Filmmaking
Filmmaking
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Cinematographer Dominique Colin on Shooting the Sundance World Competition Film, The Summer of Sangaile
From Lithuania and screening in Sundance’s World Cinema Dramatic Competition, The Sound of Sangaile is a film that fuses a teenage girl’s coming-of-age story with a fantasy of flight. With a protagonist obsessed with stunt planes and plenty of aerial photography, Alante Kavaite’s feature posed challenges to cinematographer Dominique Colin — whose credits include, I must note, two masterpieces and personal favorites by Gaspar Noe (Carne and I Stand Alone). Below, Colin discusses those challenges and more. The Sound of Sangaile premieres on Sundance’s opening day, Thursday, January 22. Filmmaker: How and why did you wind up being the cinematographer […]
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“Someone Always Has to Compromise”: Peter Strickland on The Duke of Burgundy
With The Duke of Burgundy, the cinephilic English director Peter Strickland has made his third — and perhaps best — film to playfully riff on genre conventions. What begins as a bloodless tale of mistress and maid blossoms into a poignant, cyclical exploration of a couple’s inability to compromise on sexual predilections. Best experienced with an uninitiated pair of eyes, The Duke of Burgundy is an increasingly rare film that, for all its reflexive homages and aural intricacies, never forgoes substance for style. Filmmaker spoke to Strickland about scripting tone, genre aesthetics, and the ways in which his film aims to […]
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Five Questions with Mulignans Director Shaka King
Certain to be one of the most intelligent films at Sundance, Shaka King’s Mulignans is four minutes of biting, vicious satire that ably turns the tables on its viewer. A response to the casual and not-so-casual racism of your average gangster film, King and his cohorts commiserate from the stoop of their Bed-Stuy brownstone about the influx of white people in the neighborhood, in thick Italian accents, wild gesticulations and track suits. Even before King’s character is throwing his cigarette butt at a passing white boy or casually calling a white woman the n-word, you sense just how deeply absurd it is that […]
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Cinematographer John Gulesarian on Shooting Sundance Dramatic Competition Film, The Overnight
Following 2014’s Song One and 2013’s Breathe In, cinematographer John Gulesarian returns to Sundance with his third film in three years, The Overnight. Directed by Patrick Brice and starring Adam Scott and Taylor Schilling, the film is set during a long Los Angeles night, one in which a chance encounter between two families leads to what the program calls “a painfully funny take on sexual frustration and parenthood.” The film premieres Friday, January 23 in the Dramatic Competition. Below Gulesarian talks about small crews, practical lights, and how a $10 piece of equipment can save the day. Filmmaker: How and […]
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“Know Your Beat”: (T)ERROR Director Lyric Cabral Offers Advice on Documentary Pitching on the She Does Podcast
This week on the show, we interviewed photojournalist and documentary filmmaker, Lyric Cabral. She, along with her co-director David Felix Sutcliffe, is premiering her feature-length film (T)ERROR at Sundance this year in the U.S. Documentary category. (T)ERROR is billed as “the first film to document on camera a covert counterterrorism sting,” but the documentary has been in the works for over a decade. Lyric came across the film’s subject, an FBI informant, when she was only 19, but knew she was too young to tackle the story then. Lyric talks about the uncomfortable situations she’s found herself in as a […]
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Learning from The Interview at the 2015 Art House Convergence: Sundance’s Keri Putnam Calls For New Distribution System
This year’s Art House Convergence (AHC), the organization’s 10th annual event, drew 500 delegates from art house cinemas, film festivals, and film distributors to Midway, UT to discuss the state of independent film exhibition in the United States. Over the course of the organization’s first decade, the AHC has grown from a small gathering of two dozen non-profit cinemas seeking new ways to support independent film while building sustainable business models for their theaters into something of a full-blown trade organization. Now it represents the interests of hundreds of theaters (and helps incubate the development of a similar organization for […]
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Speed the Plow, Gently (Or, What I Took Away From the 2014 IFP Narrative Labs)
Toru Takemitsu referred to music as the art of time. He modeled his compositions after gardens, attributing the ideas of time and space involved in cultivation to the placement of notes and time signatures within his music. The elements of nature were musical notations; dirt was the base layer; the stones never move; some plants grow and have different cycles than others. The ideas of cultivating time, space, movement, and growth into a composition were an inspiration to my process as a filmmaker. Like a garden, a film involves a delicate balance that you can never force or will into […]
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5 Things Cinematographers Don’t Talk About
I only faintly recall writing my last entry for Filmmaker Magazine. I was huddled over at some bar at a busy airport, in between jobs and cities I’ve only seen through the windows of a hotel: a cinematographer’s life. I do remember the article was a bit cheeky — I was pretty elated with the success of It Felt Like Love — so I thought this time that to commemorate Kumiko, the Treasure Hunter I’d get down to brass tacks. Here are five things cinematographers don’t talk about. 1. When to Say No Possibly one of the hardest parts of […]
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What Everyone Does on a Film Set
For those new to physical production, here is a list of film set departments, with notes on their staff positions, responsibilities, benefits and attractions. PRODUCTION Personnel: Production Manager, Production Coordinator, Office PAs, Assistants to Directors and Producers. Responsibilities: Organization, preparation, taking care of actors, producers and director. Join this department if you like: Working on a movie without being chained to a set, knowing everything that’s going on, fielding constant complaints. Favorite Game: Choosing a new person to hate every day. ASSISTANT DIRECTOR DEPARTMENT Personnel: 1st AD, 2nd AD, 2nd 2nd AD, Key PA, On Set Interns. Responsibilities: […]
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Victoria’s Film Exchange, A Production Resource for Filmmakers, Premieres The Strongest Man at Sundance (Sponsored Post)
Looking to make the most of a modest independent film budget? The Victoria, Texas-based Film Exchange invites filmmakers to come and take advantage of $500,000 worth of equipment — for free. Through Film Exchange, filmmakers can save thousands of dollars and raise their production value by implementing gear from the Film Exchange studio, including the 4K Canon C500 and Blackmagic 2.5K cameras, Zeiss cinema zooms and compact primes and a $60,000 sound package including Lectrosonic transmitters and Sennheiser microphones, as well as five 4K post-production and color grading stations. In addition to providing production services, Film Exchange can help with […]
