Via Pitchfork comes this video for Broken Bells’ “The Ghost Inside,” directed by Jacob Gentry and starring Mad Men’s Christina Hendricks. As part of their “Director’s Cut” series, they interview today the director of this haunting sci-fi critique of our glamour-obsessed culture. From the interview: Pitchfork: This looks like a pretty big production for a relatively small band like Broken Bells. Jacob Gentry: A lot of people say it looks big and expensive, but it wasn’t by any stretch. The special effects in the video were limited to things that could’ve been done in the late 70s or early 80s. […]
Bill Murray doesn’t do many interviews, so even if it wasn’t kind of awesome, Dan Fierman’s interview with the actor in GQ would be a must read. Fierman covers a lot of ground, particularly obsessing over Murray’s sole directing effort, the massively underrated Quick Change, so I don’t think I’m spoiling anything by quoting here the last exchange between the two: Last question. I have to know, because I love this story and want it to be true. There have been stories about you sneaking up behind people in New York City, covering their eyes with your hands, and saying: […]
Select stories from our Summer issue are now available, including this year’s 25 New Faces of Independent Film. (Read the press release here.) You can now read online our interviews with Amir Bar-Lev on his new doc, The Tillman Story; Gaspar Noe talks about his psychedelic look at the afterlife in Enter the Void; we look at the latest innovations in DSLR cameras; and some of our friends give their favorite apps, program and Web services. Plus, Lance Weiler’s Culture Hacker column focuses on transmedia while Anthony Kaufman’s Industry Beat looks at the realities of the Do It With Others […]
It’s tempting to get distracted. It happens to filmmakers all the time. Concern over gear, building audiences, developing social media strategies, new tools, new services. The promise of transmedia (the ability for a story to live beyond a single screen, device or medium) offers such rich storytelling potential. But for some it will become yet another distraction. Case in point: After a recent speaking engagement I was approached by a group of filmmakers. Some were trying to figure out the value of transmedia while others said with a sense of pride that they’d designed the perfect transmedia experience, as if […]
Premiering below is the first of a seven-part series entitled “New Breed Los Angeles” presented by Filmmaker and the Workbook Project. Produced and directed by SABI Pictures, the series was shot at the Los Angeles Film Festival and features festival participants talking about their creative process. From the filmmakers: For the community of working-class filmmakers at New Breed a constantly evolving creative process of telling our stories is the one thing we can count on in these changing times. Embarking on journeys through deeper methods of collaboration & engaging with fans across various platforms is certainly exciting – but one […]
Here’s news I’m just coming across — former IFP Executive Director Michelle Byrd has joined the non-profit Games for Change as Co-President. Congratulations to Michelle, and I look forward to following the organization’s next endeavors. From the press release: For Immediate Release – New York, NY (July 12, 2010) – The Board of Directors of Games for Change announced today the appointment of Asi Burak and Michelle Byrd as Co-Presidents of Games for Change, the leading global advocate for making and supporting digital social impact games. Mr. Burak and Ms. Byrd will work together on the strategic vision of the […]
Here are articles of interest I’ve bookmarked over the last few days in my Instapaper. * In the Edmonton Journal, Atom Egoyan discusses the rise and what he sees as the slow decline of independent production, linking it to not only external forces (technology, economic cycles) but also the fusion of independent production with a particularly American urge for self-expression. Egoyan speaks in a matter-of-fact tone. Able to transcend the pettier concerns of a frequently petty industry, thanks to a sophisticated world view, trenchant sense of humour and healthy dose of Canadian humility, Egoyan sees the shifting business model as […]
“I know a lot of filmmakers grew up making movies, but I didn’t really do that,” reveals Adam Bowers, the writer, director and star of the Sundance NEXT entry New Low. “While they were getting experience I was just getting experience being an idiot.” If you caught his film in Park City this year then you’re probably not surprised by this admission. Perfectly playing the quintessential neurotic schlub, Bowers, 25, has always been fascinated by characters who are a bit self-serving and not too bright. But what makes New Low stand out from other indie comedies is its keen sense […]
For decades John Waters has been the filmmaker who has sprung to mind when one thinks about Baltimore and the movies. But with the release of his exquisitely directed, formally rigorous second feature, Putty Hill, Matt Porterfield adds his name to the city’s cinematic honor roll. “For me, Baltimore — the physical environment and its people — is a real source of inspiration,” he says. “It’s a diverse but stratified city, an amalgam of the North and South, divided along race, class, and socioeconomic lines. I hope my films can perform some kind of social function by bridging gaps and […]