Sundance
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Blood Brother | Director Steve Hoover
[PREMIERE SCREENING: Sunday, Jan. 20, 11:30am — Prospector Square Theatre, Park City] Blood Brother was built on of the sacrifices of many people. Personally, I sacrificed time, money, comfort and security. I think I even sacrificed a bit of my fading youth, as aging seemed to speed up over the course of production. But I can’t confidently call these things sacrifices in light of the true sacrifices made by the lives of those featured in Blood Brother. My passion to make Blood Brother created a willingness in me to pay whatever price necessary in order to tell this amazing story. It […]
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Five Questions with Concussion Director Stacie Passon
Stacie Passon’s Concussion has a logline that might be misleading. The story of a bored, lesbian housewife who covertly takes a job as a high-scale prostitute for women, the film is so much more than that high-concept, basic-cable-ready premise implies. Equal parts darkly comedic social satire and gut-wrenching character study, Concussion is anchored by a stunning performance by character actress Robin Weigert, and marks the arrival of a strong new filmmaking voice in director Stacie Passon. The film premieres today in US Dramatic Competition at the Sundance Film Festival. Filmmaker: For a film from a first-time director, Concussion is quite […]
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In a World… | Director Lake Bell
[PREMIERE SCREENING: Sunday, Jan. 20, 5:30pm — Library Center Theatre, Park City] Anybody who’s ever made an independent film will attest that “making sacrifices” isn’t a potential occurrence in the process, but a means to an end. Whether it was re-writes, locations or editorial cuts, babies were slain left and right. I was in a constant state of negotiation with producers, means, and… the world. In that way, I’m no different than anyone else in this business. It’s hard as fuck, which is why not everyone gets to, nor has the audacity to do it. That all said, I became […]
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Five Questions with Blue Caprice Director Alexandre Moors
Named for the car from which John Allen Muhammad and Lee Boyd Malvo committed the 2002 Beltway Sniper Attacks, Alexandre Moors’ debut Blue Caprice attempts to move past the chilling anonymity of those attacks to get at the motivations and interior lives of its two culprits. The film is intimate and disturbing, as Moors, a French director who has mostly worked in music videos until this point, focuses on the dysfunctional father / son bond formed between Muhammad and Malvo (played by Isaiah Washington and Tequan Richmond, respectively), and digs into the distinctly American mindset that they committed their crimes […]
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Five Questions with Cutie and the Boxer Director Zachary Heinzerling
Cutie and the Boxer functions as a love story about a couple and their devotion to their individual art. Zach Heinzerling’s directorial debut concerns itself with the difficulties of marriage, but also the trials of being an artist. After meeting Ushio and Noriko Shinohara in Brooklyn through a friend, Heinzerling was immediately fascinated by their relationship and lifestyle – two extremely different artists in attitude, age, and craft who have been married and lived together for over 40 years. Cutie and the Boxer came together over five years. Two or three years spent solely on getting to know Ushio and Noriko […]
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Five Questions with The Spectacular Now Director James Ponsoldt
James Ponsoldt is no stranger to the Sundance Film Festival. His last two feature films, Smashed and Off the Black, both premiered in Park City, with Smashed winning a Special Jury Prize in 2012. The Spectacular Now, Ponsoldt’s third film, premieres today. Working from the novel by Tim Tharp of the same name, (500) Days of Summer‘s screenwriters Scott Neustadter and Michael H. Weber adapted the story about a popular high school boy with an emerging drinking problem who finds himself drawn to a girl of a lesser social status. Miles Teller (Project X) and Shailene Woodley (The Descendants) star […]
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kink | Director Christina Voros
[PREMIERE SCREENING: Saturday, Jan. 19, 11:59pm — Egyptian Theatre, Park City] “ The art of losing isn’t hard to master; so many things seem filled with the intent to be lost that their loss is no disaster” – Elizabeth Bishop The word “sacrifice” bears with it an inherent quality of loss. And the word “loss” carries an inherent quality of cost, or of damage. But sometimes we are lucky enough to lose things that we were better off without. In my case, with this film, that loss was fear. My first exposure to pornography was playing hide and seek […]
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The Lifeguard | Director Liz W. Garcia
[PREMIERE SCREENING: Saturday, Jan. 19, 5:30pm — Library Center Theatre, Park City] In order to make The Lifeguard this summer, I had to sacrifice time with my son, nine months old when we began prep in Pittsburgh. He moved with us – me, my husband (a producer on the film) and his babysitter from LA, and we set up camp at a residence hotel. There were days when we barely saw him, because we shot all night and slept into the afternoon, only to leave again just as he was having his evening bath. What time we had together was […]
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It Felt Like Love | Writer/Director/Producer Eliza Hittman
[PREMIERE SCREENING: Saturday, Jan. 19, 6:00pm — Yarrow Hotel Theatre, Park City] It Felt Like Love is about a young girl struggling to form connections — with herself, her peers, and with an intriguing older guy she sees on Rockaway beach — and her willingness to degrade herself to experience intimacy. When I started writing, in 2011, I wanted to create an unsentimental coming-of-age film and show outtakes from childhood: the lonely moments, the surges of false confidence, and small humiliating details that are often buried in our memories. I wanted to explore taboos around female adolescent sexuality and identity. […]
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I Used to be Darker | Director Matt Porterfield
[PREMIERE SCREENING: Saturday, Jan. 19, 3:00pm — Yarrow Hotel Theatre, Park City] As far as I can tell, besides the obvious sacrifices of sleep and mental health, making a film is a series of sacrifices to the gods of fingers-crossed-there’s-something-real-here. Each vision must be sacrificed to practical reality (no way we can afford to light that field, no one here knows how to wrangle a calf), ego must be sacrificed in deference to other people’s genius or inclination or shortcomings. The first draft of the screenplay is sacrificed to the second, the film we shot is sacrificed to the edit. […]
