Sundance
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Life According to Sam | Directors Sean Fine and Andrea Nix Fine
[PREMIERE SCREENING: Monday, Jan. 21, Noon — Temple Theatre, Park City] Sacrifice is an interesting word when you think about it in context of our film, Life According to Sam, because one of the main themes of the film is sacrifice. Our film is about a mother and father, Dr. Leslie Gordon and Dr. Scott Berns, who are trying to find a cure for a fatal disease that is rapidly aging their son, Sam. Progeria is one of the rarest diseases in the world and children rarely live past their teenage years. The film picks up with Sam’s mom, who […]
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The Moo Man | Director Andy Heathcote
[PREMIERE SCREENING: Monday, Jan. 21, 6:0pm — Yarrow Hotel Theatre, Park City] I had a vision for our film. I always refer to it as ‘cow time’, a unique perspective on the world from a chilled bovine point of view. My vision was ultimately sacrificed. Making The Moo Man taught me a lot about the humble cow. This docile, semi-domesticated farm animal is easy to take for granted. However in reality they’re so much more aware and connected to mother nature than we could ever hope to be. Cows are social, they have friends, they like pop music (although they’re […]
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Five Questions with Ain’t Them Bodies Saints Director David Lowery
Texas-based filmmaker David Lowery has been at the center of the indie scene for some time now, and not just because of his excellent 2009 directorial debut St. Nick and that film’s much lauded follow-up, the 2011 short Pioneer. Check out Lowery’s IMDB page and you’ll discover that he has worked extensively on dozens of other projects over the past few years – as editor on Amy Seimetz’s Sun Don’t Shine and Dustin Guy Defa’s Bad Fever, as cinematographer on Frank Ross’ Audrey the Trainwreck, even as sound recordist for Kentucker Audley’s Open Five. With Ain’t Them Bodies Saints, Lowery’s […]
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Five Questions with Prince Avalanche Director David Gordon Green
In 2011, an Icelandic-British film called Either Way won Best Film and Best Screenplay at the Torino Film Festival. Just over a year later, David Gordon Green, an American filmmaker whose own projects have debuted at Torino, has remade Either Way into the comedy Prince Avalanche starring Paul Rudd (Knocked Up) and Emile Hirsch (Into the Wild). The movie studies two men who leave their city lives to paint traffic lines down a wrecked highway. As they move through the hot summer and learn more about one another, an unexpected friendship develops. Much to everyone’s surprise, Green pulled off shooting this feature film in Texas over […]
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Five Questions with C.O.G Director Kyle Patrick Alvarez
Kyle Patrick Alvarez did something many, many writers and filmmakers have never been able to do. He attained the rights to a David Sedaris short story. Alvarez’s second feature film, C.O.G, is the first film adaptation of Sedaris’ work. Perhaps somewhat unexpectedly, C.O.G wanders from Sedaris’ narrative and is instead imbued with Alvarez’s own personal experiences, which is what attracted him to adapting the story in the first place. The movie follows David, Jonathan Groff (Spring Awakening), as he spends the summer in Oregan on an apple farm. While David has high expectations for his time in this rural area, he ends up […]
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In Fear | Director Jeremy Lovering
[PREMIERE SCREENING: Sunday, Jan. 20, 11:59pm — Egyptian Theatre, Park City] Early on I decided to shoot the psychological horror In Fear without giving the actors the script and without them even knowing the story. They had absolutely no idea of what was coming. They didn’t know if they were going to die, live happily ever after or win the lottery. Every day when filming I put them in a certain situation, gave them some guide dialogue, we’d discuss their current state of mind and then we’d shoot. So what was the sacrifice? On the shoot without the actors performing […]
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Five Questions with Fruitvale Director Ryan Coogler
On January 1, 2009, a Bay Area Rapid Transit officer shot and killed unarmed 22 year-old Oscar Grant, who was being detained on the BART train’s platform for alleged fighting. With the help of cellphone cameras, witnesses filmed the officer shooting Grant and both the footage and news went viral. When the officer was convicted of only involuntary manslaughter instead of second degree murder or voluntary manslaughter, peaceful protests turned violent and riotous throughout the Bay Area as the city made its anger known. Raised in the Bay Area himself, Ryan Coogler tackles the sensitive topic of Oscar Grant’s life […]
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Which Way is the Front Line From Here? | Director Sebastian Junger
[PREMIERE SCREENING: Sunday, Jan. 20, 2:30pm — Prospector Square Theatre, Park City] My film, Which Way Is The Front Line From Here?, is about the death, in combat, of my good friend and colleague Tim Hetherington. In a sense the film would not exist without the tragedy of his death, but I don’t think that’s what you are asking. I pre-sold my film rather than financing it myself — as Tim and I were forced to do with Restrepo — and I was able to hire amazing people to work with. But making a film about Tim’s death took a […]
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Five Questions with I Used to be Darker Director Matt Porterfield
Though it only arrived three years ago, Matt Porterfield’s Putty Hill, with its unique blend of fiction and documentary and its crisp, patient filmmaking, has already become quite an influential and well-loved piece of the micro-budget cannon. Now Porterfield has returned with I Used to Be Darker, a more formally scripted work that follows a troubled young woman (Deragh Campbell) who moves in with her aunt (Kim Taylor), uncle (Ned Oldham), and cousin (Hannah Gross) in Maryland. The film premieres today in US Dramatic Competition at the Sundance Film Festival. Filmmaker: Tell me a bit about the development process for […]
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Hell Baby | Directors Thomas Lennon and Ben Garant
[PREMIERE SCREENING: Sunday, Jan. 20, 11:45pm — Library Center Theatre, Park City] We’ve never done an indie before, so the budget and time constraints were much more intense than any we’d experienced. That said, the freedom we gained made that sacrifice absolutely worth it. No committee-think in this movie — every line, every casting decision, everything — it’s all 100% ours (thank you darko). So we sacrificed money and gained autonomy. We will absolutely do it again. It was the most fun we’ve ever had, and probably the thing we’re most proud of. Also, Tom got in a swamp with […]
