Festivals & Events
Festivals & Events
-
“To Self-Destruct as We Cannibalize All Resources”: Director Miguel Arteta | Beatriz at Dinner
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? Our film Beatriz At Dinner is about the two opposing world views that have increasingly been colliding and unable to communicate. Our future is in jeopardy and finding out a way for us to truly negotiate the outcome of our convictions seems more important than ever. To me it comes down to an argument about what nature intended by allowing one of the species to become so […]
-
“An Incredible Learning Experience”: Director Michael Larnell | Roxanne Roxanne
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? My first feature film, Cronies, had a small budget and production team. For Roxanne Roxanne, we had a bigger budget, and this allowed for a larger production team. This meant there were more moving pieces, which presented a slew of challenges on all levels. The fact that the film is a 1980s period film in the busy land of NYC complicated these challenges even more. There were […]
-
“The Notion of Truth Is Being Challenged”: Director Peter Nicks | The Force
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? This year, perhaps more than any other year I can remember, the notion of truth is being challenged. We are creating fences around ourselves – virtual fences built from social media circles that reinforce increasingly segregated belief systems that have led to great division in America. In this environment, artistic expression is more important than ever, especially when tackling themes and subjects that audiences approach with their […]
-
“Crying on the Inside and Nodding on the Outside”: Director Janicza Bravo | Lemon
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? The most challenging thing to convey was that I was capable. The road to getting the film (Lemon) made started five years ago. I had only one short film under my belt. Last spring I had eight short films, all of which had played at prestigious festivals and one episode of television and whether or not I was ready or could handle a feature was still on the […]
-
“A Challenge for Some in the Audience”: Director Yance Ford | Strong Island
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? It’s important to understand that Strong Island was in development years before a frame of the film was shot. The first challenge I faced was “coming out” as someone who had lost a loved one to homicide. In the doc community there is a divide that we don’t talk about much, if at all: My parents grew up in the Jim Crow South, I am ONE generation […]
-
“I Was Exposed to Very Dangerous Situations”: Director José María Cabral | Woodpeckers
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? Communication was the key for writing, shooting and making the movie, particularly this one. Woodpeckers explores communication and language on a very specific level. First of all, the writing process was about making contact and understanding the prisoners, getting to create relationships, not only for the script but also because I wanted them as actors too. It was also kind of a social experiment, where I was […]
-
“The Moment I Knew We Had Something Special”: Director Joe Piscatella | Joshua: Teenager vs. Superpower
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? There are two distinct moments a director faces on every documentary production. One is when you sincerely believe that there is no possible way for this story to come together. The other is when you realize that you have something special. My moment of “how-the-hell-will-this-ever-work” on Joshua: Teenager vs. Superpower hit during my first interview with Joshua Wong, the teenage hero of the film. I asked Joshua […]
-
“A Historical Document for Hopefully Decades to Come”: Director Peter Bratt | Dolores
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? During the research phase of making the film, it became apparent that Dolores’ contributions as an activist and organizer were being deliberately left out of the historical record. So beyond wanting to communicate and tell a good story, we also wanted to help set the record straight about who she is and why her story matters. We decided that the use of archival material would be more […]
-
Sundance Dispatch 5: Beach Rats, Menashe
Eliza Hittman’s Beach Rats is a logical companion piece to It Felt Like Love. The latter focused on a teen girl whose hellbent determination on losing her virginity ASAP placed her at peril amid a world of the worst possible dudes; here, we have a teen guy coming to terms with his probable queerness in an antagonistically heteronormative milieu. The story’s simple enough: already staggering under the weight of his extremely ill father, dying slowly in the living room, Frankie (Harris Dickinson) cruises webcam sites at night, surreptitiously seeking out hook-ups. “I don’t know what I like,” he tells those who ask […]
-
“An Uplifting and Life-Affirming Experience”: Director Frankie Fenton | It’s Not Yet Dark
During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? This question is, to say the least, spookily resonant with It’s Not Yet Dark. Our documentary is about a man who has lost the ability to speak. Much like every other part of his body except for his eyes, Simon Fitzmaurice, an Irish director, is unable to move. He suffers from Motor Neuron Disease or A.L.S. as it’s called in the US and communicates using a computer […]
