Directors
Interviews - Directors
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“There Was Almost a Competition to See Who Could Spit on the Film More”: Ognjen Glavonić on The Load
A road trip movie where the destination is clear but the intent is hidden, Ognjen Glavonić’s The Load is something of a taut genre film with political subtext. Set in Yugoslavia during the 1999 Kosovo War (that ultimately concluded with the catastrophic NATO bombing that went unapproved by the UN Security Council), The Load goes micro in its study of a truck driver who’s trying to make ends meet by driving unknown cargo from one destination to another. What he’s transporting, he doesn’t bother to ask and he certainly doesn’t want to know. Drab and dreary, war-torn and ravaged, The […]
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“With Digital You Have to Spend a Lot of Money Before It Becomes Free”: Mark Jenkin on His Hand-Processed 16mm Bait
If you’ve heard much at all about Bait, the breakthrough feature of British filmmaker Mark Jenkin, it’s likely concerned the anachronistic means by which he’s constructed the experimental drama. Shot on a hand-cranked Bolex camera in black-and-white 16mm, then hand-processed by Jenkin himself with an assortment of unusual materials that lend scratchiness to the images, the film offsets potential accusations of gimmickry in making these aesthetic choices relevant to evoking something specific about where it’s set, an unnamed fishing village in the county of Cornwall in southwest England. As writer Ian Mantgani describes in his review for Sight & Sound, […]
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“Every Viewer Can Decide What to Believe or Not Believe, Who to Trust and What to Question”: Avi Belkin on His SundanceTV True Crime Series No One Saw a Thing
Currently playing on SundanceTV, the Blumhouse-produced No One Saw a Thing is a true crime series directed by Avi Belkin, whose unexpectedly riveting Mike Wallace Is Here premiered earlier this year at Sundance (and launched in theaters just last month). It revisits a surreal episode in American vigilante history in which the small town bully of Skidmore, Missouri was shot to death while sitting in his truck, his wife by his side. This occurred back in 1981 —and to this day no one’s been charged. Even though a good chunk of the population witnessed the murder. While this mystery remains unsolved, […]
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Brief Encounters: Director Jim Jarmusch on the Poetic Downtime of Coffee and Cigarettes
The following interview with Jim Jarmusch was originally published as our Spring, 2004 cover story, and it is appearing here online for the first time. — Editor “Why do people go to the cinema?” Andrei Tarkovsky writes in a book of essays, Sculpting in Time. “I think that what a person normally goes to the cinema for,” he goes on, “is time: time lost or spent or not yet had.” Time lost, spent or not yet had is the stuff of Jim Jarmusch’s new feature, his ninth, Coffee and Cigarettes. Consisting of 11 short vignettes, all featuring two or three people […]
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“Is That a Little Too Much Like Scooby-Doo?” Radio Silence on Ready or Not
Opening with a wedding and concluding with some kind of funeral, the horror-comedy Ready or Not is a welcomed late summer season addition. Grace (Samara Weaving) and Alex (Mark O’Brien) are married at the Le Domas family mansion. After the ceremony, the family announces that, as is tradition, they will promptly play a children’s game with (or more accurately, against) the bride, as she is the newest member of the Le Domas family and thus must pass a test. The game is Hide and Seek, and if Grace can make it to morning, she lives. If the Le Domas family […]
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“It’s a Choice: To Be a Filmmaker or a Human”: Ljubomir Stefanov and Tamara Kotevska on Honeyland
The award-winning documentary Honeyland marks the second collaboration between directors Ljubomir Stefanov and Tamara Kotevska. Set in Bekirlijia, a rural village in Macedonia, it focuses on Hatidze Muratova, who follows ancient beekeeping traditions while caring for her ailing mother Nazife. Despite her efforts to be self-sufficient, political and economic decisions have a profound effect on Hatidze and her ability to survive. Synopses of Honeyland can make it seem like a dull, self-righteous nature documentary. Instead, it’s a film filled with contradictions and narrative reversals. Characters make self-destructive, at times inexplicable choices, often under the guise of kindness and generosity. Hatidze […]
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“The American President is a Conspiracy Theorist”: Mads Brügger on Cold Case Hammarskjöld
A conspiracy theory is meant to provide just enough information to send you tumbling down multiple dead ends, desperate for a branch of legitimacy to grasp onto. It must begin with an undoubtable event (say, the death of a famous figure) that lacks concrete evidence as to how it took place. There must be several figures who go on the record and offer conflicting reports (or provoke the sense that they’re hiding something more sinister). There must be multiple probable reasons for this event to have taken place (the famous figure had it coming, the famous figure experienced bad luck). […]
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“Move Behind the Fence or You’ll Be Arrested”: Roberto Minervini on What You Gonna Do When the World’s On Fire?
Since moving to the United States in 2000, Italian-born director Roberto Minervini has become one of the foremost documentarians of the American South. His fifth feature, What You Gonna Do When the World’s On Fire?, marks a departure in focusing, for the first time, on African-American lives in the region. Shot between Mississippi and Louisiana, the film weaves together three parallel threads: a pair of young brothers, Ronaldo King and Titus Turner, whose fierce bond is evident from the jump; a musician/singer/bar owner named Judy Hill, who conducts community meetings aimed at consciousness-raising; and members of the New Black Panther Party, seen […]
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“We Decided to Treat the Policy and the Propaganda as if They Were Also Human Characters”: Nanfu Wang and Jialing Zhang on One Child Nation
One Child Nation, winner of this year’s Sundance U.S. Grand Jury Prize (and premiering theatrically August 9th via Amazon Studios), is a striking cinematic examination of China’s three-and-a-half decade long, one-child policy by filmmakers Nanfu Wang (Hooligan Sparrow, I Am Another You) and Jialing Zhang (Complicit). It’s also a stunning uncovering of the multi-layered machinations required for a government to negate reproductive autonomy. And ironically, as the NYC-based Wang herself points out towards the end of the film, advocates of China’s (now defunct) policy and the US’s (very much alive) anti-abortion stance both subscribe to a core belief in state […]
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Rodney Evans on Documenting His Own, and Others’, Loss of Sight in Vision Portraits
Rodney Evans’ Vision Portraits works his experience of gradually losing his eyesight while continuing to make films into a personal documentary that also considers the larger implications of this experience for artists and minorities. The film is structured around Evans’ own experience: he shows himself on film sets, dealing with the aftermath of falling onto an Amtrak train platform in New Jersey and traveling to Berlin to get surgery. But in between, he also profiles three artists who are largely or entirely blind: photographer John Dugdale, dancer Kayla Hamilton and writer Ryan Knighton. Dugdale makes the biggest impression; despite losing […]
