Issues
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INDUSTRY BEAT: THE NEW STUDIO INDIES
The New Studio Indies. By Anthony Kaufman -
The Real World is Still Here
The Real World Is Still Here. By Heather Chaplin -
Does Size Matter?
David Leitner examines the latest crop of large-sensor HD cameras. -
Culture Hacker: Let’s Take the Audience Outside
Within the space between social networks and our increasingly ubiquitous mobile devices lies a new opportunity for filmmakers.
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Culture Hacker: A Storytelling Pandemic
A storytelling pandemic. By Lance Weiler. -
TOURIST SEASON
With his second feature, the Gotham Award-winning Littlerock, California native Mike Ott explores the dreams of a small California town through the eyes of a visiting pair of young Japanese tourists. By Ray Pride.
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POSSIBLE SIDE EFFECTS
From a screenplay by Leslie Dixon, Neil Burger takes us on a pharmaceutical-fueled joyride through a conspiratorially intelligent New York business world in Limitless. By Scott Macaulay PLUS: Leslie Dixon on nurturing your inner Tarantino.
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PAST TENSE
Winner of the Palme d’Or at this past year’s Cannes Film Festival, Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives is an enlightening journey graced with a fairytale feel that’s unlike anything you’ll see in theaters this year. By Howard Feinstein.
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SPY CAMERA
For Dana Adam Shapiro’s eerie and erotic relationship drama Monogamy, cinematographer Doug Emmett creates a voyeuristic visual style in line with the film’s conflicted protagonist. Here D.P. Eric Lin chats with Emmett about crafting the film’s unique look.
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“I See No Difference Between the Two”: On Cinema’s Role in Society
“I see no difference between the two”: cinema’s role in society. By Zachary Wigon.
