Filmmaking
Filmmaking
-
Witness Project: DP Ben Gaskell on Shooting with Lomo Anamorphic Lenses
Ben Gaskell is a freelance cinematographer and DP for Witness Project, a series of short documentaries about oppression. For a recent episode on Anastasia Lin, Miss World Canada 2015, Gaskell shot on the Blackmagic URSA Mini 4.6K using old Lomo anamorphic lenses. Filmmaker: How did you get involved with this project? Gaskell: The director was an editor on a documentary that I worked on and he knew that I had a knack for bringing an artistic flare to the documentary genre. We chatted about the series and ended up finding a common language, and he was really interested in the […]
-
When It Comes to Raw, Focus World Sees Red: On Red Band vs. Green Band Trailers
“Aberrant behavior, bloody and grisly images, strong sexuality, nudity, language and drug use/partying.” So reads the information box on the R rating for Raw, Julia Ducournau’s tasty little horror film about a vegan who becomes a cannibal. Explicit films (gross-out horror flicks, bawdy comedies, sexy dramas) always face the same marketing challenge: how do you show the best parts of a movie when those moments might be too graphic? In the case of Raw, Focus World gave the movie two trailers: a mainstream gothic green-band trailer and a frenetically disturbing red-band trailer. Ironically, the two share a lot of the […]
-
Using Interviews and Animation to Bring the Sniper Documentary Tower to Life
The documentary Tower recounts the day in 1966 that a sniper on the University of Texas Tower killed 14 people and wounded dozens more. The film includes archival footage, interviews with those who were present and animated recreations of the event. In this interview, director/producer Keith Maitland and DP Sarah Wilson talk about the making of the film which receives its broadcast premiere on PBS on Tuesday, February 14th. Filmmaker: How did you become filmmakers? Maitland: I started off in narrative filmmaking, working on other people’s movies, and right around the time I met Sarah — we’ve been together 13 years […]
-
“What’s Your Secret?”: Eight Sundance Directors on Short Filmmaking and the Festival Circuit
“Do you have a film in the festival?” The first thing people say to you when they meet you at a festival is usually this question. And for many of us, the answer is a negative. We’ve emptied our bank accounts, called out of our day jobs, skipped out on weekends upstate or by the beach to work on beckoning projects. And when we get rejected by a film festival, it can feel like those sacrifices and hard work were for naught. For new filmmakers like us, festivals, along with a good online distribution plan, are a coveted way to […]
-
Tech Talks: The FilmGate Interactive Media Festival
The 2017 FilmGate Interactive Media Festival, which took place February 3-5, was a bit different from prior editions I’ve attended. For one thing, the fest was now headquartered in the heart of Hurricanes-land — over Super Bowl weekend no less — at the University of Miami School of Communication (rather than in trendy South Beach). For another, accommodations this time included a lovely historic house rented in Coconut Grove, where I found myself one of four born-and-bred Americans, along with three other artists originally hailing from India, Serbia and Turkey. Very Real World meets virtual reality. But perhaps the biggest […]
-
Why Make a Microbudget Film? Five Questions for Director Paul Harrill on the Virtues of Ultra-Low Budgets
Is there a business in microbudget filmmaking? The question is begged by the title of an upcoming class at the IFP’s Made in New York Media Center titled, yes, “The Business of Microbudget Filmmaking.” The program copy reads: In this class, you will learn proven, cost-effective filmmaking and business techniques for producing a $50,000 (or less!) film project. We’ll go step-by-step through the filmmaking process to discover tips and tricks for developing, planning, producing, and distributing a microbudget film. The class — a two-parter taking place February 13 and 20 — is taught by filmmaker Paul Harrill, which is itself […]
-
The General, By Sidney Lumet and Postcards From the Edge: Jim Hemphill’s Home Video Recommendations
This week sees the Blu-ray release of one of the greatest of all silent comedies via Kino’s exceptional high-def transfer of Buster Keaton’s The General (1926) – though to categorize it as a mere comedy is a bit limiting. The film contains wall-to-wall laughs to be sure, but it’s also the most enduring action film of its era, a chase movie that still, over ninety years later, has the ability to awe the viewer with its flawless intersection of conceptual ambition, meticulously executed stunts, and visual elegance. Following essentially the same structure as Mad Max: Fury Road, the movie consists […]
-
Sundance Notes: Disarming a Film Festival
On Friday, January 27, as I attended the second half of Sundance, Trump signed an executive order barring Syrian refugees and citizens of seven Muslim-majority nations from entering the United States. “We’re not willing to be wrong on this subject,” said White House chief of staff Reince Priebus on Face the Nation two days later. “President Trump is not willing to take chances on this subject.” The following Monday, The New York Times reported that senior White House officials “were proud of taking actions that they said would help protect Americans against threats from potential terrorists.” This year at Sundance […]
-
Finding the Storyline in a Documentary Short (Or, Do Short Docs Need Narrative Arcs?)
When you announce to the world (or at least on social media) that you’re making a short documentary, you’re bound to be asked the obvious question: “What’s it about?” As any documentary filmmaker can tell you, there’s a short answer to that question and a long answer, depending upon who is asking and how much time they have to spare. In the case of my short documentary film in-progress, Sole Doctor, the short answer is, “It’s about George, an African-American shoe cobbler who has owned a business in Portland for over 50 years and is getting ready to retire and pass […]
-
Sundance Notes: RISE to RUMBLE, must-see TV… from Canada
Malcolm Forbes, of all people, once memorably said, “You can easily judge the character of a man by how he treats those who can do nothing for him.” I’d like to extend that principle: You can easily judge the character of a nation by how it treats the indigenous people from whom it took its territory. I’m from Chattanooga, near the Chickamauga battlefield, just east of the Ocoee and Hiwassee rivers, in the southeast corner of Tennessee. I grew up on an Appalachian mountain, dated a girl in nearby Ooltewah. I now live in Manhattan. All indigenous names. Where are […]
