Filmmaking
Filmmaking
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The Rasmussen Brothers on Shooting Their Microbudget Horror Film, The Inhabitants, Part One
Two years ago the Rasmussen brothers, Michael and Shawn, spoke to us about the production of their low-budget horror movie Dark Feed. Now the directors and screenwriters (they scripted John Carpenter’s The Ward) are back to talk about their new New England-set horror film The Inhabitants, and the lessons learned making a movie on an even tighter budget. Filmmaker: How did this project start? Michael: The whole thing came about as we were finishing Dark Feed. One of our filmmaker friends said, “You want to keep the momentum going and get started on the next project.” A producer friend who had […]
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Miami Female Filmmakers: Three Points of View on Thursday, October 22
I’ll be moderating a Q&A tomorrow night, Thursday, October 22, in Miami with three of the city’s most compelling and original filmmakers: Jillian Mayer, Monica Pena and Carla Forte. It’s the closing night of this edition of the Miami Beach Cinematheque’s “Speaking in Cinema” series, and we’ll be discussing the individual works by these directors that have played at this series as well as the filmmakers’ general practice and thoughts on the Miami scene. Filmmaker readers will be familiar with Jillian Mayer’s work as she, along with partner Lucas Leyva, were selected for our 25 New Faces list in 2012. […]
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How to Stretch One Apartment into Five Locations: Ricky D’Ambrose on Making Six Cents in the Pocket
Ricky D’Ambrose’s Six Cents in the Pocket premiered at this year’s New York Film Festival. In a guest post, he explains how the film was made, in both technical and artistic terms. Six Cents in the Pocket was made improbably, at a pittance, with a cast of four and a crew of two, for eight days in February and March of 2015. Shot chiefly in one apartment serving at different times as two separate homes, a coffee house, antique store, and a picture-frame shop, the film was a chance to satisfy, in some small way, two needs: first, to make something — […]
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Atomic Living as a Productive Way to Advance in Life: Musician Kiran Gandhi on She Does Podcast
Kiran Gandhi toured the world as M.I.A’s drummer, earned a business degree from Harvard, and trained to run a marathon, all at the same time, but there’s a lot more to her than that. She’s an outspoken, ambitious, radical young woman who pours herself and her skills into gender equality, especially within the music industry. Kiran made headlines, both positive and negative, after she ran the 2015 London Marathon as a “free-bleeder,” or without a tampon. This week on She Does Podcast we talk about how to handle pushback and criticism, about her wholesome but unconventional upbringing, about living spontaneously, […]
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NYFF Critics’ Notebook: Paul Thomas Anderson’s Junun
I don’t think it’s unreasonable to speculate that any director, following his second ambitious, divisive high-profile theatrical underperformer/probable money-loser (or anyone fresh off a recently completed production, really), might generally welcome a chance to get out of town. It’s unclear how far in advance Radiohead’s Jonny Greenwood planned to go to Rajasthan to collaborate on an album with Israeli-born, Indian-residing Sufi convert Shye Ben Tzur, or whether Paul Thomas Anderson initially committed to tagging along; regardless, it seems to have been restorative fun. Junun is a 54-minute music doc in which Anderson shoots whatever he wants, however he wants to. There are five credited camera operators, including Anderson […]
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Vimeo Announces New Slate of Original Series
This morning, Vimeo announced a new slate of “Vimeo Originals,” serialized and short form content available for purchase exclusively on the streaming platform. Now that their first Original, High Maintenance, has moved to HBO, Vimeo is going beyond the web series, and into comedy specials and short films. Bianca del Rio’s Rolodex of Hate Comedy Special will premiere in December, while The Outs and Aidy Bryant’s Darby Forever will follow early next year. As much as Vimeo is pushing the envelope in its embrace of different formats and particular demographics, the selections corroborate comedy as internet king. Via Vimeo, below is a rundown of each of the three Vimeo Originals on the […]
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Chantal Akerman, 1950-2015
The great director and artist Chantal Akerman has died in Paris. Filmmaker will have more on Akerman in the days ahead, but here are several of her short(er) films, with the hope that you will all take to Hulu/Criterion, Fandor or even a video store to seek out her feature length masterpieces, a description that doensn’t begin to cover the work of one of the 21st century’s most significant artists. Her final feature, No Home Movie plays tomorrow and Thursday at the New York Film Festival. Lastly, a word from J. Hoberman on his quest to cover Jeanne Dielman for The Village Voice — it didn’t arrive […]
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IFP Announces Fall and Winter Slate for the Theatrical Screen Forward Series
IFP has announced the complete lineup for the Fall and Winter season of their Screen Forward series. The four films, Field Niggas, Funny Bunny, Cronies and Henry Gamble’s Birthday Party, will each receive a weeklong theatrical run at the Made in New York Media Center by IFP in Dumbo. Read up on the films below. October 16 – October 22 FIELD NIGGAS, directed by Khalik Allah A wise-cracking, probing urban flaneur, Khalik Allah paints an impressionistic portrait of the loiterers and denizens in and around 125th Street and Lexington Avenue in Field Niggas. Beneath the bright lights of a corner convenience store, Allah […]
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NYFF ’15: In The Shadow of Women and No Home Movie
Slotting a festival schedule is one of those tasks that falls subject to a number of outside variables, namely, filmmaker and celebrity availability. One would figure that less thought goes into structuring a press and industry schedule, where 10 AM screenings are decidedly void of glamour, and yet the occasional revelatory double feature presents itself, in which two disparate filmmakers appear in dialogue. Case in point: back-to-back screenings of Philippe Garrel’s In the Shadow of Women and Chantal Akerman’s No Home Movie proved a joint exercise in obstruction, fostering a shifting interplay between objects and protagonists, despite their very different surroundings. Garrel […]
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NYFF Critics’ Notebook: The Sky Trembles and The Earth is Afraid and the Two Eyes are Not Brothers
The Sky Trembles and The Earth Is Afraid and the Two Eyes are Not Brothers (you can memorize the title after reciting it enough times — don’t fret) opens with a small fleet of ’80s Mercedes-Benz coupes, trailed by dune buggies, speeding across a desert. A chase scene entered in media res? The armed-escort arrival of dubious capitalists on the trail of some as-yet-underexploited resource? (Is there any more potent symbol of ostensibly removed colonialism’s lingering presence than the unkillable, diesel-fueled Mercedes that still stalk the globe?) As the sun sets and the caravan moves closer, the camera inches from a far-off, locked-down wide lens perspective to closer […]
