Sundance 2012 is in the wind, but Stephen and Patrick from the National Film Society are back with another interview they filmed during the festival. This time out, the duo sit down with director Terence Nance (An Oversimplification of Her Beauty) and actress Namik Minter. Minter and Nance, who spent over half a decade readying Oversimplification, are good sports, answering Stephen and Patrick’s questions about their favorite part of being in love, their least favorite part of being in love, and how to get into Sundance parties. Watch the interview:
Although Sundance is predominantly known for indie dramas and social issue documentaries, the New Frontiers section provides a loving home for particularly odd ducks. Unlike many projects in New Frontiers, which are presented as installations or other new media formats, Eve Sussman’s whiteonwhite:algorithmicnoir was screened in a conventional theater. However, the film’s text, 300 bits of voiceover, 150 pieces of music, and 3,000 images are live-edited by an algorithmic computer dubbed the Serendipity Machine that creates a randomized sequence, meaning each screening is entirely unique. Not only does Sussman’s piece turn the idea of the mystery genre on its ear, […]
A dubious term to be sure, it seems that one of the pre-reqs for hipster certification is denying that you actually are one. Based on this criterion, Brook, the main character in Destin Daniel Cretton’s feature debut, definitely qualifies. But I Am Not a Hipster is not so much concerned with labels as it is with crafting an intimate, small-scale character portrait. Adrift in San Diego’s music scene, Brook’s lackadaisical lifestyle is interrupted when his family visits with the intention of spreading his late mother’s ashes. Cretton, who made a splash at Sundance in 2009 with his Grand Jury Prize […]
[PREMIERE SCREENING: Friday, January 27 6:30 pm –Eccles Theatre, Park City] There are so many reasons why we chose film as our medium to tell stories. The fact is we’re children of our culture (how could we not be?) a culture of the mash up: of so many forms of expression constantly mixing and intertwining in all of our daily lives. Well, film is the only medium where you get to combine so many of these forms of expression simultaneously: literature, music, photography, visual art and theater, all in your own unique way to create a singular vision that can […]
During a ceremony held tonight at Park City’s Treasure Mountain Inn, prize winners were announced for the 18th annual Slamdance Film Festival. Taking home the Narrative Grand Jury Prize was Welcome to Pine Hill, Keith Miller’s vérité portrait of a reformed Brooklyn drug dealer undergoing a crisis of mortality. Meanwhile, Jens Pfeifer’s basketball documentary No Ashes, No Phoenix was awarded the Documentary Grand Jury Prize, while Caskey Ebeling’s Getting Up and Andrew Edison’s Bindlestiffs took home the Audience Awards for documentary and narrative, respectively. The full list of winners, per The Hollywood Reporter: AUDIENCE AWARDS Audience Award for Feature Documentary: […]
Stephen and Patrick from the National Film Society are back with another Sundance interview, this time sitting down with Save the Date director Michael Mohan and star Martin Starr (Advenureland, Freaks and Geeks.) Stephen and Patrick have been inching towards perfecting their strange and unique interview style all week. This time out, they quiz Martin Starr about his love-life, ask Mohan how to make a movie, and invite both guys to join their society. Watch the full interview below.
I’ve been considering many cold opening quotes to this “During Sundance” blog ranging from, “Bagels again?” to, “Marina Abramovic is in the next bathroom stall!” I’ll let Robert Redford start it with, “There’s Sundance here,” as he points towards the floor at the Directors Brunch “And then there’s Park City,” he indicates down the mountain. “Park City is not Sundance.” We directors nod. Bob understands. We won’t buy into the machine of the market place. Our film is already the gold and Bob is warning us to stay grounded. We then instantly bum rush him as soon as his speech […]
Producer Nekisa Cooper (Pariah) and the IFP’s deputy director Amy Dotson joined Chicken & Egg Pictures in Park City to honor WMM‘s Debra Zimmerman with the 2012 Good Egg Award. Director Josh Radnor spoke about his film Liberal Arts, his experiences at Kenyon College, and David Foster Wallace’s Infinite Jest. Sarah Barnett, the EVP of the Sundance Channel, and Nancy Klasky Gribler, the EVP of Marketing for Sundance Cinemas, caught up at the Sundance Channel’s party. The cast of the new Sundance Channel television show, Push Girls. The director (Leslye Headland, far left) and cast of Bachelorette in one of the more raucous […]
Strictly speaking figures, The Surrogate has been the big Sundance winner thus far. Scooped up by Fox Searchlight for a massive $6 million, the film is already reportedly being groomed for next year’s Oscar race. The first narrative feature from filmmaker Ben Lewin since 1994’s Paperback Romance, The Surrogate tells the true story of journalist Mark O’Brien, a polio stricken man who, after living most of his life in an iron lung, decides to try to lose his virginity. Starring John Hawkes as O’Brien, The Surrogate received a standing ovation at it’s premiere, and it’s already being praised by critics […]
At a ceremony last night, Sundance announced this year’s short film prize winners. The 2012 shorts jury, which included Beavis and Butthead creator Mike Judge, Pariah director Dee Rees, and TIFF public program director Shane Smith, narrowed down the sixty-four shorts currently playing at the festival to six winners. The big winner was Cutter Hodierne’s fictional Somali pirate expose Fishing Without Nets, which took home the Jury Prize in Short Filmmaking. Meanwhile, Ben and Josh Sadie’s (Daddy Longlegs) The Black Balloon was awarded the US Fiction Prize while Kosovo filmmaker Blerta Zeqiri’s The Return (Kthimi) won the International Fiction Prize. The […]