Directors
Interviews - Directors
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The Past Inside the Present: Jia Zhangke on Swimming Out Till the Sea Turns Blue
With each new film, be it fiction or documentary, Jia Zhangke reasserts his status as one of the keenest chroniclers of China’s unprecedented—and unending—transformation. His latest, Swimming Out Till the Sea Turns Blue, serves as a reminder that he is not alone on his mission. The documentary consists largely of interviews with three of China’s most important authors (plus the bereaved daughter of a fourth), whose reflections on how their artistry intersects with national history echo the social commentary resounding throughout Jia’s own work. Indeed, their words could just as well be Jia’s own, serving almost as a mission statement […]
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“Five Years Have Gone By and You Still Haven’t Made a Second Feature”: Anja Marqaurdt on The Girlfriend Experience, Season Three
At the Berlin International Film Festival in 2014, the German-born Anja Marquardt’s debut feature, She’s Lost Control, premiered to positive notices and went on to a healthy festival life. A fictional account of a graduate student (Brooke Bloom) doubling as a professional sex surrogate for men struggling with physical intimacy, the film represented a unique new voice on the independent film scene, ultimately netting Marquardt Film Independent Spirit Award nominations for Best First Feature and Best First Screenplay. Several years removed from that film’s theatrical run, Marquardt has now taken on a project with similar themes but a much more […]
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“The Marvel Paradigm is to Come at It Like a Movie”: Kari Skogland on The Falcon and the Winter Soldier
Director Kari Skogland has long been a master of tonally complex television, having helmed episodes of The Handmaid’s Tale, Boardwalk Empire, The Walking Dead and many other beloved series; she also executive produced and directed several episodes of one of the best limited series of the last ten years, the Showtime Roger Ailes drama The Loudest Voice. Yet the best work of her career is her most recent, as the director of all six episodes of Marvel’s Disney+ series The Falcon and the Winter Soldier. An extraordinarily ambitious expansion of the Marvel universe that takes full advantage of the opportunities television […]
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“Our Aim Was to Document a Reconciliation Process Led by Kurdish Women”: Alba Sotorra on Human Rights Watch Film Festival Doc The Return: Life After ISIS
Terrorist or victim? That seems to be the animating question behind Alba Sotorra’s The Return: Life After ISIS. Premiering at SXSW, and selected for the Special Presentations section at this year’s virtual Hot Docs (April 29-May 9), the film is an up close and personal look at a group of Western women caught in nightmarish limbo in a detention camp in northern Syria. All left behind First World lives – in the US and Canada, the UK, Germany, and The Netherlands – with online propaganda-shaped dreams of rescuing fellow Muslims and finding shared community. And all ultimately became disillusioned and […]
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“I Wondered if Metaphor and Allegory Weren’t a Way of Integrating Censorship and Accepting Oppression”: Mohammad Rasoulof on There Is No Evil
“Under conditions of terror most people will comply,” Hannah Arendt wrote from the trial of Adolf Eichmann, “but some will not.” This simple, almost simplistic sentiment permeates There Is No Evil, the new film from dissident Iranian filmmaker Mohammad Rasoulof. The original Farsi title, Sheytan vojud nadarad, translates more directly to The Devil Doesn’t Exist, a phrase that may sound hopeful until you unpack its dark implications. Rasoulof is among that rarified latter group that does not comply. He has continued to live and make films in Iran despite severe restrictions and regular threats of imprisonment. Rather than retreat into […]
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“What We Were Met with During the Filming Were the True Difficulties and Trauma that Can be Associated with Migrating”: Amman Abbasi on his CAAMFest-selected short Udaan
A mother and daughter bond on a balcony, soaking in the sights and sounds of Karachi with a strange sort of pre-nostalgia, before embarking on a new life in the US. This is the opening of Amman Abbasi’s beautiful Udaan, which screens this week in the Hindsight Shorts program of CAAMFest (May 13-23). (CAAM, in partnership with Firelight Media and Reel South, launched the Hindsight initiative to provide “funding and support for diverse BIPOC filmmakers from the American South.”) Rendered with loving care and utmost nuance the scene is a reminder of something we in the US so often forget […]
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“We Have to Get a 65-Piece Orchestra with Strings”: Eugene Ashe on Sylvie’s Love
Writer-director Eugene Ashe was a successful musician before he started making films, a background evident in every exquisite frame of Sylvie’s Love. Not just because male lead Robert (Nnamdi Asomugha) is a saxophonist and the movie features the best jazz soundtrack since ’Round Midnight, and not just because female lead Sylvie (Tessa Thompson) begins the film working in her dad’s record store and has an encyclopedic knowledge of music and knows how to tailor recommendations to each customer. The musical influence goes beyond these considerations to inform every texture and detail of Ashe’s late ’50s-early ’60s set drama, a gloriously […]
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“We Only Had an Official Gaffer for Two Days”: Robert Machoian on The Killing of Two Lovers
Despite the grim promise of its title, Robert Machoian’s The Killing of Two Lovers is more emotionally brutal than it is violent. Set in a Utah town so small that everyone knows everyone, the film follows David (Clayne Crawford), a depressed everyman who has recently separated from his wife and the mother of his children, Nikki (Sepideh Moafi). Well-intentioned though it may be, their agreement to spend time apart and potentially date other people sends David into a downward spiral, and once he’s made aware of his wife’s new male friend, Derek (Chris Coy), things grow more complicated and conclude […]
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“We Decided to Make a Film in Which We Would Overcome the Narrative of Our Own Preconceptions”: Renato Borrayo Serrano on His CPH:DOX/Hot Docs Co-Debut Life of Ivanna
World-premiering at the hybrid CPH:DOX (April 21-May 12), and co-presented with the all-digital Hot Docs (April 29-May 9), Life of Ivanna is one preconceived-notion-upending film. The story of an Arctic woman struggling to raise five young children as her often abusive husband spends more time drinking than working is a situation sure to strike concern in the hearts of many — alhough the chain-smoking, no-nonsense protagonist at the heart of this particular tale would likely scoff at anyone’s condescending sympathies. Indeed, with steely will the titular, tough-as-nails member of the Nenets of the tundra is able to stare down whiteouts […]
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“With Everything that Editing Prepared Me For, Working with Actors Wasn’t One of Those Things”: Maja Vrvilo on Clarice
Director Maja Vrvilo began her career as an editor, and her former job is consistently manifest in her economy of visual expression, impeccably calibrated pacing and use of montage to convey interior states. I first became aware of Vrvilo when she was directing on Hawaii Five-0, a series that made me sit up and take notice of her kinetic action staging and lively handling of actors. That led me to her episodes of Blindspot, MacGyver and other procedurals that all exhibited the sophisticated blocking and precise compositions I quickly realized were hallmarks of her filmmaking. Last year Vrvilo helmed two superb […]
