Ten minutes before Yin Mei’s “Dis/Oriented: Antonioni In China” kicked off at New York’s Asia Society on Sunday, a woman two seats to the right of me pulled out a hard-boiled egg and ate it as sustenance for the long journey ahead. “I wanted to see the film,” the egg eater complained to her friend, explaining why she’d bought a confused ticket without realizing the nature of the event, “but now it’s too late.” I had to wonder how many people had shown up thinking they were going to see the film rather than “a dance theater ‘conversation’ with the […]
Catering to virtually every niche, Berlin offers some 70 film festivals each year. Since 2009, the first on the calendar has been the Unknown Pleasures Festival. Held during the first two weeks of January at the historic Babylon Cinema in former East Berlin, it is a work of love run entirely by three enthusiasts of US independent cinema, providing a sorely needed platform for recent American arthouse films. This year’s edition opened on a disappointing note with the German premiere of Michel Gondry’s The We and the I. Typically saccharine and contrived, Gondry’s latest portrays a group of Bronx teens […]
This past Monday night, as temperatures dipped well below zero, film curators and programmers from America’s art house cinemas gathered in a screening room in Midway, Utah, for a unique screening opportunity at the annual Art House Convergence. Shane Carruth, the Sundance award winning director of Primer, brought his new film, the highly anticipated Upstream Color, to the conference to show the film directly to art house cinema programmers a full week before the film’s World Premiere at the Sundance Film Festival. And while writers (like I) have been asked to embargo our thoughts on the film itself until the […]
Here’s the secret to compiling a list of films to see at a festival: go through the catalog and figure out what excites you. And then write down those anticipations. That’s all I’ve done here — given the catalog one pass and pulled out 25 films that will be at the top of my list. A number of these films are ones I’ve known of before, including quite a few from filmmakers who made our “25 New Faces” lists as well as those in the IFP Narrative Lab, where I’m a mentor. But there are others from promising young filmmakers […]
It’s a ritual here at Filmmaker — a pre-festival chat with Sundance Festival Director John Cooper about the films, filmmakers and what the annual Park City event might have to say about the big picture of independent film. Our style at Filmmaker is to refer to people by their last names, but in the case of Cooper, that’s doubly appropriate — that’s what everyone calls him. In our talk he was his usual unflappable self, seeming to have lost known of the palpable enthusiasm he evinced at the 2010 edition, the first after he and his Programming Director Trevor Groth […]
Earlier today, SXSW announced their Opening Night lineup. Set on kicking off the fest with a healthy dose of pizzazz, SXSW first night will host the world premiere of the upcoming Steve Carrell/Steve Buscemi comedy The Incredible Burt Wonderstone. In the film, Carrell and Buscemi play former best friends/magic show partners Burt and Anton. When Anton is injured and leaves the act, Burt is left vulnerable to the opportunistic street performer Steve Gray (Jim Carrey). Also starring in the film are James Gandolfini, Olivia Wilde and Alan Arkin. Joining Wonderstone on opening are six films that are a testament to […]
Oscars show host Seth MacFarlane and actress Emma Stone announced the nominees for the 85th annual Academy Awards this morning at the Academy of Motion Picture Arts and Sciences’ Samuel Goldwyn Theater in Beverly Hills. The award show telecast will air on Sunday, February 24 at 8:30pm ET/5:30pm PT on ABC. Not surprisingly following the buzz this year, Steven Spielberg’s Lincoln is the nomination frontrunner, earning 12 nods including Best Picture, Best Director, Best Adapted Screenplay, Best Actor (Daniel Day-Lewis), Best Supporting Actor (Tommy Lee Jones) and Best Supporting Actress (Sally Field). Life of Pi edged out Zero Dark Thirty […]
At the Museum of the Moving Image last night, Emad Burnat and Guy Davidi’s 5 Broken Cameras took the headlines at the Cinema Eye Honors by taking the top prize, Outstanding Achievement in Nonfiction Feature Filmmaking, while Heidi Ewing and Rachel Grady’s Detropia also took two prizes, for directing and score. Jason Tippet and Elizabeth Mims (2012 “25 New Faces” alums for their film Only the Young) won Best Debut Feature, while a slew of acclaimed 2012 docs such as Chasing Ice, How to Survive a Plague, Bully, The Imposter and Searching for Sugar Man picked up statuettes too. With the announcement this morning […]
After an overwhelmingly successful inaugural year, Executive Director Gregory Kallenberg announced that the second annual Louisiana Film Prize filmmaking competition will launch today, complete with a $50,000 cash prize to be awarded to the Grand Prize Winner. Building on last year’s success, this year’s festival will also increase the number of “Founder’s Circle” Grants from 3 to 5 recipients. These grants, of $3000, are awarded by the judges’ panel during the festival weekend and are meant to enable filmmakers to offset the future costs of creating their submissions for the following year’s festival. The 2013 Louisiana Film Prize jury, a combination of […]
For much longer than I care to think about I’ve been hitting the road and traveling the friendly skies far and wide, covering film festivals both nationally and internationally. And yet it never ceases to amaze me how often paid publicists and filmmaker-publicists shoot themselves in the proverbial foot when it comes to obtaining coverage for their indie endeavors. So with Sundance nearly upon us, I thought it might be helpful (and in my case, cathartic) to go over a few dos – and two definite don’ts – when it comes to working the PR machine. DO everything in your […]