Independent producer Ted Hope, who recently left his position as CEO of Fandor, has been announced as the new Head of Production for Amazon Original Movies. As announced by Amazon today, the division, part of Amazon Studios, will produce and acquire up to 12 films a year for theatrical release and then early window play on Prime Instant Video four to eight weeks later. With producing credits such as The Ice Storm, 21 Grams, Super and Hope, of course, is well known to Filmmaker readers and, encouragingly, he has been tapped to bring “unique stories, voices, and characters from top […]
Creative Capital, the granting and artist support organization, announced today its 2015 awardees in the categories of Moving Image and Visual Arts. Out of 3,700 submitted proposals, 46 projects were funded with the 50 supported artists ranging in age from 28 to 80. More than half our women, and and more than half identify as non-European American. Among the grantees are a number of artists who will be recognized by the Filmmaker readership. Here are just a few of them. Veteran director Michael Almereyda receives his first Creative Capital grant for a series of short films based on Italian folktales. […]
My knowledge of Cuban cinema is limited to a handful of films — one or two native productions and works by foreigners like Wim Wenders’ Buena Vista Social Club and Michael Rubbo’s Waiting for Fidel. So my interest was aroused when President Obama announced his administration’s change in policy regarding Cuba. The political ramifications of the President’s policies are, of course, extremely personal for Cuban-Americans, and discussions about the politics of the announcement and human-rights issues in Cuba are occurring across the nation(s). While not disregarding these discussions, I wanted to take a moment to look at the possibilities normalized relations might create […]
CPH:DOX is like a strange dream. That dream where you wake up and everyone understands that artistically motivated documentaires have a place, have meaning, are celebrated. And frankly the weirder the better. The pitch forum at this Copenhagen-based documentary festival is no exception. Coming up on its fourth year, it is the home of the eccentric doc sibling. The one that confounds and delights, and maybe has broadcast potential, but maybe could also play in an art gallery. In its beautiful peculiarity, the CPH:DOX forum stands out strongly from most of the other pitch forums that abound on the documentary […]
The 27th annual International Documentary Film Festival Amsterdam (IDFA) is one of the largest and most prestigious documentary film festivals in the world. Beyond being just a festival, though, for the past 22 years IDFA has hosted a networking and business-oriented pitch session, the IDFA Forum, where selected documentary filmmakers have an opportunity to meet with an array of commissioning editors from around the world (with a high concentration of European broadcasters, naturally). Over the course of nearly three full days, commissioners sit around small round tables or in a large auditorium arena and weigh in on project pitches while […]
Academy Award-nominated filmmaker Guy Davidi is currently raising funds on Indiegogo for Mixed Feelings. From the Indiegogo page: is an inspiring story about cultural resistance of Israeli director and teacher, Amir Orian – a once successful actor that left his blooming career to create an alternative theater in his own apartment. This documentary tries to create space for artistic expression and the discussion of alternative points of view in a country troubled by destructive nationalistic forces.” Below, Davidi writes about the life of the filmmaker who chooses to make provocative work. Please visit the Indiegogo page linked above to learn more […]
Along with the usual “ten best” lists, year’s ends in the movie blogosphere have recently included producer and Fandor CEO’s exhaustive surveys of the film industry’s good and the bad — the business practices, social trends and technological issues that improve or deteriorate our lives as both filmmakers and film viewers. This year, prior to their complete unveiling at his Hope for Film blog, Hope has given three outlets early previews. Below, here at Filmmaker, are 10 More Bad Things about the Film Business, following up on Hope’s first ten over at Keyframe and 10 Really Good Things about the […]
Currently raising funds on Indiegogo is an ambitious animated feature by filmmaker Ann Marie Fleming, Window Horses. With a lead character voiced by Sandra Oh, the film uses the medium of poetry to explore ideas of cross cultural exchange. From their Indiegogo page: In this coming-of-age story, Rosie Ming, a young Canadian poet, is invited to perform at a Poetry Festival in Shiraz, Iran, but she’d rather be in Paris. She lives at home with her over-protective Chinese grandparents and has never been anywhere by herself. Once in Iran, she finds herself in the company of poets and Persians, all […]
In a small Vermont town on the edge of the Green Mountain National Forest, an hour and a half from Albany NY, the Independent Television and Film Festival (ITVFest) holds its annual get together. Taking place in the fall, ITVFest is very similar to a film festival, with screenings, panels and talks given by content producers. But rather than films, it focuses on TV and web entertainment. ITVFest started in L.A. in 2006, then moved to Vermont in 2013. I attended some of the screenings of web productions in a large tent set up for the event, as well as […]
Writer/director Devin E. Haqq is currently on Kickstarter raising funds for his ambitious indie Shakespeare adaptation, Ambition’s Debt. Read his essay below on deciding to crowdfund, and consider supporting his project. Night after night, I lose sleep, wracking my brain over this mad dash to reach an unbelievable goal on Kickstarter. With everything involved in this crowdfunding campaign for my feature project, Ambition’s Debt, an adaptation of William Shakespeare’s Julius Caesar, I find myself asking the same question; “What the hell was I thinking?” People say it’s a full-time job and it’s so intense, but you can never really know […]