Directors
Interviews - Directors
-
“Handwashing is Not Exactly Cinematic”: Carlo Mirabella-Davis on Swallow
While release dates are often determined months in advance for a slew of reasons solely related to a film’s individual success, it’s striking to see how some can be placed in indirect conversation with one another. I recently revisited Carlo Mirabella-Davis’s debut feature Swallow just a few days after taking in Leigh Whannell’s feminist blockbuster adaptation of The Invisible Man. Both are about women in emotionally abusive relationships that have grown increasingly difficult to break free from. To complicate matters, each are pregnant with their lover’s child, and that the pregnancy is carried out to term is of utmost importance to […]
-
The Violence of Power Relations: Kleber Mendonça Filho and Juliano Dornelles on Bacurau
Bacurau is the name of an angry night bird that exists in many different parts of Brazil, but that is only called bacurau in the Brazilian Northeast. Bacurau, the latest film by Kleber Mendonça Filho and Juliano Dornelles—which gets a US release this weekend—uses the motif of the night bird to tell the story of a small village in the Brazilian Northeast that is facing imminent erasure, targeted by international hunting tourists that have teamed up with domestic predators. The film reprocesses motifs from Hollywood genre movies and Italian westerns in the landscape of the sertão, the drylands of formal […]
-
Tusk: Jessica Sarah Rinland on Those That, at a Distance, Resemble Another
When we enter a museum and engage with its objects, we might not think about the people responsible for making those experiences available to us. Behind the public walls of the museum, conservators, preservationists and historians work tirelessly to restore and preserve the artefacts that we as visitors ponder over. These undertakings are celebrated, explored and reflected upon in Argentine-British artist Jessica Sarah Rinland’s latest film, Those That, at a Distance, Resemble Another. It’s an investigation that amplifies the tactile qualities of the many processes involved in repairing objects, fabricating copies and ensuring their long-term saving as historical records, presenting actions […]
-
“There’s Really No Plan for This Film at All”: Tsai Ming-Liang on Days
Speaking to Tsai Ming-liang is itself like a Tsai scene. On the day of my interview with the Taiwanese director, the whole of Potsdamer Platz—the main hub for the Berlinale—feels emptied out of its inhabitants. His new film Days has premiered in the competition late into the festival, after the industry presence has largely packed up and flown out. By this point, the grand space of the Berlinale Palast in midday is like a shopping mall in a zombie movie, abandoned to a splintered cadre of bodies shuffling under an eternity’s worth of exhaustion and weariness. The revolving lights in […]
-
“Criminals and Police Officers are One Family”: Diao Yinan on The Wild Goose Lake
Writer and director Diao Yinan’s follow-up to the award-winning Black Coal, Thin Ice is The Wild Goose Lake, a film noir set in a southern China of humid tenements and steamy resorts. (Although the film’s location is left unnamed, Yinan shot in Wuhan, ground zero for COVID-19, to make use of the lakes in the area.) Yinan based his script on memories, such as the train station that opens the movie, and photographs, like a black-and-white “swim companion” lounging on a boat — imaged he uses to explore genre characters and situations. Double-crossed on a job, crook Zhou Zenong (Hu […]
-
“The Concept Stemmed from Loneliness…”: Writer, Director and Star James Sweeney on his Romantic Comedy, Straight Up
Harkening back to Golden Age romantic comedies while placing its young characters in of-the-moment relationship scenarios, Straight Up, the feature debut of director, writer and actor James Sweeney, opens in theaters today from Strand Releasing. Sweeney plays Todd, a gay man and software developer questioning his sexuality who falls romantically (and perhaps just platonically) with an aspiring actress played by Katie Findlay. Shot in eye-popping colors within a 4:3 frame, and with sharp dialogue delivered rat-a-tat-tat, Straight Up, which premiered at last year’s Frameline Film Festival, subverts the tensions traditionally found in romantic comedies in service to a more inclusive […]
-
“I Had Gunfight Westerns in Mind With the Structure”: Writer/Director John Sayles on the Criterion Rerelease of Matewan
When John Sayles wrote and directed Matewan in 1987, he was already a hero to those of us following American independent film, both for his witty, energetic genre screenplays (Piranha, The Howling, Battle Beyond the Stars) and for his self-financed directorial efforts (Return of the Secaucus Seven, Lianna, The Brother From Another Planet). His movies as writer-director, which also included a detour into studio filmmaking with the exquisite coming of age drama Baby It’s You, were major inspirations for an entire generation of aspiring filmmakers, because they gave us a high standard of excellence to reach for yet also seemed […]
-
“I Think the Public Deserves More Transparency”: Brian Knappenberger on His Horrifying Netflix Docu-Series, The Trials of Gabriel Fernandez
The Trials of Gabriel Fernandez is a six-part Netflix docu-series from Brian Knappenberger (Nobody Speak: Trials of the Free Press) that delves into one of the most horrific crimes to hit Los Angeles headlines in recent years — the death of eight-year-old Gabriel Fernandez at the hands of his mother and her boyfriend after years of physical torture and emotional abuse. Taking as its starting point the courtroom drama of death penalty defendant Isauro Aguirre (after one too many outbursts from Gabriel’s mom Pearl Fernandez the accused murderers are ultimately tried separately), the series soon becomes something else entirely — a […]
-
Jennifer Lyon Bell and Stoya Talk “Blue Artichoke Films Presents: Adventures In Intimacy” (and Sex Positivity)
Taking place on Friday, February 28th in Amsterdam (or via a live stream near you), “Blue Artichoke Films Presents: Adventures In Intimacy” will be, according to the event’s press release, “a celebration of sex-positive, p*rn-positive, queer-friendly culture as explored by p*rn performers, scientists, and sex educators in their own work.” Organized by the feminist force behind Blue Artichoke Films (which will simultaneously celebrate its platform launch) Jennifer Lyon Bell, the evening’s quartet of speakers, including the host herself, are an international array of notable thinkers on the subject of erotica in cinema. The Netherlands Ellen Laan, a sexologist and “pleasure […]
-
“No One Was Willing to Sign the Check”: Rashaad Ernesto Green and Zora Howard on Premature, Shooting 16mm and Self-Financing
Included in the 2010 edition of 25 New Faces of Independent Film, director Rashaad Ernesto Green has been sitting with his intricate story of love had and love lost, Premature, for quite a while now. The original short film, made while Green was a film student at NYU Tisch, was described in his 25 New Face profile as being “classically built,” telling the story of a “teenager who, having found no support for her pregnancy from either her disaffected family and brutal community, resorts to drastic, near-tragic measures to free herself of responsibility.” Green’s leading lady in the short, his […]
