Filmmaking
Filmmaking
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“I Have to Feel Sincere and Real When I Do It”: Joanna Fang on the Lifestyle Work of the Foley Artist
In Weiner, Josh Kriegman and Elyse Steinberg’s documentary about Anthony Weiner’s attempted political comeback running for New York mayor, there’s a scene of Weiner shoveling a drippy deli wrap with a side of crispy fries in the back seat of his car. Between bites, Weiner chews through his hopes of a rebounding campaign after having sabotaged it by, once again, sexting on Twitter. He gazes out the car window, jaw muscles flexing, trails off mid-sentence, and dumps the plastic to-go container’s final fistful of french fries directly into his mouth. The masticating sounds of Weiner lunching were produced at Alchemy […]
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The Asphalt Jungle, Loophole and More: Jim Hemphill’s Home Video Recommendations
Nearly 30 years after his death, writer-director John Huston remains, in my estimation, a slightly underrated figure in the landscape of American cinema. This may seem like a perverse statement given his multiple Academy Award nominations (including two wins) and the fact that several of his films (The Maltese Falcon, The Treasure of the Sierra Madre, The African Queen, etc.) are widely acknowledged classics, but Huston is even better — far better, in fact — than his reputation suggests. His is a career of astonishing variety and endless probing, one that includes not only multiple jewels of classical Hollywood narrative […]
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Listen: Brian McOmber’s Haunting Score for Celia Rowlson-Hall’s MA
Celia Rowlson-Hall made our 25 New Faces list in 2015 on the basis of her entirely original, stunningly assured and nearly indescribable feature debut, MA. A year later, we picked for the list her film’s composer, former Dirty Projectors drummer Brian McComber, who not only composed her amazing score but did similarly outre work for Trey Shults’s Krisha. As he relates in our profile, the experimentalism of Rowlson-Hall’s film let him go slightly wild with the score; hence, the evocative gongs and cymbals. Now, over at the Soundcloud page of the film’s production company, MEMORY (yet another 25 New Face […]
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Four Lessons for Filmmakers from Julian Rosefeldt’s Manifesto
Throughout December, perhaps the best film showing in New York wasn’t in a theater at all but in a Civil War-era equine drill hall. Julian Rosefeldt’s Manifesto, a multiscreen installation starring Cate Blanchett in twelve different roles, closed its stay at the Park Avenue Armory last week. A single-screen linear version will reach a broader audience at Sundance next week, prompting me to reflect on the (presumed) differences between the two versions and what video artists and filmmakers of all stripes can learn from Rosefeldt’s latest work. First, a description. Manifesto takes its title and its text from the written manifestos of artists […]
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Will Streaming Services Gain the Right to Show Films without Licensing?
As Filmmaker recently reported, on January 1 in the U.S. the federal tax incentive program known as Section 181 expired, with little prospect of resuscitation: although the program benefits high net worth individuals like Donald Trump and his advisors, current Republican animosity toward Hollywood (see: Meryl Streep) could translate to low congressional will to assist the film industry. This has the potential to reduce filmmakers’ options at the beginning of a project’s life cycle. But another issue is emerging that could affect it at the end: the continuing legal battle over the streaming company VidAngel and their incipient campaign to have Congress strengthen the […]
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Sundance Trailer Watch: The Female-Directed Horror Anthology XX
Four female directors helm the various short works comprising XX, a new horror anthology from Magnet Releasing. Directors include musician Annie Clark (aka St. Vincent) and Karyn Kusama, whose Girlfight graced our Summer 2000 issue and whose The Invitation is one of the best films — horror or otherwise — of ’16. From the press release: XX is a new all-female helmed horror anthology featuring four dark tales written and directed by fiercely talented women: Annie Clark (St. Vincent) rocks her directorial debut with The Birthday Party; Karyn Kusama (The Invitation, Girlfight) exorcises Her Only Living Son; Roxanne Benjamin (Southbound) […]
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Panasonic GH5 Raises the Bar with 6K and Much More
Panasonic’s GH4 has been a hit with documentary and low-budget indie filmmakers thanks to its small size, internal 4K recording and low cost. But it’s now over two and a half years old, and in today’s world that can be a lifetime for a camera. Fortunately, Panasonic has a replacement coming that looks like it could be as popular as the GH4, not only because it improves on the original capabilities but because it also marks a first step to 6K capture. Panasonic first teased the GH5 in September, but at CES they announced the feature list, along with planned […]
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Big Sky Documentary Film Festival 2017 Announces Full Lineup
The 14th annual Big Sky Documentary Film Festival has announced the official selections of the 2017 festival, which takes place February 17-26 in Missoula, Montana. The festival will screen over 200 films from 50 nations as well as retrospectives of Academy Award-winning filmmaker Daniel Junge and Montreal-based film collective EyeSteelFilm. In addition to retrospective programs, planned special events include Healing Blue, a multimedia dance/film performance. Longtime partner HBO Documentary Films will present Alexis Bloom and Fisher Stevens’ new feature Bright Lights: Starring Carrie Fisher and Debbie Reynolds on opening night. Closing night will be presented by Big Sky premiere sponsor Showtime Documentary Films. Other films to be screened during the festival include Leah […]
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Welcome to the Working Week: On Paterson and Groundhog Day
Every day begins the same: We wake up. Usually in a bed, often by an alarm. Sometimes a pet gets me, or a slice of sunlight, or the shrill beeps of a garbage truck. I awake with a slow fade, or maybe a jolt, or perhaps only after a series of false starts. We can delay our rise from bed, but the inevitable remains: A full day of consciousness awaits us. How will we use it? How do we live life so we can live with ourselves? For Phil Connors, he awakes at the strike of 6:00 AM to the […]
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Rotterdam Announces its 2017 Hivos Tiger Competition Films
The International Film Festival Rotterdam announced today the eight films that will comprise its 2017 Hivos Tiger Competition. Among the titles are films from the Chile, India, Bulgaria and the United States, the latter represented by the first narrative feature of kogonada, one of Filmmaker‘s 2014 25 New Faces. Commented Festival Director Bero Beyer, “This years line-up of the Hivos Tiger Competition features bold and daring filmmakers that don’t shun the use of other media, alternative narrative structures and provocative and relevant themes. The nominees and their works deserve international recognition for their artistry. We are proud to present each […]
