a Mario Bava film (Mask of the Demon) as the sole source material for an A.I.’s imagination of our visual world. Over six days, Peters — a filmmaker, painter as well as software engineer — fed the frames of the film into the computer, producing images that represent, he writes, “… the machine’s neural network forming in real time, not footage in the traditional sense of photographed scenes, but footage of the internal experience of a new intelligence […]
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“… Once a Person’s Voice is Captured, They are Expendable”: Director George C. Wolfe on the Musical Histories of Ma Rainey’s Black Bottom
Black music. White privilege. Chicago. 1927. What could possibly go wrong? Indeed, nearly everything, and it’s chronicled with artful intensity in August Wilson’s Ma Rainey’s Black Bottom, the second in a cycle of ten plays that compassionately detail the 20th-century experiences of African Americans. Ma Rainey’s was brought to the screen this season in a stellar production directed by George Wolfe that stars Viola Davis in the title role and, in his final role, Chadwick Boseman as the upstart young trumpeter and rake in her band. Wolfe, a Tony Award-winning theater director and writer, is gradually building a formidable resume […]
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Pump Up the Volume, Lovecraft Country and New Streaming Titles at OVID.tv: Jim Hemphill’s Home Video Recommendations
On the relatively short list of truly great films about teenage alienation, writer-director Allan Moyle’s 1990 drama Pump Up the Volume ranks somewhere near the top, alongside earlier classics like Rebel Without a Cause and Over the Edge; yet unlike those brutally pessimistic movies, Pump Up the Volume manages to be as exhilarating as it is cynical, blending its authentic despair with an uplifting sense of liberating rebellion in a manner that compromises neither. Moyle had already directed one coming of age gem, Times Square, when he came to tell Pump Up the Volume’s story of a suburban loner (Christian […]
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Virtual and Actual Realities: The Narrative VR and New Media Works in the Sundance 2021 New Frontier Section
A Remote Festival The Sundance Film Festival, which ended February 3, succeeded remarkably well despite the pandemic, and nowhere was that more obvious than in the New Frontier lineup of virtual/augmented reality and other new media. In fact, as has been commented throughout 2020, in many ways virtual reality was made for this moment. With VR headsets reaching ever further into the consumer population it was feasible for this year’s New Frontier lineup, including several 2D browser-based works, to be shown remotely with essentially no loss in quality, especially when compared with feature films being screened on a laptop or […]
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“This Writing Really Calls To Me. It’s Huge in My Life. It Also Just Repels Me.”: Bill Irwin On His Irish Rep Virtual Theater Piece, On Beckett / In Screen
Bill Irwin premiered On Beckett at the Irish Repertory Theatre in 2018. In the piece he explored Samuel Beckett’s writing by performing selections and offering commentary about the impact the Irish author has had on his life. When the COVID-19 pandemic shuttered theaters, the Irish Rep turned to the internet to stream productions online. Recently the Irish Rep repeated its 2020 season in the Theatre @ Home Winter Festival, which is now streaming and extended through March 7, 2021. For the festival, Irwin and his collaborators, including co-director M. Florian Staab and cameraman Brian Petchers, rethought the piece, which is […]
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The New Nostalgia of Touch: The Best Adult Erotic Filmmakers to Watch in 2021
The relentless slog of this pandemic has, undeniably, left a lot of us bereft of human physical contact. What seemed manageable to handle for a month or two — no hugging outside of your household pod, no new dates without rigorous measures — is starting to feel like a real and permanent loss. As an adult erotic filmmaker myself, I’m painfully aware that the adult film industry has of course been terribly hard-hit by the ban on physical contact. In-person shooting of couples and groups has, by necessity, slowed to a sanitary trickle. I feel very lucky that I finished […]
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Upload Prohibited: Amazon Prime Video Direct Locks Out Docs and Shorts
Amazon’s Prime Video Direct (PVD) service has a message for independent documentary and shorts filmmakers: You need not apply. Last week, Amazon’s PVD self-publishing program issued a change in policy: “At this time, we’re no longer accepting unsolicited licensing submissions via Prime Video Direct for non-fiction and short form content. We’ll notify you if these categories become available for consideration.” Suddenly, one of the largest streaming platforms in the world was out of reach for vast numbers of companies and content creators. Filmmakers across the world have used PVD, while established indie distributors such as Samuel Goldwyn Films, Kino Lorber, […]
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“So Many Movies Are Disingenuous About [Death] and it Pisses Me Off”: Filmmaker Jack Dunphy on His Slamdance-Premiering Short, Revelations
Filmmaker Jack Dunphy makes personal films. His shorts Serenity, Chekhov and now Revelations, tell stories from his life with a dash of fiction. He uses construction paper as a base material for his animated films and seemingly does detail work with whatever bachelor-pad rubbish he has on hand. These stop-motion worlds are grubby and handmade; there’s no handsome veneer getting between us and Jack’s emotions, though they’re beautiful in their own right. In Revelations, now streaming as part of the Slamdance Film Festival, he combines animation with video footage and photos from his past to tell the story of his high […]
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Judas and the Black Messiah, Vigilante and Rituals: Jim Hemphill’s Home Video Recommendations
One of the best American films of recent years drops on HBOMax (and on big screens where theatres are open) today with the release of director Shaka King’s mesmerizing Judas and the Black Messiah, a film about slain Black Panther leader Fred Hampton that skillfully avoids bio-pic cliches with its sophisticated dual narrative and arresting ’70s crime flick style. Daniel Kaluuya is the best he’s ever been in a performance that forcefully conveys Hampton’s iconic power and humanizes him at the same time; costar Lakeith Stanfield is equally strong as William O’Neal, an FBI informant who sells out Hampton and […]
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Bebia, à mon seul désir, The Year Before the War and Friends and Strangers: The 2021 International Film Festival Rotterdam
Chiaroscuro is as good as a drug in Bebia, à mon seul désir, the striking debut feature from Russian-born, London-based writer-director Juja Dobrachkous, which premiered at the International Film Festival Rotterdam (IFFR) last week, in the Tiger competition. The impressionistic drama feels as if conjured out of smoke, dead leaves and rain clouds. Perhaps more to the point, its camera relishes the contrast between the pale skin of teenage model Ariadna (Anastasia Davidson), strutting the catwalk in London, and the Stygian hue of the mourning dresses worn by the women who loudly lament before her grandmother’s casket, back in rural […]
